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The East (2013)

PG-13 | | Adventure, Crime, Drama | 28 June 2013 (UK)
1:41 | Trailer

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An operative for an elite private intelligence firm finds her priorities changing dramatically after she is tasked with infiltrating an anarchist group known for executing covert attacks upon major corporations.


4,758 ( 84)
1 win & 7 nominations. See more awards »



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Cast overview, first billed only:
Porty McCabe
Robert McCabe (as Wilbur T. Fitzgerald)
Rory Huston
Richard Cannon


A successful operative for an elite private intelligence firm is tasked with infiltrating an anarchist group known for executing covert attacks upon major corporations. Written by Anonymous

Plot Summary | Add Synopsis


Spy on us, we'll spy on you.

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, violence, some disturbing images, sexual content and partial nudity | See all certifications »

Parents Guide:





Release Date:

28 June 2013 (UK)  »

Also Known As:

A Kelet  »

Box Office


$6,500,000 (estimated)

Opening Weekend:

$77,031 (USA) (31 May 2013)


$2,268,296 (USA) (2 August 2013)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
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Did You Know?


Toby Kebbell who plays Doc, later plays the similarly named Doctor Doom in Fantastic Four (2015). Both self-proclaimed doctors commit acts of terrorism which they believe are for the greater good. See more »


When Jane sneaks away from the people on the beach while they are still sleeping, she takes a pair of their shoes and leaves her sandals in their place, she also takes one of their bicycles. In the next scene she is riding the bicycle she took, but she is still wearing her sandals. See more »


[first lines]
Izzy: It's easy when it's not your home; easy when it's not your life. The place where you sleep, your kids, your wife. But when it's your fault it shouldn't be so easy to sleep at night. Especially when we know where you live. Barry Redmond, CEO of Lorex Oil, 2641 River Rock Road, East Hampton. You dumped fifteen million barrels of crude into the Atlantic. We don't care how rich you are. We want all those who are guilty to experience the terror of their crimes, because it shouldn't be ...
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Featured in Maltin on Movies: After Earth (2013) See more »


Four Songs from the Fountain of Youth, Op. 44
Written by Johannes Brahms
Courtesy of 5 Alarm Music
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User Reviews

An outstanding addition to Brit Marling's repertoire
2 May 2013 | by (United States) – See all my reviews

Since 2011's Another Earth landed at Sundance and nabbed the Special Jury Prize, Brit Marling has quickly cemented herself as one of the most exciting and challenging new talents. When she feels a genre hasn't been explored to its full potential, she takes it further. When she notices women her age are typecast in boring roles, she writes her own. She's a visionary filmmaker with something to say and the talent and ambition to make sure she's heard - her second collaboration with director and co- writer Zal Batmanglij, The East, is no exception, and is perhaps the peak of her already illustrious career so far.

The film follows Jane Owen (Marling), an undercover security agent, as she leaves behind her doting boyfriend (Jason Ritter) to infiltrate an eco-terrorist group known as The East, who have publicly targeted massive corporations for their covered-up crimes against humans and nature. In between reports to her icy, amoral boss (Patricia Clarkson), Jane slowly grows fascinated with the group, its morals and goals, and its core (Alexander Skarsgard, Ellen Page, Shiloh Fernandez, Toby Kebbell), observing with a mix of horror and infatuation as they execute their violent "jams" on the corporations' key members.

The East will inevitably draw comparisons to Sean Durkin's Martha Marcy May Marlene because of the subject matter and its ingenue leading lady.The East is not as much of a psychological profile, but there are interesting similarities - like Durkin, Batmanglij and Marling never really villainize or condemn their subects; instead, they make a point of showing the East's appeal. We, the audience, begin to understand why these troubled young people would find solace and purpose in what is essentially a band of guerrilla terrorists, and, in turn, why Jane is so hypnotized by them. It makes for an uncomfortably provocative watch: as we learn more about the characters, their backgrounds, and the corporations' crimes (which are based in fact), it's hard to determine who the "bad guys" are. I saw the film at a festival where Batmanglij gave a short Q&A after and he revealed that he, Marling, and Page had lived with similar groups (without the terrorism) before and were sympathetic with the East's cause, if not their methods. The sympathy shows in the writing and most of the time that's a good thing, but there are times when it gets closer to bias and muddies otherwise brilliant storytelling - but these are blips in the overall outstanding product.

Marling is, as always, enigmatic and hypnotizing, but she is an observer and lets the other characters do the talking; it takes highly skilled actors to command empathy for villains and the cast doesn't disappoint. Alexander Skarsgard is incredibly charismatic and persuasive, and he fills in the blanks admirably whenever his development is cut short. Patricia Clarkson surprises in an unusual role for her - she hints that her character might be more evil than any of the terrorists she is hunting. Jason Ritter and Hillary Baack are affecting in their small roles, and Julia Ormond dominates her five minutes of screen time - her last scene is perhaps the most haunting in the film. Ellen Page gives a career-best performances and reminds us that she's a force to be reckoned with if only she were given the chance to show off more often. She commands the screen with intimidating animosity from the second she walks on screen and has some genuinely heartbreaking moments later on.

In spite of occasional misfires, the screenplay is exceptional especially in its efficiency: there is so much going on that there isn't much time to devote to individual characters or relationships - Marling and Ritter's suffers the most - but Marling and Batmanglij make every second count as each line is weighted with enough subtext to tell us the stories implicitly and thoroughly nevertheless. The major characters are very well-drawn; even though we only get glimpses into Skarsgard, Page and Kebbell's pasts, we feel we know them inside and out. The film moves along at a fluid, adrenaline-pumping pace and the tension is genuine and organic rather than forced - the audience's investment in the story grows from affection for the characters and connection with their ideals rather than cheap editing tricks, manipulative music and stylized lighting or sound. Music is used so sparsely that when The National's "About Today" plays over a silent montage of Marling's character breaking down, its emotional weight surprises and stuns. The ending is comparatively underwhelming, but the overall package is one of the best, most provocative thrillers in years and firmly establishes Batmanglij and Marling as a sensational and important pairing.

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