A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join 4 other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him and he is still alive and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, ... Written by
This is the first adaptation of a Richard Stark/Parker novel to use the character name Parker. Although the following movies are based on the "Parker" novels, the name was always changed: Point Blank (1967) (Walker), The Split (1968) (McClain), The Outfit (1973) (Macklin), Slayground (1983) (Stone) and Payback (1999) (Porter). See more »
When Jason is driving the Bentley and makes a U turn and stops, a crew member and the gear are visible in the door. See more »
[points the gun]
Do what I say and you won't get hurt.
[tried to take out gun from holster]
Mine's bigger than yours.
[shoots him in the leg]
It's not the size, it's how you use it.
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While I wasn't aware there was already a "Parker" character (in books that is), I was more drawn to the movie because of the director. Taylor Hackford has done some extraordinary work. Be it "Officer and Gentleman", "Devil's Advocate" or my personal favorite "Blood in Blood out". But you can't compare this to any of those movies of course. I was however surprised seeing him working with Jason Statham. A man more known for his action filled roles.
And while this might not be one of the better works of Hackford, it still is good action cinema. Michael Chiklis has been better though, although he doesn't get much to play with here. Jennifer Lopez gets to play in a good movie too for once (after U-Turn and Out of Sight), but don't expect to see too much of her here. This is the Statham show and that is pretty obvious.
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