Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
Whip Whitaker is a commuter airline pilot. While on a flight from Orlando to Atlanta something goes wrong and the plane starts to fly erratically. With little choice Whip crashes the plane and saves almost all on board. When he wakes up in the hospital, his friend from the airline union introduces him to a lawyer who tells him there's a chance he could face criminal charges because his blood test reveals that he is intoxicated with alcohol and cocaine. He denies being impaired, so while an investigation is underway, he is told to keep his act together. However, letting go of his addiction is not as easy as it seems... Written by
The flight number, 227, used in the movie is a common superstition to those flights that have crashed where the flight number digits add up to 11. A number of spectacular airline crashes also had this feature such as AA 191, the DC-10 that lost an engine in Chicago and crashed in 1979 as well as PSA 182 that nosed dived into San Diego in 1978 (where the pilots and flight attendants had been drinking and frolicking the night before as overheard by passengers who got off the same plane in Los Angeles). See more »
During the moments just before the crash, the First Officer extinguishes the engine fires by pulling so called T-handles. When a T-handle is pulled it activates the fire extinguisher, but also it cuts off the fuel flow to deprive the fire of it. In the movie the engines are seen operating after the T-handles are pulled. See more »
You gonna shoot me? Or can I come inside?
Yeah, come on inside. I'll shoot you inside.
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Robert Zemeckis' latest film Flight starring Academy Award Winner Denzel Washington is not only thoroughly entertaining and terrifically structured, it encompasses a soul that Hollywood hasn't really delivered in quite some time. The film, that closed the New York Film Festival, is simply one of the best films of the year.
Flight tells the story of Whip Whitaker, an airline pilot that saves a plane and nearly all its passengers from a certain death. When an investigation is carried out to look into the details of the crash, Whip's troubling lifestyle begins to surface. Writer John Latins creates a dynamic and an internal narrative confrontation for viewers to become immersed in a story full of mental struggle. It's a unique and very engaging story that stands as one of season's best efforts.
Denzel Washington, and not to be taken lightly, is fully in the zone and portrays one of his finest screen moments in years. I haven't been this impressed with his abilities as an actor since The Hurricane (1999). He lands solidly in Whip, giving us his natural aggression, charisma, and flaws. Allowing us to travel with Whip on this journey, Mr. Washington proves once and for all, he is one of the great treasures of American cinema. Denzel gives an access root into the character for all intended purposes, a clear understanding of the inner resistance that will not only plague Whip, but the movie audience as well.
The story doesn't seem like an obvious choice for Robert Zemeckis, who has excelled in genres that have provided masterpieces like Forrest Gump (1994) and Cast Away (2000). As the film provides a more dark and jagged approach in his directorial style, Zemeckis executes with precision. It's a satisfactory effort from the director who makes his return to live action after a long string of motion-capture efforts. Assisting Washington's bravura performance is Oscar-nominee Don Cheadle, who teamed up with Denzel in the 90's classic film, Devil in a Blue Dress (1995). As the wise-cracking lawyer, whose own moral values may be tested in exchange for corporate and criminal immunity, Cheadle is a relieved presence. In a comedic and near-brilliant performance, John Goodman steals Flight from every actor including Washington in his short, two-scene appearances. Goodman continues to show an effortless range, even in poor film choices, and a confidence that makes him one of the great character actors working today. It's a performance that Oscar should consider on multiple levels. In a heartbreaking turn, Kelly Reilly as the drug-addicted Nicole, provides an emotional epicenter and boundary that stands as one of Latins' great writing achievements. Reilly is simply marvelous.
Continuing to beef up their acting resume, the great Bruce Greenwood shines while Brian Geraghty continues to prove he is one of Hollywood's best kept secrets.
Composer Alan Silvestri orchestrates an outstanding score that is both melodic and soothing. Cinematographer Don Burgess, once-nominated for Forrest Gump, gives clean, fresh camera lenses look into a shockingly dirty and gritty story. Zemeckis' handle of the astounding opening scenes, especially the plane crash, is one of the best visual and nail- biting moments of the year. Its Zemeckis at his best!
Flight is not only one of the best cinematic efforts of the New York Film Festival; it stands as a great surprise and entry into the 2012 Oscar season. Denzel Washington is completely Oscar-bound but the buck shouldn't stop there; a deserved consideration campaign should be given to John Goodman and Kelly Reilly along with screenwriter John Latins. Flight is a home-run!
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