| Sam Rockwell | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Josh Artis | ... | Colonel James Wallace | |
| Greg Berg | ... | James Wallace | |
| Anton Blake | ... | General Carl Schurz | |
| Gary Green | ... | Union soldier | |
| Stephen Jennings | ... | Maj. Gen. George G Meade | |
| Charles Klausmeyer | ... | Amos Humiston | |
| Deborah Lettner | ... | Fanny Buehler | |
| Richard Lothian | ... | Lieutenant Colonel Rufus Dawes | |
| Johnny Ray Meeks | ... | Private Joseph C. Lloyd | |
| Tyrel Meyer | ... | Amos Humiston | |
| André Sogliuzzo | ... | Lieutenant Colonel Rufus Dawes | |
Directed by | |||
| Adrian Moat | |||
Writing credits | ||
| Richard Bedser | (written by) & | |
| Ed Fields | (written by) | |
| Simon Brown | story & research | |
Produced by | |||
| Jonas Bauer | .... | co-producer | |
| Richard Bedser | .... | producer | |
| Christopher G. Cowen | .... | producer | |
| Mary Donahue | .... | executive producer | |
| Alex Dwiar | .... | associate producer | |
| Carter Figueroa | .... | producer | |
| Eamon Fitzpatrick | .... | line producer | |
| Ben Fox | .... | supervising producer | |
| Matthew I. Goldberg | .... | line producer | |
| Vlokkie Gordon | .... | producer | |
| Mark Herzog | .... | executive producer | |
| Julian Hobbs | .... | executive producer | |
| Selina Kay | .... | line producer | |
| Blue Kraning | .... | story associate producer | |
| Mary Lisio | .... | executive producer | |
| Ridley Scott | .... | executive producer | |
| Tony Scott | .... | executive producer | |
| David Wicht | .... | producer | |
| David W. Zucker | .... | executive producer | |
Original Music by | |||
| Anthony Lledo | |||
Cinematography by | |||
| Michael Snyman | (director of photography) | ||
Film Editing by | |||
| Douglas Moxon | |||
Production Design by | |||
| Sylvain Gingras | |||
Set Decoration by | |||
| Emma Eunson | |||
Costume Design by | |||
| Kate Carin | |||
Makeup Department | |||
| Christa Schoeman | .... | makeup designer | |
| Christa Schoeman | .... | wigs/hair designer | |
Production Management | |||
| Lindsey Michelle Bogard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Grantly Butters | .... | first assistant director | |
| Marcelleno Trout | .... | second assistant director | |
Art Department | |||
| Warren Gray | .... | assistant art director | |
| Louise Martin | .... | art department coordinator | |
| Elizabeth E. Schuch | .... | storyboard artist | |
| J.D. van Brakel | .... | assistant property master | |
Sound Department | |||
| José Caldararo | .... | foley artist | |
| J.M. Davey | .... | sound effects editor | |
| Bechen de Loredo | .... | foley mixer | |
| Leandro de Loredo | .... | foley mixer | |
| Dieter Keck | .... | sound recordist | |
| Charles Maynes | .... | sound editor | |
| Rodrigo Ortiz-Parraga | .... | foley editor | |
| Rodrigo Ortiz-Parraga | .... | foley supervisor | |
| Zach Seivers | .... | sound designer | |
| Zach Seivers | .... | sound re-recording mixer | |
| Zach Seivers | .... | sound | |
| Zach Seivers | .... | supervising sound editor | |
Special Effects by | |||
| Kevin Bitters | .... | pyrotechnician | |
| Kevin Bitters | .... | special effects supervisor | |
Visual Effects by | |||
| Garret Biles | .... | visual effects artist | |
| Brent Boulet | .... | visual effects artist | |
| Jennie Bozic | .... | visual effects artist | |
| Jess Brown | .... | visual effects artist | |
| Josh Bryson | .... | digital compositor | |
| Ryan Curtis | .... | visual effects editor | |
| J. David Everhart | .... | visual effects producer | |
| Diego Galtieri | .... | digital compositor | |
| Kent Johnson | .... | visual effects supervisor | |
| Jason Korber | .... | digital compositor | |
| Tavis Larkham | .... | visual effects coordinator | |
| Steve J. McLeod | .... | digital compositor | |
| Jon Rhinehardt | .... | lead digital compositor | |
| Jon Rosenthal | .... | visual effects artist | |
| Ethan Summers | .... | supervising terrain artist | |
| Ryan Wieber | .... | digital compositor | |
| Whitman Lindstrom | .... | matte painter (uncredited) | |
Stunts | |||
| Jared Cohen | .... | stunt performer | |
| Francois Grobbelaar | .... | stunt performer | |
| Dan Hirst | .... | stunt performer | |
| Adam Horton | .... | stunts | |
Camera and Electrical Department | |||
| Casey Crafford | .... | still photographer | |
| Lesley Manuel | .... | best boy lighting | |
Costume and Wardrobe Department | |||
| Abigail Metcalfe | .... | costume supervisor | |
Editorial Department | |||
| Peter R. Berg | .... | colorist | |
| Peter R. Berg | .... | on-line editor | |
| Jimmy Browning | .... | assistant editor | |
| Allan Giron | .... | assistant editor | |
| Brian Halopoff | .... | assistant editor | |
| Hutson Hayward | .... | supervising on-line editor | |
| Christopher Leckie | .... | on-line coordinator | |
| Brian McCarthy | .... | post-production coordinator | |
| Daniel Morfesis | .... | additional editor | |
| Billy Schinski | .... | additional editor | |
Music Department | |||
| Boban Apostolov | .... | scoring pro tools engineer | |
| Georgi Hristovski | .... | score recording engineer | |
| F.A.M.E.'S. Project | .... | orchestra and studio contractor | |
Other crew | |||
| Kgotla Appolus | .... | assistant to producer | |
| Rory Brosius | .... | operations | |
| Justin Cooper | .... | production coordinator | |
| Tim Kilshaw | .... | key armorer | |
| Blue Kraning | .... | story associate producer | |
| Tom Moran | .... | executive assistant: Tony Scott | |
| Susan O'Leary | .... | researcher | |
| Ben Raxlin | .... | operations | |
| Simon Rhodes | .... | production coordinator | |
| Steven Robbins | .... | assistant: Tony Scott | |
| Ryan Schiavo | .... | production coordinator | |
| Carien Schutte | .... | script supervisor | |
| Meryl Schutte | .... | production supervisor | |
| Brandon Torres | .... | operations | |
| Corne Van Der Merve | .... | second armorer | |
| Sara Volkman | .... | project coordinator | |
| Mark Weicht | .... | operations | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
I'm a cultural historian, and I've don't a good deal of work on representations of history. To expect that a movie will offer a completely accurate representation of events is to ask too much. Still, this one drips with inaccuracies. The devil is truly in the details. For example, maybe some would argue that showing LTG Richard S. Ewell arriving on horseback is forgivable, even though he really arrived in a carriage and his wooden leg was promptly shattered by a Union minie ball. Unfortunately, though, the arrival on horseback supports the idea that Ewell was eager to take vengeance for the leg he had lost. There's nothing to support this. Historians have found plenty of evidence that he was not fighter he had been. MG Isaac Trimble almost begged Ewell to order an attack on Culp's and Cemetery Hills on July 1, before Federal troops had entrenched and solidified a position. Ewell refused. There are similar gaffes throughout. It's not clear what point the producers wanted to make here; if it were, perhaps the reason for the easily avoided errors would be clear.