Loveless, jobless, possibly terminally ill, Frank has had enough of the downward spiral of America. With nothing left to lose, Frank takes his gun and offs the stupidest, cruelest, and most repellent members of society. He finds an unusual accomplice: 16-year-old Roxy, who shares his sense of rage and disenfranchisement. Written by
The book that Frank lends the receptionist (briefly) is "Pride and Prejudice and Zombies" by Jane Austen and Seth Grahame-Smith and cover by America's Got Talent semi-finalist Doogie Horner. See more »
When the cop catches them sleeping he asks for registration and ID. When he hands it back it is only the ID with no registration. See more »
Oh, I get, and I am offended. Not because I've got a problem with bitter, predictable, whiny, millionaire disk jockeys complaining about celebrities or how tough their life is, while I live in an apartment with paper-thin walls next to a couple of Neanderthals who, instead of a baby, decided to give birth to some kind of nocturnal civil defense air-raid siren that goes off every fuckin' night like it's Pearl Harbor. I'm not offended that they act like it's my responsibility to protect their ...
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The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile". See more »
I saw this movie's premiere at the Toronto Film Festival. I loved it. Bobcat Goldthwait has given us a hilarious comedy that perfectly satirizes our self-centred, celebrity-obsessed, uncritical age. Throughout the dark comedy Joel Murray delivers a perfect performance as one of the last thinking men, who has grown weary of life and society. In between the action and the comedy, Joel Murray's character delivers scathing indictments of society that had the Toronto audience break out into spontaneous applause. Besides being hilarious, this movie is really an interesting exploration of the insensitivity and thoughtlessness of modern popular culture. This movie is the antidote our "reality show," celebrity-obsessed, know-nothing-and-proud-of-it culture. The film's outlandish violence perfectly captures Horace Walpole's epigram, "This world is a comedy to those that think, a tragedy to those that feel." Unfortunately, as the movie points out, few people are now capable of either thinking or feeling.
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