In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his ... See full summary »
Leo and Louise are a young couple living together in Copenhagen. Leo often goes out with his friends while Louise usually stays home. But when Louise tells Leo she's pregnant, a spark is ... See full summary »
Nicolas Winding Refn
Rikke Louise Andersson
Milo, a 10-year old boy tries to find a foothold in a life after the death of his twin brother. His only way out of the terrifying void is to devote himself to completing a go-cart he and ... See full summary »
Lena B. Eriksson,
1000 AD, for years, One Eye, a mute warrior of supernatural strength, has been held prisoner by the Norse chieftain Barde. Aided by Are, a boy slave, One Eye slays his captor and together ... See full summary »
Nicolas Winding Refn
A cinematic snapshot observing the morning routine of a family in 1940s Britain. Mum makes breakfast. Dad reads the paper. Samantha tries to get ready for work but her sister, Rachael, is ... See full summary »
A loop through the lives of three street urchins, barely into their teens, pickpockets in Barcelona. While Migue and Mara make love on a rooftop, Ahmed, a Moroccan kid who's come to Spain ... See full summary »
Hafid Abou El Hakan
For some strange reason, I thought this film being executive produced by NWR would render better results. Alas, I was duped again by marketing.
I should have known. After all, what made the original Pusher (and it's two sequels) great was not the very basic, over told story, but rather the style of NWR's direction, the performances of the actors and the very real time nature of the film.
The directing here is quite pedestrian and downright lazy, bringing nothing of the style of the original. The acting is decent, but again we've already seen this done better.
And by the way, this film was already remade two years ago in India.
Every director has movies they just LOVE and would want to emulate. For such a basic story, this director could have come up with any one of many basic "drug deal gone bad" stories and used his style to tell it. Unfortunately, this film takes the easy way out, trying to simply capitalize on the name of the original, without elevating it.
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