5.6/10
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216 user 262 critic

Maggie (2015)

PG-13 | | Drama, Horror | 8 May 2015 (USA)
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A teenage girl in the Midwest becomes infected by an outbreak of a disease that slowly turns the infected into cannibalistic zombies. During her transformation, her loving father stays by her side.

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3,626 ( 147)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ray
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Holt
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Bonnie
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Dr. Vern Kaplan
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Trent
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Allie
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Carsen Flowers ...
Molly
Walter Von Huene ...
Security Officer
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Lauretta
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Doctor (as David Anthony Cole)

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Storyline

After a couple of weeks seeking out his teenage daughter Maggie, Wade finds her in the quarantine wing of a hospital. Maggie has been infected by a lethal outbreak that transforms the victim into a zombie. Wade's friend Dr. Vern Kaplan releases Maggie to spend her last days with Wade and her family. Her stepmother Caroline asks Wade to take their little kids to her sister's house to keep them safe. While Maggie is slowly transformed, Wade stays with her protecting Maggie. But Dr. Vern warns him that the moment that he will have to take an ultimate decision is closer. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

A father's duty is to protect his daughter. See more »

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for disturbing thematic material including bloody images, and some language | See all certifications »

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Release Date:

8 May 2015 (USA)  »

Also Known As:

Contagious - Epidemia mortale  »

Filming Locations:


Box Office

Budget:

$8,500,000 (estimated)

Opening Weekend:

$131,175 (USA) (8 May 2015)

Gross:

$131,175 (USA) (8 May 2015)
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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The term of the disease for those infected - necroambulist - is a mixture of the Greek word "necro" meaning death/dead, and the Latin-derived "ambulist" meaning walker. Thus together the literal translation is "dead-walker." See more »

Goofs

When Maggie finds the trapped fox, she returns to the house to get a gun. The closeup of the gun on the mantle reveals it to be a double barrel shotgun, but when Maggie takes it from the mantle it is in fact a .22 bolt action rifle. See more »

Quotes

[first lines]
Maggie Vogel: [leaving a message] Dad, I've gone to the city. Please don't come for me. There's a curfew here. Just... just keep them safe. I'm sorry. I love you.
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Soundtracks

Maggie
Written by Oscar Brown Jr.
Performed by Oscar Brown Jr.
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User Reviews

 
Different, surprising latest effort from the Austrian Oak, taking a standard plot line and going somewhere new
4 June 2015 | by (United Kingdom) – See all my reviews

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A contagious virus has spread across America that is causing the infected to slowly mutate in to cannibalistic zombies. Wade Vogel's (Arnold Schwarzenegger) daughter Maggie (Abigail Breslin) would be one such person, a young girl grimly aware of her terrible predicament. As the inevitable closes in, father and daughter bond in a final, all encompassing way, before they're drawn towards a terrifying final outcome.

After his much hyped comeback a few years ago, Schwarzenegger has achieved what can only at best be called the most hit and miss results with his new batch of explosive, '80s flavoured action films. There was still something resembling an audience, but most people's tastes have cleaned up quite a bit. And so, out of nowhere, it seems, he delivers this latest offering, which on paper comes off just like one of his regular shoot 'em up type films, with him versus zombies. But instead, he's taken such a plot line and given it a more mature angle, as a more tender and heartfelt examination of the final days of a father and daughter, that shows a departure from his usual type of fare.

As more emotionally driven as the plot is, it doesn't really have the best sense of structure or direction, and instead seems to be driven more on a moody, lingering sense of atmosphere and tension, with the lighting drained out and brightened up in subsequent shots to affect the mood. Debut feature length director Henry Hobson has shown a certain knack and sense of style behind the camera, but he needs to go back to school a little on his structural narrative abilities, and crafting a film that has somewhere to go in spite of it's heart.

So, we have it, then, Arnie's most bizarre film, ever, a totally unexpected and different effort from him that's appeared out the blue. In spite of it's strangeness, it's better than anything he's done lately, and shows a more mature and emotional side developing after so many years. ***


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