Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
A drama based on the true story of Melvin B. Tolson, a professor at Wiley College Texas. In 1935, he inspired students to form the school's first debate team, which went on to challenge Harvard in the national championship.
Whip Whitaker is a commuter airline pilot. While on a flight from Orlando to Atlanta something goes wrong and the plane starts to fly erratically. With little choice Whip crashes the plane and saves almost all on board. When he wakes up in the hospital, his friend from the airline union introduces him to a lawyer who tells him there's a chance he could face criminal charges because his blood test reveals that he is intoxicated with alcohol and cocaine. He denies being impaired, so while an investigation is underway, he is told to keep his act together. However, letting go of his addiction is not as easy as it seems... Written by
According to producers Steve Starkey and Jack Rapke (during a Q&A session with the Producers' Guild on October 18th, 2012), the primary airplane in the film is a pastiche of several existing commercial airliners so as to not ID a particular plane or airline in the film. Also, no promotional consideration was paid by any of the alcohol brands featured in the movie; they decided to feature beer, wine and hard liquor brands for one shot only so as not to "endorse" any of them. See more »
While Whip is in his hospital bed, the NTSB agent sets down a recorder. The light on the recorder is "blinking" red, which means it is paused in recording mode. If it were recording, the red light would be "solid". It does turn solid at the end when the agent motions to turn the recorder off -- which is really "record". See more »
All right gentlemen, I need that table cleared and placed in front of Whip with a chair behind it. Now, please! I need a glass of water, I need a credit card, I need a hundred dollar bill.
I've, I've got a twenty.
See more »
Never Get Out of These Blues Alive
Written by John Lee Hooker
Performed by John Lee Hooker featuring Van Morrison
John Lee Hooker courtesy of Geffen Records
Under license from Universal Music Enterprises
Van Morrison courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing See more »
Over twelve years since helming his last live-action film Cast Away, director Robert Zemeckis has decided to mark his comeback to film-making with a bang courtesy of his new drama Flight. Having dealt with Delorean time-machines, cartoon rabbits and autistic heroes in his previous productions, Zemeckis takes a dark turn with his latest effort as he teams up with two time Oscar-winning actor Denzil Washington to present a film about the temptation of alcohol and how it can affect the life of its central character. While it has been done before in other alcohol-related films like The Lost Weekend (1944) and Leaving Las Vegas (1995), you can't help but be intrigued when you know that Denzil has an Oscar nomination for it .
William "Whip" Whitaker (Washington) is a pilot who has an alcohol addiction. After spending a heavy night drinking and doing drugs, he takes charge of his latest flight despite still being in a drunken state. But when his flight starts to develop problems in the engineering department, he manages to prevent the plane from crashing thus saving the lives of nearly everyone on board. Although he is hailed a hero, the toxicology report reveals he had alcohol in his blood which leaves him in a tough predicament as he faces being investigated over the incident. As he continues to indulge himself to booze, those around him including lawyer Hugh Lang (Cheadle), close friend Harling Mays (Goodman) and former drug addict-turned-new love interest Nicole (Reilly) try to support him.
As soon as the film starts, you know straight away this isn't Zemeckis's usual territory as we see Whip surrounded by empty beer bottles, lines of cocaine and a sexy (and naked!) Latino woman which sets the tone for what the character's life is all about. This allows writer John Gatins (Oscar-nodded for his script) to create a narrative confrontation for viewers as they become immersed in a story of mental struggle. But for the first half-hour, the film is mostly dominated by the spectacular flight sequence which sees Whip having to handle landing the aircraft in its perilous situation. The director has always excelled when it comes to action scenes and here, it is no exception as the camera shakes uncontrollably and leaves us adrenaline-filled. It is edge-of-your-seat stuff for something so catastrophe and should only be experienced on the big-screen. But the film is not so much about the plane crash and aftermath but is more about Whip's addiction. The highest moments of drama actually occur when confronted by the bottle whether it be at his father's farm or a hotel room he stays at near the film's climax. The latter environment sees him face his toughest choice of whether to drink or not even when facing an important event the following day. Most of the time, the bottle wins the war, just as it unfortunately does so with real life alcoholics. Of course, there are those who try to help him throughout the film but his nasty personality overcomes him even to the point when he gains some new romance in his life by hooking up with former drug-user Nicole. Having spent several years starring in average action-flicks, Denzil Washington manages to reclaim responsibility as one of Hollywood's best actors with his stunning performance of a man whose addiction leaves him in a troubled state of mind. Washington is able to mix charisma, aggression and hidden trauma to his performance as he leaves his audience conflicted over whether they should support his battle to recover or loathe him for his selfish attitude. Don Cheadle and Bruce Greenwood lend effective support as the two authoritative men tasked with helping Whip in his situation but having to put up with his outrageous behaviour while John Goodman stumbles off the set of The Big Lebowski to chew scenery in his limited role as the mouthy but comical dealer. A pleasant surprise in the cast comes from British actress Kelly Reilly as she puts on an immaculate Southern accent in her role as Nicole and provides an emotional and wounded counterpoint to Denzil's Whip.
However Zemeckis does let his guard down with the characterisation and plot structure which is what almost ruined Cast Away in its finale. Though we become fascinated by Whip, we never really find out WHY he is an alcoholic even when we get given some brief details about his family history. When we do see him confronting his ex-wife and son, it comes across as predictable for a man in his state and is a plot cliché that has been done so many times in films and television shows. This also affects the Nicole character as she makes an important contribution to the film's first half only to disappear and then randomly pop up in a contrived manner. Audiences will also find it hard to root for Whip as he is presented as unlikeable for the majority of the film and even when we get to the important courtroom scenes, we struggle to really know whether to care about his fate.
VERDICT: Robert Zemeckis makes a worthy return to live-action films with this gritty but slightly underwhelming character study which is strengthened by an award-winning comeback from Denzil Washington and a mid-air sequence of thrilling proportions.
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