Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Whip Whitaker is a commuter airline pilot. While on a flight from Orlando to Atlanta something goes wrong and the plane starts to fly erratically. With little choice Whip crashes the plane and saves almost all on board. When he wakes up in the hospital, his friend from the airline union introduces him to a lawyer who tells him there's a chance he could face criminal charges because his blood test reveals that he was intoxicated with alcohol and cocaine. He denies being impaired, so while an investigation is underway, he is told to keep his act together. However, letting go of his addiction is not as easy as it seems... Written by
In the elevator with the small child, as Whip wipes his nose, a muzak version of The Beatles' "With a little help from my friends," can be heard. The verse begins, "I get high with a little help from my friends," right after Whip's friend gets him high. See more »
When Whip wakes in the hospital, he is told that he is in a hospital in south Atlanta. Later, he looks out the window at the Concourse Buildings (The "King" and "Queen"), which are north of Atlanta. See more »
Never Get Out of These Blues Alive
Written by John Lee Hooker
Performed by John Lee Hooker featuring Van Morrison
John Lee Hooker courtesy of Geffen Records
Under license from Universal Music Enterprises
Van Morrison courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing See more »
Denzel Washington is William "Whip" Whitaker, an alcoholic pilot who, after a night of heavy drinking, remains drunk well into the morning he is to fly a plane into Georgia. When his flight goes into a sudden tail- spin, Whip manages to save all but six lives through his crash-landing. Whip is a hero until his toxicology report comes up positive for everything under the sun, leaving the airline, Whip's union, his friends, and Whip in a tailspin of their own.
I have often thought that Denzel Washington is one of the finest actors to ever grace the silver screen, and he proves that assertion with a film that is assured to receive him a sixth Academy Award nomination. Here is a man broken beyond measure, stumbling through his lost life until unprecedented new stress is placed upon him. Not even the intervention of those he holds close can stop his self-destructive nature - or can it?
Robert Zemeckis has been on a sturdy path with animated films recently, so it was with a bit of apprehension that I saw his most recent live- action offering since "Cast Away". But have no fear. The direction here is clean, crisp, and efficient as ever, producing a simple, but powerful script by John Gatins, chock-full of par-none supporting roles by the likes of John Goodman, Don Cheadle, and Bruce Greenwood.
Undoubtedly the best part of the film - besides the wonderful cast - was the soundtrack. Joe Cocker, Bill Withers, and more are used expertly to mold into every emotion, sometimes emotional roller coaster, Whip experiences. Each song (some used more than once) slips seamlessly into the background and keeps the audience following more than the script.
"Flight" is a powerful, dark, character study about a man who has fallen to his darkest depths, and finds out how to fall farther. It sees Denzel Washington in top form and Robert Zemeckis' triumphant return to the live screen.
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