Loveless, jobless, possibly terminally ill, Frank has had enough of the downward spiral of America. With nothing left to lose, Frank takes his gun and offs the stupidest, cruelest, and most repellent members of society. He finds an unusual accomplice: 16-year-old Roxy, who shares his sense of rage and disenfranchisement. Written by
The book that Frank lends the receptionist (briefly) is "Pride and Prejudice and Zombies" by Jane Austen and Seth Grahame-Smith and cover by America's Got Talent semi-finalist Doogie Horner. See more »
When Roxi finds Frank's Motel room and she's inside the suit bag daring Frank to commit suicide, her hair band is falling down. But in the next cut it is already fixed, although her arms are inside the bag (so she couldn't fix it herself). See more »
[On the air]
My name is Frank. That's not important. The important question is: who are you? America has become a cruel and vicious place. We reward the shallowest, the dumbest, the meanest and the loudest. We no longer have any common sense of decency. No sense of shame. There is no right and wrong. The worst qualities in people are looked up to and celebrated. Lying and spreading fear is fine as long as you make money doing it. We've become a nation of slogan-saying, bile-spewing hatemongers. ...
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The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile". See more »
"No one has any shame anymore, and we're supposed to celebrate it."
Bobcat Goldthwait's latest feature as writer & director is a hilarious & articulately written black comedy commentary on contemporary American culture, or lack thereof. Yes, mass media's influence on the devolution of society has been tackled before (Oliver Stone's Natural Born Killers & Euros Lyn's Fifteen Million Merits, for example) and the script has it's issues (which are plausibility/suspension of disbelief related IMO) but the dialogue does have monologues & diatribes that I think really do shine. The acting is FTW, and the whole small budget meets meaningful repartee feel of the piece threw me back to Mark Osbourne's 2000 film "Dropping Out". Most definitely catch it if you can! 8D
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