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Directed by | |||
| Leslye Headland | |||
Writing credits(WGA) | ||
| Leslye Headland | (screenplay) | |
| Leslye Headland | (based on the play by) | |
Produced by | |||
| Matthew Vose Campbell | .... | associate producer | |
| Brice Dal Farra | .... | producer | |
| Claude Dal Farra | .... | producer | |
| Jessica Elbaum | .... | producer | |
| Will Ferrell | .... | producer | |
| Leslye Headland | .... | co-producer | |
| Chris Henchy | .... | executive producer | |
| Carly Hugo | .... | co-producer | |
| Jason Janego | .... | executive producer | |
| Brian Keady | .... | associate producer | |
| Adam McKay | .... | producer | |
| Lauren Munsch | .... | producer | |
| Matthew Parker | .... | co-producer (as Matt Parker) | |
| Paul Prokop | .... | executive producer | |
| Tom Quinn | .... | executive producer | |
Original Music by | |||
| Andrew Feltenstein | |||
| John Nau | |||
Cinematography by | |||
| Doug Emmett | |||
Film Editing by | |||
| Jeffrey Wolf | |||
Casting by | |||
| Jennifer Euston | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Casey Smith | |||
Set Decoration by | |||
| Mary Prlain | |||
Costume Design by | |||
| Anna Bingemann | |||
Makeup Department | |||
| Jill Astmann | .... | key makeup artist (as Jill Astman) | |
| Barbara Lacy | .... | makeup department head | |
| Liliana Meyrick | .... | hair stylist | |
| Vanessa Heshima Sims | .... | hair department head | |
| Vera Stromstead | .... | key hair stylist | |
| Sylvia Malangone Cappelli | .... | makeup artist (uncredited) | |
| Rosanne Puchal | .... | additional makeup (uncredited) | |
| Stayc St. Onge | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Parry Creedon | .... | production supervisor | |
| Isabel Henderson | .... | post-production supervisor | |
| Jeremy Newmark | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Mark Cash | .... | first assistant director | |
| Jack Mandell | .... | second assistant director | |
| Alejandro Ramia | .... | second second assistant director | |
Art Department | |||
| Francis Conley Jr. | .... | construction grip | |
| Doreen Cortell | .... | assistant property master | |
| Thomas A. Delillo | .... | leadman (as Tommy Delillo) | |
| Amy Dholakia-Jorand | .... | graphic design (as Amy Dholakie) | |
| Tom Donaldson | .... | art department production assistant | |
| Gavin Holmes | .... | carpenter | |
| Shaun Kalinsky | .... | shop craft | |
| Michael B. Lewis | .... | set dresser (as Michael Baldwin Lewis) | |
| James Lucas | .... | construction grip | |
| Talia Mendillo | .... | art department coordinator | |
| Gregory D. Neumunz | .... | on-set dresser (as Gregory Neumunz) | |
| James R. Power | .... | carpenter (as James Power) | |
| Stephen Powers | .... | property master | |
| Kevin L. Raper | .... | graphic design (as Kevin Raper) | |
| Robert Tedeschi | .... | construction grip | |
| Richard Tenewitz | .... | construction coordinator | |
| James Wendelken | .... | key carpenter | |
| Ian O'Neill | .... | construction grip (uncredited) | |
| Noreen Souza-Bailey | .... | shop manager (uncredited) | |
Visual Effects by | |||
| Jamie Baxter | .... | compositor: XY & Z Visual Effects | |
| Trinh Baxter | .... | compositor: XY & Z Visual Effects | |
| Chris Ervin | .... | compositor: XY & Z Visual Effects | |
| Roger Mocenigo | .... | compositor: XY & Z Visual Effects | |
| Jason Newmark | .... | visual effects | |
| Mike Uguccioni | .... | visual effects supervisor: XY & Z Visual Effects | |
| Magno Borgo | .... | compositor (uncredited) | |
| Chris De Santo | .... | visual effects supervisor (uncredited) | |
| Rob Geddes | .... | compositor (uncredited) | |
| David Hackenburg | .... | visual effects supervisor (uncredited) | |
| Nicholas Lambert | .... | compositor (uncredited) | |
| James Pina | .... | compositor (uncredited) | |
| Dan Walden | .... | visual effects (uncredited) | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| M'Wasi Berkley | .... | key rigging grip | |
| Patrick M. Bracey | .... | second assistant camera: "b" camera (as Patrick Bracey) | |
| Jeffrey Steven Brink | .... | rigging gaffer (as Jeffrey Brink) | |
| John H. Brown | .... | electric | |
| Michael Burke | .... | first assistant camera: "a" camera | |
| Jac Cheairs | .... | electric | |
| Robert Davis | .... | electric | |
