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Directed by | |||
| Salim Akil | |||
Writing credits(WGA) | ||
| Mara Brock Akil | (screenplay) | |
| Joel Schumacher | (story) and | |
| Howard Rosenman | (story) | |
Produced by | |||
| Salim Akil | .... | producer | |
| Mara Brock Akil | .... | producer | |
| Debra Martin Chase | .... | producer | |
| Gaylyn Fraiche | .... | executive producer | |
| Whitney Houston | .... | executive producer | |
| T.D. Jakes | .... | producer | |
| Avram 'Butch' Kaplan | .... | executive producer (as Avram Butch Kaplan) | |
| Scott Putman | .... | executive producer | |
| Howard Rosenman | .... | executive producer | |
| Curtis Wallace | .... | producer | |
Original Music by | |||
| Salaam Remi | |||
Cinematography by | |||
| Anastas N. Michos | (director of photography) (as Anastas Michos) | ||
Film Editing by | |||
| Terilyn A. Shropshire | |||
Casting by | |||
| Twinkie Byrd | (as Tracy 'Twinkie' Byrd) | ||
Production Design by | |||
| Gary Frutkoff | |||
Art Direction by | |||
| Gary Myers | |||
Set Decoration by | |||
| Tina Tottis | |||
Costume Design by | |||
| Ruth E. Carter | |||
Makeup Department | |||
| Shannon Bakeman | .... | key hair stylist | |
| Marietta Carter-Narcisse | .... | makeup department head | |
| Lauri Cuppetilli | .... | key makeup artist | |
| Jasmine Kimble | .... | key hair stylist | |
| Kimberly Kimble | .... | hair department head (as Kim Kimble) | |
| Kym Lee | .... | key makeup artist | |
| Zoe Brown | .... | makeup artist (uncredited) | |
| Mia Collie | .... | hair stylist (uncredited) | |
| Robbin Hawthorne | .... | makeup artist (uncredited) | |
| Jessica Y. Hernandez | .... | makeup artist (uncredited) | |
| Louise Holoday | .... | makeup artist (uncredited) | |
| Kimberly Jones | .... | key makeup artist (uncredited) | |
| Kimberly Jones | .... | special makeup effects artist (uncredited) | |
| Patricia Krupske | .... | makeup artist (uncredited) | |
| Jayne Laube | .... | makeup artist (uncredited) | |
Production Management | |||
| Avram 'Butch' Kaplan | .... | unit production manager (as Avram Butch Kaplan) | |
| Nancy Kirhoffer | .... | post-production supervisor | |
| Daniel A. Mondschain | .... | production supervisor (as Daniel Mondschain) | |
| Scott Putman | .... | unit production manager | |
Art Department | |||
| Justin Lamg | .... | set designer | |
| Amie McCarthy | .... | property master (as Amie McCarthy-Winn) | |
| Mark Sanger | .... | on-set dresser | |
| Kristie Thompson | .... | set decorator: Los Angele | |
| Michael A. Watt | .... | leadman (as Michael Watt) | |
| Andy Bays | .... | painter (uncredited) | |
| David Boyd | .... | storyboard artist (uncredited) | |
| Drew Finos | .... | graphic designer (uncredited) | |
| Amy Graham | .... | set dresser (uncredited) | |
| Ronald Hill | .... | charge scenic (uncredited) | |
| Deborah Jurvis | .... | art department coordinator (uncredited) | |
| Gaby Kuhn | .... | assistant property master (uncredited) | |
| Mark Kwiatkowski | .... | set dresser (uncredited) | |
| Justin Mutschler | .... | set dresser (uncredited) | |
| Paul Peabody | .... | construction coordinator (uncredited) | |
| Bobby Rhodes | .... | set dresser (uncredited) | |
| Brittin Richter | .... | props (uncredited) | |
| Tom Sparkman | .... | signwriter (uncredited) | |
| Kim Thrasher | .... | set buyer (uncredited) | |
| Jim Warren | .... | set decoration buyer: additional (uncredited) | |
Sound Department | |||
| Ryan Briley | .... | assistant sound editor | |
| Robert Dehn | .... | sound studio manager | |
| Craig Dollinger | .... | boom operator | |
| Michael Faba | .... | sound utility (as Mike Faba) | |
| Aaron Grice | .... | boom operator: Los Angeles | |
| Kimberly R. McCord-Wilson | .... | dialogue editor | |
