Gemma is 13 years old lives with her grandpa in the country, she has for many years. One day her mother shows up, and wants to take Gemma to the city. Her mother is married now, and can ... See full summary »
A playwright(Ryder) who begins to mentally unravel before premiere night. She is plagued by dreams and visions of being watched, but cannot decide if she is at the center of a manipulative plot or simply losing her grip on reality. Written by
I'm not sure I know how it began. But in the midst of a life that I now barely remember, in the midst of those now-forgotten New York days and nights, something happened. I believe it's all true. But it started with a dream.
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This film tells the story of a female playwright, who is preparing for the opening of her play. She experiences weird occurrences, and she begins to doubt her sanity.
"The Letter" tries to be super artistic, as evidenced by super slow pace and the substitution of scenes with narration by the main character, I wish there was no narration, and they just show the events normally. The narration is plain and devoid of emotion, it does not give the first person emotional account that is expected. Winona Ryder does not look convincing as a playwright or as a crazy person. In fact, she looks to pretty and too sane for her role. The so called suspense fails miserably, because the strange events are presented in such subtle manner. There is no intensity, engagement or thrill. The whole film is a complete bore. I don't understand the beginning, middle or the end. The suppose twist at the end is so laughable and unbelievable, because there is no motive described anywhere in the film. Even when taking the low budget into account, "The Letter" could have bee so much better.
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