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God Bless America (2011)

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On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.

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4,705 ( 204)
5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
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Alison
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Ava
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Brad
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...
Chloe's Dad
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Chloe's Mom
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Ed
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Donna (as Lauren Phillips)
...
Tampon-Throwing Tuff Gurl
Kellie Ramdhanie ...
Melissa Tuff Gurl (as Kellie Marie Ramdhanie)
...
Steven Clark
...
Sandra Vergara ...
American Superstarz Judge
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Storyline

Loveless, jobless, possibly terminally ill, Frank has had enough of the downward spiral of America. With nothing left to lose, Frank takes his gun and offs the stupidest, cruelest, and most repellent members of society. He finds an unusual accomplice: 16-year-old Roxy, who shares his sense of rage and disenfranchisement. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Taking out the trash, one jerk at a time.

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for strong violence and language including some sexual sequences | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

31 May 2012 (Russia)  »

Also Known As:

Armados y cabreados  »

Box Office

Opening Weekend:

$27,308 (USA) (11 May 2012)

Gross:

$122,029 (USA) (6 July 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Alison's fiancé, Brad, is a New York City police officer whose collar tabs indicate that he is in the 53rd Precinct. The fictional 53rd Precinct is where the officers from the classic comedy Car 54, Where Are You? (1961) were assigned. See more »

Goofs

In the opening scene where Frank breaks into the neighbor's apartment to kill them, when he shoots the boyfriend and reloads the shotgun, it's a right side ejection port. When he reloads to shoot the baby, the image is reversed and it's a left side ejection port. See more »

Quotes

Office Worker: So what about you Frank? Did you see that freak on "American Superstars" last night?
Frank: What?
Office Worker: Last night; that freak on "American Superstarz."
Frank: No... I mean yes, I saw that accidentally. I don't watch "American Superstarz"
Office Worker: You don't watch it, but you saw him. What are you too good for the show?
Frank: Yeah, I'm too good for a karaoke contest that makes stars out of people with no talent.
Office Worker: *Laugh You can't say that dude, some of those kids have real talent.
Frank: No they don't. They have good pitch... they're ...
[...]
See more »

Crazy Credits

The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile". See more »

Connections

Features Attack of the Giant Leeches (1959) See more »

Soundtracks

Graves of My-Lai Theme
Written and Performed by Matt Kollar
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Frequently Asked Questions

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User Reviews

 
Been waiting so long for a movie this smart
8 April 2012 | by (Portland, OR (USA)) – See all my reviews

Bobcat Goldthwait's scathing critique on modern pop culture is vicious, unapologetically ugly and truly hilarious. Whereas Mike Judge's "Idiocracy" was a clever yet far fetched tale of humanity gone stupid, "God Bless America" uses, with absolute precision, a scalpel to peel back layer after disturbing layer of American shallowness and cruelty. Incorporating elements of mindless pop culture, media propaganda, and reality TV cruelty and bravado, this movie perfectly illustrates the all too real (and sudden) cultural cancer that people nowadays consider entertainment. It is simultaneously hilarious and morbid.

I read someone refer to this as Idiocracy meets Natural Born Killers and for a very generic descriptor that may suffice, but it is a far more intelligent movie than Idiocracy was (or even set out to be). Make no mistake about it, this is a very dark movie and there is more murder and blood than you could shake a swizzle stick at, yet the brutality is tempered with hilarity and witty observation that seamlessly keeps this movie always headed in the right direction - there is no confusion here, it knows exactly what it's saying.

I worry this movie may fly under the radar since the typical mainstream audience is pretty much the targeted subject material here, but I think this movie is an instant classic. It so eloquently dissects all the absurdities of modern American culture, the desire for fame and to be known, the need for attention, etc. The trailer doesn't do this movie justice -- it's really good!


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