| Bryan Mendoza | .... | sound utility: Los Angeles | |
| Steven Morrow | .... | sound mixer (as Steve Morrow) | |
| Jay Nierenberg | .... | supervising sound editor | |
| Stuart Provine | .... | sound effects editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Rickley W. Dumm | .... | sound effects editor (uncredited) | |
| Ginger Geary | .... | foley artist (uncredited) | |
| Roy Machado | .... | adr mixer (uncredited) | |
| Kevin Nanaumi | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Bob Sturgess | .... | special effects coordinator: Los Angeles | |
| Dean Tyrrell | .... | special effects foreman | |
| Jake Tyrrell | .... | special effects technician | |
| Russell Tyrrell | .... | special effects coordinator | |
Visual Effects by | |||
| Sean Apple | .... | compositing: Dilated Pixels | |
| Natalie Coon | .... | roto artist: Dilated Pixels | |
| P.J. Foley | .... | visual effects producer: Dilated Pixels (as PJ Foley) | |
| Paul Linden | .... | visual effects supervisor: Dilated Pixels | |
| Chucky Malko | .... | visual effects artist: Dilated Pixels | |
| Chris Peters | .... | visual effects artist: Dilated Pixels | |
| Efram Potelle | .... | visual effects supervisor: Dilated Pixels | |
| T.J. Sakasegawa | .... | visual effects: Dilated Pixels (as TJ Sakasegawa) | |
| Brian Skvarla | .... | visual effects artist: Dilated Pixels | |
Stunts | |||
| Ele Bardha | .... | stunt coordinator | |
| Amber Whelan | .... | stunts (uncredited) | |
Casting Department | |||
| Michelle Adams | .... | additional casting | |
| Michelle Adams | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Germán Legarreta | .... | casting assistant | |
| Kathy Mooney | .... | casting: Michigan | |
| Janet Pound | .... | casting: Michigan | |
| Winsome Sinclair | .... | extras casting | |
| Chris Bustard | .... | extras casting: Los Angeles (uncredited) | |
| Brittany N. Grooms | .... | casting assistant (uncredited) | |
| Jill Hamburgo | .... | extras casting assistant (uncredited) | |
| Ryan Hill | .... | extras casting: Michigan (uncredited) | |
Costume and Wardrobe Department | |||
| Craig Anthony | .... | key set costumer | |
| Mary Kasprzak | .... | set costumer | |
| B. Michael | .... | wardrobe designer: Ms. Houston | |
| Corey O'Sullivan | .... | set costumer | |
| Devon Patterson | .... | costume supervisor (as Devon Patterson Wilson) | |
| Anthony Rivera Jr. | .... | set costumer (as Anthony Rivera) | |
| Felecia Hatcher Brown | .... | additional costumer (uncredited) | |
| Kathy Fennessy | .... | set costumer (uncredited) | |
| Kimberly Leitz-McCauley | .... | set costumer (uncredited) | |
| Barbara Marko | .... | costumer (uncredited) | |
| Gina Nalli | .... | costumer (uncredited) | |
Editorial Department | |||
| Paul E. Alderman | .... | first assistant editor (as Paul Alderman) | |
| Aziza Ngozi Walker | .... | first assistant editor | |
| Aziza Ngozi Walker | .... | post-production assistant | |
| John Persichetti | .... | digital colorist | |
| Morning Star Schott | .... | digital intermediate producer (as Morningstar Schott) | |
| David Townsend | .... | post-production coordinator | |
| Reed Whorton | .... | post-production assistant | |
| Jim Passon | .... | color timer (uncredited) | |
| Rob Randall | .... | colorist: dailies (uncredited) | |
| Cat Rowe | .... | digital color assist (uncredited) | |
| Benjamin Sutor | .... | on-line editor (uncredited) | |
Music Department | |||
| Todd Bozung | .... | supervising music editor | |
| Tim Davies | .... | score arranged by | |
| R. Kelly | .... | executive music consultant | |
| Michael Mindingall | .... | piano coach: Jordin Sparks | |
| Marvin Morris | .... | on-set music editor | |
| Jaclyn Newman | .... | music editor | |
