About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband ... See full summary »
Having failed incredibly many times in attempts to find a big talent and to be rich, the two producers (played by Haluk Bilginer and Cem Ozer) and their only two contracted singers (played ... See full summary »
Nesrin and Hatun are two Kurdish cleaning women living in Istanbul. While Nesrin tries to survive with her little daughter, trying to understand why her husband left her, Hatun dreams of buying a house in the district where they clean.
The movie follows Rajai, a Ford Transit driver which is the most popular transportation in the Palestinian occupied territories (occupied by Israel). While taking a ride with Rajai, we ... See full summary »
Perhaps one has got to have that kind of special relationship to this unique city to really be touched by this film, yet i would really like to ask everyone to watch it and let himself be drifted away by the aura it sprays from the screen. Istanbul of the Turks, the historical Konstantinopolis of the Greeks, the beloved Polis (again a Greek word) of the Armenians, is a city deep in the heart of not only the above mentioned folks, but also a city that almost all the peoples of the Balcans are very much attached to. For the Greeks it's the cradle of their national rebirth, for the Turks the cradle of their own ethic civilization, for the Armenians the place where they lived in hundreds of thousands and the city where their ethnic cleansing was ordered from, for the Jews the city which gave them shelter in the dark medieval times and hosted a great prosperous community of theirs, for other ethic groups -Slavs, Arabs, Kurds- the just till one century plus few years ago, capital city of the country they lived in -The Ottoman empire-... All these nations have a lot to remember about their good life there and the cruel way this life had to be ended after the collapse of the Ottomans, just a century ago. The -historic and sentimental - background of the stories it tells give an extra power to this film. The memories it brings, even though it doesn't in all cases directly refer to the above mentioned historic and sentimental background, are inevitably for the viewer very much part of it. Especially for the viewer who knows, the viewer who consciously or subconsciously takes part either to Istanbul/Konstantinopolis/Polis's history or just to the "history" of other parts of the area. The Greek and Armenian pogrom, the events in Palestine, the war in the former Yougoslavia. Yet, if one just let himself free to feel the stories of the film itself, he may easily join this city's powerful spirit, even if he does not belong to persons which are personally or ethnically attached to Istanbul's past. And can really be touched and moved. All the stories are very well-done, all the film is. Yet, if i have to point one as the most sentimentally powerful one, that would be the story of the woman, who "sees" in a young Turk's face, her lost in the Yugoslavian war son. This is really heartbreaking and made me bitterly cry. If you have read all this, you do know why you must see this really elegiac, excellent, tender, and yet amazingly realistic - as much as documentaries are- film!
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