A disgraced black ops agent is dispatched to a remote CIA broadcast station to protect a code operator. Soon, they find themselves in a life-or-death struggle to stop a deadly plot before it's too late.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Ex-criminal Jacob Sternwood is forced to return to London when his son is involved in a heist gone wrong. This gives his nemesis, detective Max Lewinsky, one last chance to catch the man he's always been after.
Just before driving into the shop window, the minivan is closely pursued by a police car with no numberplate. Moments later the police car that gets hut by the truck has a numberplate. Also, the front window on the nearby caravan changes from open to shut. See more »
So he flies to South Africa to patch up a relationship with his estranged wife, and he calls her from the rental car so she can nag him and make sure he's not getting into trouble? If his wife was so worried about him... Everyone... Why didn't SHE pick him up from the airport?
I realize we have to get our hero in the middle of a high pressure situation right away, but really, the 'non-supportive wife' character cliché is pushed into the red with this one. If he just flew 18 hours from the USA, you'd think she'd take a long lunch and make sure he got in okay. It's little logic pits like this that get in the way of believing in the story.
If that one little aggravation had been retooled, the rest of this rather rip-roaring "Phone Booth On Wheels" might have been more highly regarded.
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