| Frank Wolf | .... | song mixer | |
| Spring Aspers | .... | music supervisor (uncredited) | |
| Gregory Clark | .... | vocal coach: Tika Sumpter, Carmen Ejogo (uncredited) | |
| Serge Courtois | .... | score assistant engineer (uncredited) | |
| Kier Lehman | .... | music supervisor (uncredited) | |
| Justin Moshkevich | .... | score mixer (uncredited) | |
Transportation Department | |||
| Corey Askins | .... | transportation coordinator | |
| Darrell Foley | .... | driver | |
| Jim DePue | .... | picture car coordinator (uncredited) | |
| Demond Dickerson | .... | driver (uncredited) | |
| Jennifer Gonzalez | .... | driver: cast (uncredited) | |
| Jonathon Isom | .... | hair/make-up driver (uncredited) | |
| Kurt Knudsen | .... | driver: cast (uncredited) | |
| Robert Middendorff | .... | driver (uncredited) | |
| Dean Miller | .... | rigging electric driver (uncredited) | |
| Frank Morreale | .... | unit driver (uncredited) | |
| Franco Rea | .... | driver (uncredited) | |
| Robert'Bob'Rice Sr. | .... | production van driver (uncredited) | |
Other crew | |||
| Benjamin Bourque | .... | assistant to mara brock akil | |
| Alasdair Boyd | .... | location manager: Los Angeles | |
| Ulysses Carter | .... | assistant: Ms. Houston | |
| Joylene 'Jaeblaze' Frazer | .... | assistant choreographer | |
| Tai Gaffney | .... | travel coordinator | |
| Ryan Gomez | .... | first assistant accountant | |
| George Goodwin | .... | second assistant accountant | |
| Jessica Heemskerk | .... | accounting clerk | |
| David Hickey | .... | payroll accountant | |
| Mary Jones | .... | assistant: Ms. Houston | |
| Michael S. Jones | .... | location manager (as Michael Jones) | |
| Nicholas Lazarus | .... | second second assistant accountant | |
| Chelsea Leonowicz | .... | production assistant | |
| Tim McClure | .... | location assistant | |
| Larissa Michel | .... | production coordinator | |
| Chris Raby | .... | production assistant | |
| Bridget Reddeman | .... | key assistant location manager | |
| Arian Simone Reed | .... | unit publicist | |
| Melora Rivera | .... | assistant: Mr. Akil | |
| Fatima Robinson | .... | choreographer | |
| Marjorie Rudick | .... | assistant production coordinator | |
| Kelly Schwarck | .... | production secretary | |
| Emelia Rae Stark | .... | production assistant (as Emelia Tse) | |
| Josh Stewart | .... | executive assistant: Ms. Chase | |
| Joshua Stewart | .... | executive assistant: Ms. Martin Chase | |
| Hirotatsu Taniguchi | .... | production assistant (as Hiro Taniguchi) | |
| Julia Tasker | .... | script supervisor: Los Angeles | |
| Carolyn Tolley | .... | script supervisor | |
| Gena Varajon | .... | location assistant (as Gena Verajon) | |
| Ryan Whan | .... | production accountant | |
| Mark Whitehead | .... | assistant: Ms. Chase | |
| Josielyn Works | .... | production assistant | |
| Andrew Amato | .... | assistant to producer (uncredited) | |
| Iden Baghdadchi | .... | production assistant (uncredited) | |
| Samuel Barill | .... | production assistant (uncredited) | |
| Benjamin Benedetti | .... | post facilities manager (uncredited) | |
| Leore Berris | .... | production assistant (uncredited) | |
| Geralyn Clark | .... | production staff (uncredited) | |
| Ideene Dehdashti | .... | base camp production assistant (uncredited) | |
| Brian Durling | .... | production assistant (uncredited) | |
| Toni Embry | .... | unit publicist (uncredited) | |
| Pamela B. Green | .... | creative director: titles (uncredited) | |
| Derrick Hanna | .... | production assistant (uncredited) | |
| Pennie-Marie Hawkins | .... | stand-in: Carmen Ejogo (uncredited) | |
| Thanh Hoang | .... | background crew (uncredited) | |
| Elizabeth B. Jackson | .... | key craft service (uncredited) | |
