Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a ...
See full summary »
Ari and Oona. Two 15-year-old girls, two dysfunctional families. Absolute opposites and yet somehow similar. No one listens, no one hears. Ari feels she is misunderstood and compensates for... See full summary »
Based on Michel Houellebecq's controversial novel, this movie focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a ... See full summary »
Christmas is approaching, and with it, the desire for harmony, beauty, light and hope. Being unable to cope with her parents' conflict, Alex (16) makes a radical decision. A day later she ... See full summary »
A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The ... See full summary »
On 24th August 1992 in the eastern German city of Rostock a rampaging mob, to the applause and cheering of more than 3,000 bystanders, besieged and set fire to a residential building ... See full summary »
Shy, sensitive gymnasium (high school)-outsider Jakob Moormann is miserably lacking immaterial support at home, where his strict father, uniformed cop Claas, and selfish mother are too busy... See full summary »
Wotan Wilke Möhring,
Benjamin is a 16 year old, paralyzed on one side of his body, with lousy grades in math, who switches to a boarding school to reach grammar school. Acclimatization to the new environment is... See full summary »
Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. The only place she feels home is the Neo-Nazi gang she belongs to, where hate, violence, and heavy parties are the daily rules. When 14-year-old Svenja joins the group, Marisa appears like a role model to her: she fits the purest idea of a combat girl fighting for the group's ideology. But Marisa's convictions will slowly evolve when she accidentally meets a young Afghan refugee. Confronted to him, she will learn that the black and white principles of her gang are not the only way. Will Marisa ever be able to get out of this group? Written by
A powerful and impressively realistic piece of art
Kriegerin/Combat Girls is the last film of a kind that has become one of Germany's finest exports. I am thinking of films like "Das Experiment" and "Die Welle" which, directly or indirectly, investigate what lies behind a dictatorship like Nazism and the dangers of falling into one again, which sometimes may seem far away. With this film, this time we are taken very close to the reality of a small (supposedly East) German town where far-right extremists rule the place and intimidate migrants. The point of view is entirely coincident with the main character, Marisa (award-winner Ukrainian-born Alina Levshin), who plays the passionate girlfriend of one of the gang's most violent and dangerous subjects. Her acting is amazing and, as already stated by another reviewer, it brings the film to a totally different level giving it the effectiveness of a documentary. The film is essentially about a girl who seems to know very well what she wants (to the extent that her whole body is covered in tattoos which are also political statements), while in fact some events will force her to reconsider not only her set of values, but also a relationship with a man whose deep love quickly turns into the deepest hate. On the background, there is a side story about Marisa's dying Nazi grandfather. She doesn't want to accept that he had been violent to her own wife before she was born, and that relates directly to the violence she in turn has chosen to surround herself with. A 15 years old seeking to be accepted into the gang is also dragged into this spiral of hate and violence - a consequence of her dominating father - until she understand what that really means. The third girl of the gang is always in the background, she's very passive and hardly talks and shows a melancholy which turns out to be a result of life's injustice. This is in my opinion the best German film since Gegen die Wand/Head On. Both educational and a piece of -literally- screaming art. A must see!
9 of 19 people found this review helpful.
Was this review helpful to you?