Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved.
Two New York City girls make a pact to lose their virginity during their first summer out of high school. When they both fall for the same street artist, the friends find their connection tested for the first time.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
George, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
A daughter's idyllic life is turned upside-down by immense tragedy. As she grows older, her cynicism and apathy towards her new reality is challenged by a reminder from the past that sets her on a pilgrimage that will define her.
Thirty-five year old Jesse Fisher, an admissions officer at a New York City post-secondary institution he who loves English and literature, has somewhat lost his passion in life, which includes recently being unceremoniously dumped by his latest girlfriend, who could no longer be the person to prop him up emotionally. He has a chance to find that passion again when he is invited to the retirement dinner of his second favorite Ohio University college professor, Peter Hoberg, as his time there was when his life held the most passion. Jesse's encounters with five people there may determine if he does find that passion again. They are: Hoberg, who is resisting the notion of retirement; Judith Fairfield, Jesse's favorite professor, although for a different reason than his like of Hoberg; Nat, a free spirit who navigates life at the institution on his own terms; undergraduate student Dean, who Jesse sees as a younger more destructive version of himself; and nineteen year old undergraduate ... Written by
There was a storyline with Michael Weston as Miles, a friend of Jesse who is trying to go to Spain but has several issues that keep him from going. All of his scenes were filmed but not in the movie; they are featured in the Bonus section as Deleted Scenes. See more »
One of the early listings in the final credits is missing an "s" - "First Assitant Camera" See more »
You know, high school to college, it can be a big transition, especially if you're not from the city, so - so we try yo help out with that transition, in a number of ways.
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"And binding with briars my joys and desires." William Blake, from Songs of Experience
Liberal Arts is a small, endearing film about idealism, the reality of life, the complicated nature of aging, and the beauty of experience. The briars play a part, but mostly it's about the romanticism of academia versus the reality of growing old. That's quite a bit for 97 minutes, but writer/director Josh Radnor does an admirable job setting straight the hopes that a superior education like his at Kenyon College can foster.
This lyrical film, like the simple poem that opens this review, makes no grand demands as it juxtaposes the beauty of undergraduate reading and writing with the reality of love not quite mature enough and maturity not ready enough. New York City college admissions counselor Jesse (Josh Radnor) at 35 returns to his college to visit a retiring professor, Peter (Richard Jenkins), and falls for a 19 year old coed, Zibby (Elizabeth Olsen). Radnor's alma mater, Kenyon College in Gambier, Ohio, is the beautiful location although not identified.
The complications may be obvious given the differences in their ages, but the issues are spot onand because I lived that plot as a youngish college administrator I congratulate Radnor for neither over-romanticizing nor condemning youthful idealism and the encroachments of "life," described as "happening" after graduation and mitigating the romanticism a college English major fosters. That the pop cult ascendance of the Vampire Trilogy may trump the lofty literature of college does not subvert the notion that everything is good given the right place and time.
The sweetness of the film reaffirms Mr. Radnor as a dreamer of quality, a thinker who confirms life's ambiguities and its promise to those who "say yes" to everything. Again, Blake in Songs of Innocence confirms the efficacy of positive thinking, in this case of feeling the godhead's presence:
He doth give his joy to all;/ He becomes an infant small;/ He becomes a man of woe; / He doth feel the sorrow too.
"It's not Tolstoy, but it's not television, and it makes me happy," Zibby says about reading a vampire trilogy. The same could be said of this simple romance underpinned by Blake's realistic optimism.
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