| Jason Jamal | .... | production assistant (uncredited) | |
| Kellin Johnson | .... | production assistant (uncredited) | |
| Dave Krieger | .... | location scout (uncredited) | |
| Kelly Kropog | .... | production secretary (uncredited) | |
| Darcy Leutzinger | .... | lead armorer (uncredited) | |
| Kelli Parsons | .... | production assistant: Los Angeles (uncredited) | |
| Christopher Stanback | .... | production associate (uncredited) | |
| Matthew Traylor | .... | background production assistant (uncredited) | |
| Jarik Van Sluijs | .... | titles (uncredited) | |
| Joseph Victor | .... | production assistant (uncredited) | |
| Daniel Warnock | .... | set production assistant (uncredited) | |
| Jojuan Westmoreland | .... | stand-in: Cee-Lo Green (uncredited) | |
| John C. Wise | .... | production assistant (uncredited) | |
| James Wittenberg | .... | medic coordinator/set medic (uncredited) | |
Thanks | |||
| Whitney Houston | .... | in loving memory of | |
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| Sparkle | Dreamgirls | SubUrbia | The Doors | Rent |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a great, fun, enjoyable movie. It has everything: great lines and killer comebacks, wit, excitement, suspense, drama, charged emotions, great acting, a good story, beautiful cinematography, and of course, the music rocks. It is way, way, way better than the original. let me say that again in caps: IT IS WAY, WAY, WAY BETTER THAN THE ORIGINAL. I was actually surprised it was so good, given the reviews. I really did not want the movie to end. Afterwards, I found myself wondering what the sisters would be doing 3 years later, and it's been a long, long time since I've cared enough about any movie character to think about them even 5 minutes after the movie. Sparkle delivers on every level: script, cinematography, realism, acting, and singing.
On the acting front, Whitney Houston delivered a powerful, raw and completely revealing performance. She was Emma. Her figure, bearing, and presence are completely transformed from "legend," "Whitney Houston," to a bruised and weary woman who is determined that her babies will not lose their way as she did, and who is fighting with every ounce of her being for their futures. When you know how funny and filled with energy Houston could be, then you see her as this world-weary mother, fighting for her kids, you see how great an acting job she does. She fills the role completely. Her song, His Eye Is On The Sparrow, is the showstopper and anchors the movie perfectly. I cannot think of any singing/song scene in any movie that comes close to what Houston does here. This performance alone is more than worth the price of admission.
Mike Epps is another standout as Satin: he delivers a memorable, slick, cool, and lethal performance. All of the sisters are excellent! Tika Sumpter was really great, as was Carmen Ejogo, and though Jordin Sparks' character is the quiet sister, she works the role and is believable. There are no weak performances on the screen. And, it goes without saying that the music works perfectly. The three sisters are really smokin' hot on the stage, with Carmen Ejogo oozing sensuous sex-appeal.
Yes, this is a remake, and yes, its a popular theme, but just like fairy-tales that we enjoy listening to and telling over an over, you want to hear this story retold because it is so well done. There are strong male rolls, and lots of testosterone-driven tensions, and, of course, strong female roles. So, this movie works as a good date night movie, a good movie to see with friends, and as a good movie to see on your own.
This is not The Godfather and it's not Shakespeare, but it is a well done, enjoyable, emotionally satisfying movie. I highly recommend it. Thumbs way up!