| Lamon Brewster | ... | Himself | |
| Chris Byrd | ... | Himself | |
| Bernd Bönte | ... | Himself | |
| Pearlman Hicks | ... | Himself (as Dr. Pearlman Hicks) | |
| Don King | ... | Himself (archive footage) | |
| Nadeshda Uljanowna Klitschko | ... | Herself | |
| Natalia Klitschko | ... | Herself | |
| Vitali Klitschko | ... | Himself | |
| Wladimir Klitschko | ... | Himself | |
| Klaus-Peter Kohl | ... | Himself | |
| Lennox Lewis | ... | Himself | |
| Henry Maske | ... | Himself (archive footage) | |
| Larry Merchant | ... | Himself | |
| Falk Nebiger | ... | Himself | |
| Hayden Panettiere | ... | Herself (archive footage) | |
| Dan Rafael | ... | Himself | |
| Hartmut Scherzer | ... | Himself | |
| Andrej Schistow | ... | Himself | |
| Fritz Sdunek | ... | Himself | |
| Anna Starostenko | ... | Herself | |
| Emanuel Steward | ... | Himself | |
| Wladimir Zolotarew | ... | Himself |
Directed by | |||
| Sebastian Dehnhardt | (documentary director) | ||
Writing credits(in alphabetical order) | ||
| Sebastian Dehnhardt | head writer | |
Produced by | |||
| Leopold Hoesch | .... | producer | |
Original Music by | |||
| Stefan Ziethen | (music composed by) | ||
Cinematography by | |||
| Johannes Imdahl | |||
Film Editing by | |||
| Lars Roland | |||
Second Unit Director or Assistant Director | |||
| Peter Wolf | .... | assistant director | |
Sound Department | |||
| Karl Atteln | .... | sound editor | |
| Alexander Buck | .... | dialogue editor | |
| Günther Friedhoff | .... | adr mixer | |
| Tim Hays | .... | sound mixer | |
| Florian Kaltenegger | .... | sound designer | |
| Florian Kaltenegger | .... | supervising sound editor | |
| Axel Kohlhase | .... | sound | |
| Stefan Korte | .... | sound re-recording mixer | |
| Christoph Köpf | .... | sound | |
| Jörn Martens | .... | sound recordist | |
| Laura Plock | .... | foley editor | |
| Carsten Richter | .... | foley artist | |
| Michael Schloemer | .... | sound | |
| Marcus Sujata | .... | add foley mixer | |
| Brian Swanson | .... | additional sound mixer: Florida | |
| Hanse Warns | .... | foley mixer | |
| André Zacher | .... | sound effects editor | |
Visual Effects by | |||
| Thomas Loeder | .... | senior digital compositor | |
Camera and Electrical Department | |||
| Marc Burgstaller | .... | dit tech | |
| Ulrich Eidemüller | .... | dit tech | |
| Jennifer Günther | .... | assistant camera | |
| Torbjörn Karvang | .... | additional cinematographer | |
| Richard Koburg | .... | assistant camera | |
| Jan Kulkies | .... | additional cinematographer | |
| Anton Mayer | .... | assistant camera | |
| Florian Reeh | .... | assistant camera | |
| Stefan Schindler | .... | additional cinematographer | |
| Kai Stichel | .... | assistant camera | |
| Sebastian Volk | .... | assistant camera | |
| Roman Zenz | .... | assistant camera | |
Editorial Department | |||
| André Hammesfahr | .... | additional editor | |
| Malte Rapp | .... | assistant editor | |
Music Department | |||
| Florian Zenker | .... | musician: mandolin and guitars | |
Other crew | |||
| Sascha Engling | .... | archive researcher | |
| Lukas Hoffmann | .... | archive and research assistant | |
| Georgina Hohenlohe | .... | editorial staff assistant | |
| Yuliya Hreben | .... | editorial staff assistant | |
| Jan Karitzky | .... | editorial staff assistant | |
| Peter Wolf | .... | editorial production coordinator | |
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| Solino | The Fighter | Max Schmeling | Hot Tub Time Machine | Joe and Max |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Germany section |
I tend to watch a lot of sports-based documentaries, and I am, just in general, a big fan of the documentary medium.
Let me start of by saying that I went into this movie expecting a 'glorious celebration' of what can only be described as two of the most influential fighters in the world of boxing. I was expecting to watch a documentary, that fell into that nearly unavoidable pit of shameless self-promotion/idolization.
I was WRONG! This nearly 120-minute EPIC, not only is probably the most humble and honest boxing-doc I've ever seen. It re-defines the format of the standard sports-documentary, and presents us with an insight into the REAL important moments of a fighter's career, namely, dealing with loss, mental and physical defeat, maintaining you strife for excellence, and learning from your mistakes.
The documentary is engrossing, it spans the early childhood of the brothers, their excellence in local Ukrainian kick-boxing, their switch to a pro career... all information is presented with exceptional moderation, providing nothing but essential and informative stories and facts. No 'dead-air' here folks! The picture that this film paints is one of overcoming personal and psychological issues, becoming a better person through hardship and defeat, through challenge and distress.
The documentary also sheds an interesting light on Vitali's political engagements, which i found to be quite remarkable. I could also appreciate that the film doesn't focus on the brother's charity work in detail. Something that I found refreshingly selfless and humble.
IN CONCLUSION: The film is long, but every single minute is entertaining, informative and just a great watch. The editing and production are tremendous.
The film left me with a remarkable feeling, even though i know I just watched the defining documentary about two of the most successful boxers in history, I came to the realization that what was portrayed in the film was much more humble and sincere. The film focused on the VERY few losses they had, and doesn't ravel in the greatness that they rightfully have established. Very few 'EPIC' scenes, and plenty of personal, heartfelt and sincere moments with the Klitchko's.
I rate this film a 9/10 - Not just based on content, but also as a film that could possibly provide a blue-print for the 'new style' of sports documentaries. all in all, A MUST SEE!!!