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Marius (2013)

Not Rated  |   |  Drama  |  4 July 2014 (USA)
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Ratings: 6.8/10 from 604 users   Metascore: 50/100
Reviews: 4 user | 10 critic | 8 from

"Marius" takes place in Marseilles' Old Port, at the La Marine Bar, owned by César and his son Marius. Marius' biggest dream is to embark on one of the boats passing by his dad's bar and to... See full summary »



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Cast overview, first billed only:
Victoire Bélézy ...
Nicolas Vaude ...
M. Brun
Daniel Russo ...
Rufus ...
Jean-Louis Barcelona ...
Martine Diotalevi ...
Roger Souza ...
Laurent Fernandez ...
Le premier marin du Coromandel
Charlie Nelson ...
Le second de la Malaisie
Michel Ferracci ...
Le deuxième marin du Coromandel
Frédéric Gérard ...


"Marius" takes place in Marseilles' Old Port, at the La Marine Bar, owned by César and his son Marius. Marius' biggest dream is to embark on one of the boats passing by his dad's bar and to set off to a faraway land. Fanny, a young and pretty seafood peddler, has secretly been in love with Marius since her childhood; Marius, never admitting it, has always loved Fanny. One day, a sailor drops by La Marine and offers him a job on an exploratory ship. Trying to hold him off and to make him jealous, Fanny confesses his love to him and provokes a fight between Marius and one of César's old friends, Panisse, a boat merchant, who despite his old age, has been courting Fanny for a while. Torn between the call of the sea and his love for her, Marius abandons his dream to be with Fanny who gives herself to him. As César and Honorine, Fanny's mother, are getting ready for the wedding, Marius changes his mind, drawn back to the call of the sea. Sacrificing her love, Fanny convinces Marius to ...

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Release Date:

4 July 2014 (USA)  »

Box Office

Opening Weekend:

$1,478 (USA) (25 July 2014)


$5,599 (USA) (25 July 2014)

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Technical Specs



Aspect Ratio:

1.85 : 1
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Version of Längtan till havet (1931) See more »

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User Reviews

A new version of a masterpiece
10 September 2013 | by (France) – See all my reviews

Who does not know the trilogy of Marcel Pagnol? Who does not know Marius and Fanny as well the novels as movie of the same author for Marius and d Allégret for Fanny? In a decadent time, full of movies of free violence, full of empty movies, a space which expresses the vain character of our century, the support on sure values is also on the agenda because it establishes an existential relief and a good recommendation for our culture. Daniel Auteuil, a Big actor of the French cinema is the director of a proofreading of Marcel Pagnol, a success of the French cinema. He thus made two movies Marius and Fanny, two masterpieces. These new versions reach the level of the movie of Pagnol and overtake well the movie of Allégret while respecting character of these novels. Fanny is clearly better than Marius. We feel an evolution at the actors who reaches the excellence. We here is thus in Marseille of between two wars a city which has its charm and heroes who have a simple and often pure character. The dialogs are dense but thanks to their simplicity are accessible to everybody; nevertheless the level is raised brought up well and their contents carry solid values, even if sometimes they seem to us outmoded. In the fact which is happier? The man of our days or the person who corresponds to the characters of Marcel Pagnol? This is not a part of our critic, but the movie can remind us these questions. All the actors very well played in this movie, but we have to underline the presence of Daniel Auteuil and Jean-Pierre Daroussin who understood well the universe of Pagnol. A small defect: in spite of the efforts, even if the actors knew how to speak with the accent of Provence, is missing the intonation or the prosody to speak it. It is about a way of speaking melodious such as we find in Marcel's movie with beautiful images. The movie Marius constitutes a new proofreading of this work which corresponds to all that the warned spectator or not can expect from this work. Even if the proofreading of an older masterpiece is difficult, this realization is made a success well; because Daniel Auteuil respects Pagnol by recognizing his genius and he also respects his spectators

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