When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with another super soldier, the black widow, to battle a new threat from old history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
We've always known that Spider-Man's most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It's great to be Spider-Man. For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp. Written by
Sony Pictures Entertainment
When Peter interrupts Gwen on her way to her final interview for Oxford, upon realising where they are, Peter's rambling to the receptionist was improvised several times by Andrew Garfield, and the producers and director chose their favourite version from among all the takes that were recorded. See more »
In the Times Square fight sequence between Electro and Spider-Man, Electro sends a bolt of electricity to ram Spider-Man into a police vehicle, denting its door. In another scene seconds after this one, Electro sends another bolt towards a crowd on a staircase, and there, in a slow motion sequence, Spider-Man tosses up the same vehicle to block this bolt, but the vehicle is not damaged, with no broken door. See more »
People will say I am a monster for what I've done. And maybe they're right. I'd always thought that I'd have more time.
See more »
During the end credits, several schematics can be seen of the Rhino suit, the Green Goblin glider, the metallic Vulture wings, the mechanical Doctor Octopus tentacles, and other obscure weapons. See more »
The crowded story in The Amazing Spider-Man 2 shoots an unfocused mess of cobwebs.
The modern summertime at the movies has developed a tradition where a superhero movie or two is released that can please both a general audience looking to be lost in a fantasy and a comic book crowd that's counting to see if everything is properly represented. Before the 2000's, most of these adaptations took two different paths that separated these crowds; either something that's more playful with bright colors like Superman and the original Spider-Man that's self aware that it's campy and silly. And there's the dark and dramatic route that Batman and The Crow took with an atmosphere that's cold but stylish, and bolder character development.
Most superhero movies today tend to go with the latter. The idea behind this is that with every caped crusader, there has to be some big epic story with how they got there and the dilemma they must be going through, doing their typical "saving the day" routine. The previous Spider- Man trilogy had more of a campy route with occasional scenes of dramatic character arcs. The recent reboot of The Amazing Spider-Man gave our friendly neighborhood hero a reimagining that was darker, but still the same wisecracker we loved. It took me by surprise, so it made sense that I was hyped to see where the story would go in The Amazing Spider-Man 2.
So what's going on? The real question is, "What's not going on?" as the movie tries to put a lot into it's story. Peter Parker (played by Andrew Garfield) has settled into his role as New York's favorite son as he catches thieves, thwarts dangers, and saves an occasional life, including that of an electrical engineer Max Dillon (played by Jamie Fox). What Spider-Man didn't know was that Max was a big fan of the Web Slinger, and dreams of being just as important and wanted.
An accident with electric eels causes Max to mutate into a living electric generator. His debut is met with disgust and horror. In a spectacular action sequence, Max calls himself Electro and starts to destroy Time's Square, finally releasing his personal anger with the world. You would think that Spider-Man would have enough trouble with this guy, but Peter also has to deal with discovering that his father may have been hiding top secret research work from evil, his best friend Harry Osborn (played by Dane DeHaan) returning to take over his dad's company, a relationship with Gwen Stacy (played by Emma Stone), and even the beginning of submitting photos for The Daily Bugle newspaper.
There's a lot more plot to tell, but I don't want to lose focus. That's the biggest problem with The Amazing Spider-Man 2; it tries to tell a lot of story. Since they got the origin story out of the way in the previous film, I thought that this movie would be ready to give us something that was different from the previous trilogy. In truth, I found myself making a lot of comparisons to the okay-received Spider-Man 3.
It shares the same problem of adding in too many villains and rushing most of the development in place for uninteresting story and jokes. I can only blame the less then average screenplay, as the acting here is really good. The material with Electro, with his back-story and the battle sequences, was so good that I don't know why they simply didn't settle on that for a movie. There's nothing wrong with a superhero film that's only ninety minutes long. I can tell that The Amazing Spider-Man 2 is a result of a director's vision clashing with Sony's corporate idea of setting up a franchise. It never meshes enough for a solid story.
I'll give this four comic book electros out of ten. This movie has impressive acting, impressive visuals, and impressive cinematography, but it's badly put together story lacks true excitement that I got from the previous franchise. Ugh it was close.
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