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The Amazing Spider-Man 2 (2014)

PG-13  |   |  Action, Adventure, Fantasy  |  2 May 2014 (USA)
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Ratings: 6.8/10 from 292,807 users   Metascore: 53/100
Reviews: 1,056 user | 488 critic | 49 from Metacritic.com

When New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.



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Cast overview, first billed only:


We've always known that Spider-Man's most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It's great to be Spider-Man. For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis


His greatest battle begins. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for sequences of sci-fi action/violence | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

2 May 2014 (USA)  »

Also Known As:

Spiderman  »

Box Office


$200,000,000 (estimated)

Opening Weekend:

$91,608,337 (USA) (2 May 2014)


$202,853,933 (USA) (15 August 2014)

Company Credits

Show detailed on  »

Technical Specs



Aspect Ratio:

2.35 : 1
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Did You Know?


Due to the criticism surrounding Spider-Man's suit used in the first film The Amazing Spider-Man (2012), the one used in this movie was designed to resemble its original comic book counterpart. See more »


When Spider-Man is trying to regain control of the plutonium-238 shipment, an onboard computer warns that the plutonium is highly explosive. Plutonium-238, however, is known for not being fissile. Instead, it is used for radioisotope thermoelectric generators because its short half-life makes it release enough energy to stay constantly hot. See more »


[first lines]
Richard Parker: People will say I am a monster for what I've done. And maybe they're right. I'd always thought that I'd have more time.
See more »

Crazy Credits

During the end credits, several schematics can be seen of the Rhino suit, the Green Goblin glider, the metallic Vulture wings, the mechanical Doctor Octopus tentacles, and other obscure weapons. See more »


Spoofed in Saturday Night Live: Andrew Garfield/Coldplay (2014) See more »


It's On Again
Written by Pharrell Williams, Alicia Keys, Hans Zimmer and Kendrick Lamar
Produced by Pharrell Williams and Hans Zimmer
Performed by Alicia Keys, Kendrick Lamar, Hans Zimmer
Alicia Keys appears courtesy of RCA Records
Kendrick Lamar appears courtesy of Top Dawg Entertainment / Aftermath Records / Interscope Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Too much, too unbalanced and a waste of talent
25 April 2014 | by (Sweden) – See all my reviews

I can't say I went in to the theater with high hopes. I did enjoy the first installment of this unnecessary reboot, almost anything seemed like a step up from "Spiderman 3", and Garfield felt way more natural than Maguire, and Emma Stone is always welcome. But after seeing the first trailer I thought it seemed like a total mess, and I wasn't convinced by Electro one bit. Unfortunately I was spot on, I hoped to at least get an enjoyable time at the cinema with my friends, but ended up feeling quite uncomfortable and laughing throughout most of the film.

Garfield and Stone has their chemistry and does their best with the incredibly thin script and cheesy one-liners, but their potential quite beautiful scenes together gets lost in the over-full and messy plot. I can't buy an emotional scene that is interrupted by heavy dub-step and a blue electric guy.

Oh Jamie Foxx, how did you go from Django to this? Before he goes all CGI-Electro he tries to play the nerdy unseen scientist (with a worse comb-over than Christian Bale's 'Hustle'-look). As Electro it's hard to say how much is his fault, and what can be blamed on the rest, I'd go with the rest. You don't sympathize with him nor do you believe how fast he becomes this super-villain.

Everything that Dane DeHaan did so well in "Chronicle" just feels unnatural and (maybe not misplaced, but wrong) here. And his character development is way too rushed and quite unnecessary for this film, it just becomes another sub-plot standing in the way of what really matters.

Sally Field does good work as Aunt May, but leaves no lasting mark. Paul Giamatti's Russian criminal is just in the way and only gives a couple of dreadful and laughable scenes. And then there's the mad German scientist named Kafka and I rest my case.

The action and visuals isn't bad, but still doesn't make up for the low "trying to be Marvel"-comedy and horrific soundtrack, a soundtrack that almost itself destroys the film throughout the exhausting 142 minutes. And sometimes it feels like the movie is taking us as an audience to be stupid, with pointers to what is going to happen. I would like to say that you might enjoy it if you just try and see it for what it is, but it's hard, but hopefully possible! It had an interesting start, with a glimpse inside the past and Peter's parents, but it's left underdeveloped, as is almost everything else, to make room for all its action and villains.

It's amazing how the difference between two big-budget superhero-movies can be so huge, if you put this against "Captain America: The Winter Soldier", a great and, opposed to this one, original film.

Oh how I wish that Marc Webb could have continued with a "(500) Days of Summer"-esque movie instead, he could keep the sub-plots starring Garfield, Stone and DeHaan, and it could very well be a great film, and probably not such a waste of talent.

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