A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Whip Whitaker is a commuter airline pilot. While on a flight from Orlando to Atlanta something goes wrong and the plane starts to fly erratically. With little choice Whip crashes the plane and saves almost all on board. When he wakes up in the hospital, his friend from the airline union introduces him to a lawyer who tells him there's a chance he could face criminal charges because his blood test reveals that he is intoxicated with alcohol and cocaine. He denies being impaired, so while an investigation is underway, he is told to keep his act together. However, letting go of his addiction is not as easy as it seems... Written by
The flight number, 227, used in the movie is a common superstition to those flights that have crashed where the flight number digits add up to 11. A number of spectacular airline crashes also had this feature such as AA 191, the DC-10 that lost an engine in Chicago and crashed in 1979 as well as PSA 182 that nosed dived into San Diego in 1978 (where the pilots and flight attendants had been drinking and frolicking the night before as overheard by passengers who got off the same plane in Los Angeles). See more »
When the plane is out of control and flying upside down, the view from the house on the ground shows that the plane is only about 100ft above the ground, however the view from the cockpit window suggests the plane is flying about 2000ft above the ground. See more »
Recommended on the Basis of Denzel Washington's Performance Alone
Based on the trailers for "Flight," I was expecting a investigative procedural film. Denzel Washington plays a pilot who manages to crash land a plane with a minimal loss of lives, a feat everyone agrees no other pilot could probably accomplish. But evidence that he was intoxicated while flying the plane emerges and instead of a hero who saved lives, he becomes a possible felon who caused the crash in the first place.
But the film isn't interested in the investigation. Instead, this is a film about an alcoholic and the rock-bottom journey he goes on that leads him to face his addictive demons. I've never been a huge Washington fan, but he does pretty tremendous work here. This also feels like surprisingly grown-up material for director Robert Zemeckis, who's most known for treacly stuff like "Forrest Gump." My major complaint about the film is that it's far too long. An entire subplot that gives Washington a nominal love interest in the form of a fellow addict could have been cut from the film entirely -- and a good half hour with it -- without any significant impact.
I don't know that I would heartily recommend this film for any reason other than the excellent performance of Washington.
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