In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his ... See full summary »
Two stories for the price of one: Lenny works in a video shop and tries to get aquainted with the waitress Lea. Leo beats his pregnant wife, Louise, which is a VERY bad idea, as her brother, Louis, is a violent racist.
Nicolas Winding Refn
Rikke Louise Andersson
When 19-year-old Adam agrees to do a day's driving for his mum's gangster boyfriend Peter, it takes him on a 24-hour journey into a nightmarish world of murder, sex trafficking and revenge, in the company of aging hit man Roy.
When unemployed soccer hooligan Mike Jacobs encounters an old friend during a bloody pregame brawl, he finds the answer to his problems - credit card fraud. But before long, the fast paced ... See full summary »
Follows two infamous London gangsters, Mickey Mannock and Ray Collishaw. Both men are top of the food chain when their world is turned upside down as they lose a shipment of the Russian Mafia's cocaine.
PUSHER was a strong and vivid little Danish crime thriller, made by Nicolas Winding Refn back in 1996. It was the start of what has become a successful Hollywood career, and obviously at some point somebody had the grand of idea of shooting an English-language remake. Unfortunately, this remake is completely redundant for anybody who's seen the original. It's a scene-for-scene copy, one of those which I hate, and other than the different backdrops and actors everything plays out almost exactly the same. And, somewhat inevitably, it's an inferior product to the first film in every respect.
The cast just don't scream authenticity here as they did in the original film. Richard Coyle is a selfish, mean-spirited protagonist and I found myself actively wishing for his demise. Bronson Webb takes the Mads Mikkelsen role from the first film and is absolutely awful, going way over the top without any attempt at restraint. The only decent performance comes from Zlatko Buric, making a welcome turn from the Danish film and playing the same role.
Inevitably the sex, violence, and profanity are ramped up from the original movie, but the script feels lowbrow and director Luis Prieto is no Nicolas Winding Refn, that's for sure. His attempts at style, with the camera speeding around his protagonist while thumping music plays, just feel dated and very 1999. Not a good film at all.
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