A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
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Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join four other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him--he is still alive--and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, ... Written by
This is the first adaptation of a Richard Stark/Parker novel to use the character name Parker. Although the following movies are based on the "Parker" novels, the name was always changed: Point Blank (1967) (Walker), The Split (1968) (McClain), The Outfit (1973) (Macklin), Slayground (1983) (Stone) and Payback (1999) (Porter). See more »
When the SUV goes out of control following the carnival job and goes up on two wheels, one of the shots clearly shows the SUV's lights indicating it is in reverse gear, even though the car is always accelerating and moving forward throughout the scene. See more »
[after Leslie buys a large cup of coffee]
Hey, you have a cupholder in your car, or you just keep that between your legs?
Well, it's large and black, Jake. Where do you think I like it?
See more »
Well, SURE, there are places where you must suspend disbelief (it's not THAT easy to steal a car, is it?), and SURE there are plot holes, and SURE there are times when you say to yourself "How did he know to go there?" BUT...this is one enjoyable movie!
The acting, the action scenes, and the eye candy (Statham for you XXs, and J-Lo for us XYs) are all great. Oh...and a word about J-Lo. While I've never been a great fan, the poor reviews she received made me curious. Well, she was excellent...and hot as a pistol. That woman has more sex appeal than 5 centerfolds. Patti Lupone plays her mom...very well, I might add.
Statham plays Parker and Parker-like characters in an intrinsically believable manner; that is, marginal characters who live on the edge of the law or beyond it (think "The Transporter" series) with an honorable streak. He slips into this part easily, and like his "Transporter" character, Parker seems little interested in sex. No...he has a singular purpose here as he has had in previous movies: get the job done, and no time for recreation. And once again, his singularity of purpose rings true.
There is, of course, violence, but we all have seen worse; my wife only had to look away twice, and she does not enjoy these types of movies, but goes to humor me (I agreed to see that dreadful "Moonrise Kingdom" after all). But she liked "Parker"--her direct quote was "It kept my interest"--and that was high praise for this kind of flick.
And as Tosh might say: "And for that, we thank you."
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