| Bill Dixon | .... | key grip | |
| Andrew Engert | .... | generator operator | |
| Andrew Falk | .... | rigging gaffer | |
| Josh Falk | .... | best boy rigging electric | |
| Michael Fuchs | .... | camera operator: "b" cameea (as Mike Fuchs) | |
| Michael Fuchs | .... | steadicam operator (as Mike Fuchs) | |
| Mara Galus | .... | additional second assistant camera | |
| James Glenn | .... | best boy rigging grip | |
| Derek Gross | .... | gaffer | |
| Sarah L. Hendrick | .... | first assistant camera: "a" camera (as Sarah Hendrick) | |
| Samuel Herbig | .... | best boy electric (as Sam Herbig) | |
| Gabriel Hoffmann | .... | additional best boy electric (as Gabriel Hoffman) | |
| Jacob Hutchings | .... | still photographer | |
| Mike Indursky | .... | additional second assistant camera (as Michael Indursky) | |
| Mike Indursky | .... | additional second assistant camera: "b" camera (as Michael Indursky) | |
| Brian Kelly | .... | gaffer: base camp | |
| Daniel Kirsch | .... | additional key grip | |
| Julia Liu | .... | additional second assistant camera: "b" camera | |
| Eric Lutz | .... | additional best boy electric | |
| George S. Matsuo | .... | best boy grip (as George Matsuo) | |
| Sean McGrever | .... | electric | |
| Blaise Miller | .... | company electric | |
| John Moustakas | .... | dolly grip | |
| Nicolas Navia | .... | best boy rigging electric | |
| Patrick Neri | .... | digital image technician | |
| Mark Petronio | .... | additional best boy grip | |
| Albert Phaneuf | .... | electric | |
| Alan Pierce | .... | camera operator: "a" camera | |
| Jeff Pinette | .... | second assistant camera: "a" camera (as Jeffrey Pinette) | |
| Roy Ray III | .... | electric | |
| Johnathan Rotberg | .... | electric | |
| Leonard Sandy | .... | electric | |
| Kyle Sather | .... | additional dolly grip | |
| Brien Sauchelli | .... | company grip | |
| Nate Slevin | .... | additional first assistant camera | |
| Johnny Sousa | .... | first assistant camera: "b" camera | |
| Matt Tomko | .... | additional dolly grip | |
| Christopher Vidaic | .... | company grip (as Chris Vidaic) | |
| Julien Zeitouni | .... | additional first assistant camera (as Julian Zeitouni) | |
| Pippa Bianco | .... | camera assistant (uncredited) | |
| Tim Farrell | .... | grip (uncredited) | |
| Justin LaValley | .... | grip (uncredited) | |
| Ryan Nethery | .... | additional grip (uncredited) | |
| Gabe Turiello Jr. | .... | company grip: on-location (uncredited) | |
| Brian Yost | .... | grip (uncredited) | |
Casting Department | |||
| Emer O'Callaghan | .... | casting associate | |
| Amy Hutchings | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Robin Fitzgerald | .... | additional set costumer | |
| Deidra E. Govan | .... | wardrobe supervisor (as Dierdra E. Govan) | |
| Kimi Lee | .... | wardrobe intern | |
| Jessica Reiner | .... | set costumer | |
| Andrea Tartaglia | .... | tailor | |
| Nicky Tobolski | .... | assistant costume designer | |
| Monika Darby | .... | set costumer (uncredited) | |
| Nikia Nelson | .... | set costumer: additional (uncredited) | |
Editorial Department | |||
| Abbi Jutkowitz | .... | assistant editor | |
| Carmen Morrow | .... | assistant editor | |
| Jeremy Newmark | .... | digital imaging supervisor | |
| Wyatt Smith | .... | additional editor | |
| Lance Spindler | .... | color timer | |
| Tim Stipan | .... | digital intermediate colorist | |
| Zach Wolf | .... | first assistant editor | |
| Walter Wurzburger | .... | digital intermediate producer | |
| Chris Kenny | .... | colorist (uncredited) | |
| Richie Roefaro | .... | technical assistant (uncredited) | |
Music Department | |||
| Rob Beaton | .... | additional score engineer | |
| Jim Black | .... | music supervisor | |
| Todd Bozung | .... | temp music editor | |
| Celeste Chada | .... | music clearances | |
| Andrew Feltenstein | .... | score producer | |
| Todd Kasow | .... | music editor | |
| John Nau | .... | score producer | |
| Jaclyn Newman | .... | assistant music editor (as Jaclyn Newman Dorn) | |
| Dana Nielsen | .... | score mixer | |
| Dana Nielsen | .... | score recordist | |
| Dana Sano | .... | music supervisor | |
| Libby Umstead | .... | music supervisor | |
| E. Gedney Webb | .... | supervising music editor | |
| Joshua Winget | .... | supervising music editor | |
