6.3/10
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Wrong (2012)

Not Rated | | Comedy, Mystery | 1 February 2013 (USA)
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Dolph Springer wakes up one morning to realize he has lost the love of his life, his dog, Paul. During his quest to get Paul (and his life) back, Dolph radically changes the lives of others -- risking his sanity all the while.

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Cast

Cast overview, first billed only:
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Cop
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Pizza Delivery Man
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Gregorio ...
Painting Guy (as Zia Harris)
LeShay N. Tomlinson ...
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Storyline

Dolph Springer wakes up one morning to realize he has lost the love of his life, his dog, Paul. During his quest to get Paul (and his life) back, Dolph radically changes the lives of others: a pizza-delivering nymphomaniac, a jogging-addict neighbor in search of completeness, an opportunistic French-Mexican gardener, and an off-kilter pet detective. In his journey to find Paul, Dolph may lose something even more vital: his mind. Written by Realitism Films

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Genres:

Comedy | Mystery

Certificate:

Not Rated | See all certifications »

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Release Date:

1 February 2013 (USA)  »

Also Known As:

Gázos  »

Box Office

Opening Weekend:

$20,424 (USA) (29 March 2013)

Gross:

$45,209 (USA) (3 May 2013)
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the dog's bed, a Flat Eric puppet is visible. Flat Eric is a character by Quentin Dupieux used in Levi's commercials and several shorts. See more »

Quotes

Master Chang: ...I only realized I loved my face after it have been burned with acid. But it was too late. Before it was just my face! I didn't know I loved it! I only started loving it again when it have partially disappeared. Do you follow?
Dolph Springer: Not really.
Master Chang: Man gets accustomed in all to things rapidly. He gets used to everything. When you get a new jacket you are happy to wear it but that weal wears off. You get accustomed and after a few days, that jacket doesn't bring you any joy at all. On the other hand... ...
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Connections

Referenced in Chelsea Lately: Episode #7.23 (2013) See more »

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User Reviews

 
Wrong: because, you know, palm trees make sense
26 January 2012 | by (United States) – See all my reviews

Saying that Wrong, the new film by French director and lover of all things non-sequitur Quentin Dupieux, is strange does the film somewhat of an injustice. Not because the movie surpasses the limits of strange (although, to be fair, it does), but because strange implies something nonsensical, content that defies explanation or logic. Wrong is a film that, despite being so bizarre, manages to come around full circle and make sense at the end. All its surreal imagery has purpose at the end, and the film is at its strongest at the last moments where one can step back and appreciate it as a whole.

Wrong begins with Dolph Springer, a man who inhabits a slightly off- kilter universe in which trees "make sense" based on their own unique place and offices shower their seemingly unaware employees with torrential rain. He is a simple man: he goes to work every day and enjoys the company of his gardener Victor, a man who seems to be forcing an unneeded French accent. Dolph wakes up one morning to find his dog has gone missing, and embarks on a journey to rescue his pooch from whatever peril it seems to have run across. To summarize the movie any more would be a disservice, as the best part of the film is the pleasant little surprises that come along the way.

What I can tell you is that the film is absolutely absurd. From William Fichtner's restrained but subtly outrageous performance as this world's version of a zen master to a strange sequence that refuses to define itself as reality or dream, there is enough outlandish content to fill any surrealists imagination. Although these elements are certainly bizarre, it still feels like they deliver a message. They contribute to a feeling that there is something deeper being said, and by the end one walks out with a feeling that Dupieux subtly and ever so brilliantly schooled the audience.

That being said, the movie has problems. For large chunks of the film, especially during a tour of a small animals digestive tract (don't ask), it feels like the director is treading water. In fact, I would go as far as to say that a good quarter of the movie loses its surreal edge, and becomes more than a little monotonous. These scenes clog the movie, and get more than a little frustrating as it holds back an otherwise breezy and enjoyably silly movie.

It's a shame I can't go deeper into the movie, to explain the emotions that built inside me by the end or the flaws that made the movie shy of greatness. It's a movie that works better the less you know about it, plain and simple.


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