7.4/10
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Hanezu no tsuki (2011)

Woodwork artist Takumi moves to a small village Asuka.He then meets Kayoko,a woman who went to the same school as Takumi.Kayoko is fascinated with the color hanezu(crimson); lives with boyfriend Tetsuya.Soon,she falls in love with Takumi.

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(based on the novel by), (screenplay)
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1 nomination. See more awards »
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Cast

Credited cast:
...
Takumi
...
Kayoko
Tetsuya Akikawa ...
Tetsuya
Rest of cast listed alphabetically:
Taiga Komizu
Akaji Maro
Norio Nishikawa
Miyako Yamaguchi
Yokio Yoshioka

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Storyline

A woman is torn between two men and two ways of life in this drama from writer and director Naomi Kawase. Kayoko (Hako Oshima) lives a serene existence in Asuka, a village where nature and civilization live in harmony, and she spends her days making scarves and dying them crimson using natural materials. Kayoko shares her home with her long-time boyfriend Tetsuya (Tetsuya Akikawa), who makes his living in the publishing industry and tends his garden in his spare time. While Tutsuya is away on business, Kayoko discovers she's pregnant, which presents her with a serious dilemma -- she's been having an affair with Takumi (Tohta Komizu), a wood sculptor who lives nearby and possesses an earthy sensuality Tatsuya does not. Koyoko is uncertain which man is the father of her child, and when she tells Takumi her secret, he suggests that as much as he cares for her, he's not certain theirs is a love that will last, with the troubled relationship between his grandfather and her grandmother ...

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Plot Keywords:

love | sculptor | f rated | bicycle | fire | See All (8) »

Genres:

Drama

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Details

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Release Date:

3 September 2011 (Japan)  »

Also Known As:

Hanezu  »

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Aspect Ratio:

1.85 : 1
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User Reviews

Synthetic forest
23 March 2013 | by (Greece) – See all my reviews

Sharasojyu, by the same filmmaker, wowed me recently. It was, as I wrote the other day, some of the best cinematic Zen I know, which in my book is the highest praise. However, inspiration can be a fickle muse as this other film demonstrates.

The difference between the two films is subtle but vital. It's not a bad film by any means, it's in the same vein about coming and going, about being there as you quietly yearn for something else. It has some of the same enveloping nature.

The first half is pretty good, a woman is torn between her reasonable but boring boyfriend, and a bohemian sculptor she knows. This is layered with love stories of their grandparents, compromised marriage and untimely death. An ancient city is being excavated nearby, as meant to point to the same cycles of life through time, memories as they're dug up.

It's just that when you set nature and mood a certain way, as the filmmaker has here, unusually sparse and quiet, it helps to take care of what you use as dramatic counterpoint. The filmmaker didn't, so all the stuff about loving, losing and memory as someone dying in the second half come off as particularly loud and constructed, almost in bad taste.

Which in turn, imbues her lovely sunsets and mountains with a sophomoric sense of importance. Whereas the other film was the quiet rustling of the forest, this is as if someone is trying to pluck each rustling sound from a synthesizer to create nature, artificial.


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