| Udi Harpaz | .... | stock music (uncredited) | |
| Justin Moshkevich | .... | score mixer (uncredited) | |
Transportation Department | |||
| Terry Adams | .... | driver | |
| Joe Brennan | .... | driver (as Joseph Brennan) | |
| William F. Dowd | .... | driver | |
| John Howell | .... | driver: props | |
| James Kelly | .... | driver (as James F. Kelly) | |
| Marlon Mark | .... | driver: set dresser | |
| Doug Salomone | .... | transportation captain | |
| Kenny Urbina | .... | driver: props | |
Thanks | |||
| Owen Burke | .... | special thanks | |
| Rebecca Corrado | .... | thanks | |
| Shari Jeffrey | .... | special thanks | |
| Pierce Varous | .... | thanks | |
| Warren Zavala | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The first of what is sure to be many post-Bridesmaids ensemble female comedies, Leslye Headland's Bachelorette was actually conceived before Paul Feig's film swept the nation, but the comparisons are undeniable. Headland wrote the play that it's adapted from back in 2008, though the similarities are certainly right on the surface for anyone to see. The story centers around three friends who are tasked with bridesmaid duties for the wedding of their high school friend who they never thought would be the first of them to get married. Bachelorette is loaded with even more raunch and bitterness than Bridesmaids was, and takes thing into a darker territory while also treading somewhat familiar ground a lot of the time.
It's a story about these three girls realizing that they need to evolve, something that comes to their attention through the purity of seeing their "loser friend" actually being happy and progressing with her own life. Headland's goals are well-intentioned, but the problem for me was in how she developed her characters, who often felt like polar opposites from the ones we had been with in previous scenes. Her film starts off as bitter as you can get, with these three women (portrayed by Kirsten Dunst, Lizzy Caplan and Isla Fisher) being established as narcissistic bitches who fell far from the likable tree. These three were not characters made to be loved, and that's totally fine as all three actresses were clearly more than game to play up all of the many flaws that each of them were given.
They really sell how deplorable each woman is, which makes it enjoyable to watch at times, if a little too much on occasion. Each one hits a particular area of depravity, as Dunst mostly keeps her composure on the surface while resenting the whole thing underneath, Caplan is very focused on her dynamic with an ex-boyfriend she is seeing for the first time in several years (Adam Scott, for all of us Party Down fans wanting to see these two back on screen together) and Fisher is given the most opportunity to just throw herself over the edge with a character who is long gone from the real world practically from the moment we meet her. It's a solid premise that teeters on the line of enjoyable depravity and unrelenting bitterness for a lot of its running time, falling onto both sides at various different points.
The characters are a little too narrow, and the roster of male characters are painfully thin types who drag it down quite a bit whenever they're around (along with Scott, the groom's party neatly features James Marsden and Kyle Bornheimer as suitable pairings for the other two girls). The problems really start as the film reaches its final act, where Headland abruptly switches gears and out of nowhere she treats these characters as if they haven't been complete assholes for the previous hour of the film and are suddenly people we are supposed to care about.
After an hour of hating them, Bachelorette makes a drastic shift into a generic romantic comedy filled with mushy feelings and heartfelt moments that is so far removed from the film that Headland had been working on up to that point. The girls still do their best to sell the material, but the script takes such an insane switch and tries to play it off naturally, which doesn't work one bit. Everything building up to that point had its problems, but remained mildly enjoyable, then in one fell swoop it all began crashing down into pieces. There are some laughs sprinkled throughout, with Scott really stealing the last act from the ladies, but Bachelorette is a little too bitter and far too tonally uneven to make it a good sell.