7.1/10
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8 user 50 critic

The Day He Arrives (2011)

Book chon bang hyang (original title)
Not Rated | | Drama | 8 September 2011 (South Korea)
A professor in the film department at a provincial university goes to Seoul to meet his senior, who works as a film critic, and stays in a northern Seoul village for three days.

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1 win & 1 nomination. See more awards »
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Cast

Credited cast:
...
Sungjoon
...
Youngho (as Sang Jung Kim)
...
Boram
Bo-kyeong Kim ...
Kyungjin / Yejeon
Rest of cast listed alphabetically:
Jae-hong Ahn ...
(as Jaehong Ahn)
Yoo-ram Bae ...
Student 2 (as Yuram Bae)
Hyeon-jin Baek ...
Composer
Jeehyung Jung
Joobong Kee
Hyunjin Koo
Jonghak Paik
Sumin Park
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Storyline

A professor in the film department at a provincial university goes to Seoul to meet his senior, who works as a film critic, and stays in a northern Seoul village for three days.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

8 September 2011 (South Korea)  »

Also Known As:

The Day He Arrives  »

Box Office

Opening Weekend:

$3,311 (USA) (20 April 2012)

Gross:

$11,819 (USA) (31 August 2012)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Aspect Ratio:

1.85 : 1
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User Reviews

 
A man has similar experiences day after day.
8 May 2012 | by See all my reviews

This genuinely weird Korean film seemed like a fusion of "Groundhog Day" and "No Exit" but in a style that married Eric Rohmer and Woody Allen. I don't really know if I liked it or not and kind of admire it for that. A Korean film-maker, who has forsaken the art world for a simple life as a rural school-teacher, returns to Seoul to reunite with friends. The first night is an enthralling experience of great, drunken conversation on the nature of chance and identity, with much drunken lust thrown in. Each following day becomes a less satisfying copy of the first. Time has stopped, and only the director seems (semi) conscious of it. I would interpret this work as a kind of confession. The director's development has been entrapped by his vanity even as he strives for a life of modesty. Whatever else, it captures Seoul, and drunken satisfaction- be it intellectual or amorous- very nicely.


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