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Good Vibrations (2012)

 -  Biography | Drama | Music  -  29 March 2013 (UK)
7.2
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Ratings: 7.2/10 from 2,372 users  
Reviews: 19 user | 64 critic

A chronicle of Terri Hooley's life, a record-store owner instrumental in developing Belfast's punk-rock scene.

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Title: Good Vibrations (2012)

Good Vibrations (2012) on IMDb 7.2/10

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Nominated for 1 BAFTA Film Award. Another 3 wins & 4 nominations. See more awards »
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Cast

Credited cast:
...
Ruth
...
Davy
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Greg Cowan
...
Pat
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Eric
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Ronnie Matthews
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George
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Terri Hooley
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Getty
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Andy
Diarmuid Noyes ...
Brian Young
...
Paul McNally
Richard Clements ...
Marty
Ruth McCabe ...
Mavis
...
Mickey Bradley
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Storyline

In 1970s Belfast, Terri Hooley is an idealistic rocker who finds himself caught in the middle of Northern Ireland's bitter Troubles. Seeing a parallel in the chaos with Jamaica, Hooley opens a record shop, Good Vibrations, to help bring reggae music to his city to help encourage some harmony. However, Hooley soon discovers a new music genre, punk rock, and is inspired by its youthful vitality to become an important record producer and promoter of the local scene. In doing so, Hooley would struggle both with the industry's realities and his chaotic personal life that threaten to consume him. However, he would also be instrumental in creating an alternative Irish community that would bridge his land's religious and social rivalries with an art no one expected. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Biography | Drama | Music

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Details

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Release Date:

29 March 2013 (UK)  »

Also Known As:

Dobre vibracije  »

Company Credits

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Technical Specs

Runtime:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the first music recording studio scene in the movie when the actor Richard Dormer playing Terri Hooley manages to get a slot to record the single Big Time by Rudi there is an accordion player in the recording booth in the background. The accordion player is the real Terri Hooley in a cameo appearance. See more »

Connections

Featured in The EE British Academy Film Awards (2014) See more »

Soundtracks

You're a Disease
Written by Martin Cowan
Performed by Cathal Cully, Danny Todd and Keith Winter
Produced by Brian Young
Published by © 2006 Cherry Red Songs for The World
Administered by Kassner Associated Publishers Ltd.
Used by permission. All rights reserved
See more »

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User Reviews

 
An entertaining music biopic
5 April 2013 | by (Edinburgh, Scotland, UK) – See all my reviews

This is a biopic about Terri Hooley, the owner of Good Vibrations record shop and record label. His biggest claim to fame was in getting The Undertones seminal single Teenage Kicks to DJ John Peel. Considering that this became Peel's favourite song of all time, this is something of note. I hadn't heard of Hooley, or Good Vibrations but this isn't too surprising seeing as – aside from The Undertones who were only involved with him briefly – the other punk bands on his label were very minor players such as The Outcasts and Rudi. It's probably fair to say that the movie overstates the significance of Hooley and of Belfast as a punk capital.

Nevertheless, this is still a good film. It successfully illustrates how punk rock served a different purpose in Belfast compared to most other places. It happened during the height of The Troubles and music was a means of bringing people together from both sides of the fence, while the youthful anger of punk rock tapped into something very relevant in a population living in grim times with the fear of violence a constant situation. To help give a better feel for the times there are actual newsreels from the period spliced into the story. Although the politics always hover in the background and never really move into the central ground of the story. This is above all a story about the love of music and its power to overcome wider concerns. Although, admittedly it failed to bring an end to the civil war, seeing as it lasted for a further twenty years.

The story is a fairly standard feel-good biopic with a little bit of adverse drama thrown in about two thirds of the way in. In fairness, it's only being true to its source material which is fairly slight to begin with. The period setting is captured quite well in its beige horror although there were some (very) dodgy wigs on display. This will connect most with folks who remember the punk times, especially ones who were in Belfast at the time. But it is a good film about a minor piece of music history.


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