| Hugh Bonneville | ... | Ian Fletcher (13 episodes, 2011-2012) | |
| Amelia Bullmore | ... | Kay Hope (13 episodes, 2011-2012) | |
| Jessica Hynes | ... | Siobhan Sharpe (13 episodes, 2011-2012) | |
| Karl Theobald | ... | Graham Hitchens / ... (13 episodes, 2011-2012) | |
| David Tennant | ... | Narrator (13 episodes, 2011-2012) | |
| Vincent Franklin | ... | Nick Jellet / ... (12 episodes, 2011-2012) | |
| Olivia Colman | ... | Sally Owen (10 episodes, 2011-2012) | |
| Morven Christie | ... | Fi Healey (7 episodes, 2012) | |
| Alex Beckett | ... | Barney Lumsden (6 episodes, 2011-2012) |
Series Directed by | |||
| John Morton | (13 episodes, 2011-2012) | ||
Series Writing credits | ||
| John Morton | (13 episodes, 2011-2012) | |
Series Produced by | |||
| Jon Plowman | .... | executive producer (13 episodes, 2011-2012) | |
| Paul Schlesinger | .... | producer / series producer (13 episodes, 2011-2012) | |
| Eirwen Davies | .... | production executive (3 episodes, 2012) | |
| Catherine Gosling Fuller | .... | producer (3 episodes, 2012) | |
Series Original Music by | |||
| Andrew Blaney | (13 episodes, 2011-2012) | ||
Series Cinematography by | |||
| John Sorapure | (4 episodes, 2012) | ||
| Bill Broomfield | (3 episodes, 2012) | ||
Series Film Editing by | |||
| Robin Hill | (7 episodes, 2012) | ||
| Nick Ames | (6 episodes, 2011) | ||
Series Casting by | |||
| Rachel Freck | (13 episodes, 2011-2012) | ||
Series Production Design by | |||
| Andrew Stephenson | (13 episodes, 2011-2012) | ||
Series Art Direction by | |||
| Anastasya Martynova | (13 episodes, 2011-2012) | ||
Series Costume Design by | |||
| Debbie O'Brien | (13 episodes, 2011-2012) | ||
Series Makeup Department | |||
| Nichola Bellamy | .... | makeup designer / make up designer (13 episodes, 2011-2012) | |
| Liz Hardiment | .... | makeup artist / make up artist (13 episodes, 2011-2012) | |
Series Production Management | |||
| Sue Longstaff | .... | production manager (6 episodes, 2011) | |
| Catherine Gosling Fuller | .... | production manager (4 episodes, 2012) | |
| Andy Bennions | .... | production manager (3 episodes, 2012) | |
Series Second Unit Director or Assistant Director | |||
| Alex Grasham | .... | third assistant director (9 episodes, 2011-2012) | |
| Tom Dunbar | .... | first assistant director (7 episodes, 2012) | |
| Julie Sykes | .... | first assistant director (6 episodes, 2011) | |
| Mark Turner | .... | second assistant director (6 episodes, 2011) | |
| Tamara King | .... | third assistant director (4 episodes, 2012) | |
| Simon Whitby | .... | second assistant director (3 episodes, 2012) | |
Series Art Department | |||
| Maura Laverty | .... | production buyer (13 episodes, 2011-2012) | |
| Andy Leach | .... | props master (10 episodes, 2011-2012) | |
| Cecily Duckett | .... | design assistant (7 episodes, 2012) | |
| Tony Harries | .... | construction manager (4 episodes, 2012) | |
Series Sound Department | |||
| Peregrine Andrews | .... | dubbing mixer (13 episodes, 2011-2012) | |
| Stuart Piggott | .... | sound recordist (13 episodes, 2011-2012) | |
| Graham Tait | .... | boom operator (13 episodes, 2011-2012) | |
| Stephane Malenfant | .... | boom operator (3 episodes, 2012) | |
Series Camera and Electrical Department | |||
| Doug Goddard | .... | gaffer (13 episodes, 2011-2012) | |
| Geraint Owen | .... | focus puller / camera assistant (13 episodes, 2011-2012) | |
| Robbie Cairns | .... | camera assistant (7 episodes, 2012) | |
| Matt Wicks | .... | second camera operator (5 episodes, 2012) | |
| Steve Cortie | .... | gaffer (3 episodes, 2012) | |
| Anton Jeffes | .... | second camera operator (2 episodes, 2012) | |
Series Casting Department | |||
| Rachel Sheridan | .... | casting assistant (6 episodes, 2012) | |
Series Costume and Wardrobe Department | |||
| Natalie Willis | .... | costume assistant (9 episodes, 2011-2012) | |
| Chloe Flanagan | .... | costume assistant (6 episodes, 2011) | |
| Lauren Kilcar | .... | costume assistant (4 episodes, 2012) | |
| Eloise Park | .... | costume assistant (4 episodes, 2012) | |
| Yanika Waters | .... | costume assistant (3 episodes, 2012) | |
Series Editorial Department | |||
| Alex Leask | .... | colorist / colourist (13 episodes, 2011-2012) | |
| Saul Budd | .... | on-line editor (4 episodes, 2012) | |
Series Music Department | |||
| Justin Stennett | .... | promo music (1 episode, 2012) | |
Series Other crew | |||
| David Colenutt | .... | location manager (10 episodes, 2011-2012) | |
| Eirwen Davies | .... | production executive (10 episodes, 2011-2012) | |
| Lauriel Martin | .... | production coordinator (10 episodes, 2011-2012) | |
| Rebecca Rycroft | .... | script supervisor (10 episodes, 2011-2012) | |
| Lucy Fewell | .... | stage manager (7 episodes, 2012) | |
| Sarah Cartwright | .... | production assistant (6 episodes, 2011) | |
| Richard Green | .... | production accountant (6 episodes, 2011) | |
| Andrew Harvey | .... | production runner (6 episodes, 2011) | |
| Nicki Safe | .... | production runner (6 episodes, 2011) | |
| Jamie Graham | .... | production runner (4 episodes, 2012) | |
| Aggie Mensah | .... | production accountant (4 episodes, 2012) | |
| Wendy Rees | .... | post production coordinator (4 episodes, 2012) | |
| Paula Lamont | .... | location manager (3 episodes, 2012) | |
| Kevin McSweeney | .... | production accountant (3 episodes, 2012) | |
| Gemma Neep | .... | production runner (3 episodes, 2012) | |
| Kate Scarbrough | .... | production co-ordinator (3 episodes, 2012) | |
| Natalie Scicluna | .... | script supervisor (3 episodes, 2012) | |
| Daisy Brydon | .... | script assistant (2 episodes, 2012) | |
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| The Blazing Guns | A Hard Day's Night | Strong Language | C.S.A.: The Confederate States of America | Exit Through the Gift Shop |
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The first episode was criticised by the TV critics of two British newspapers for lacking jokes. That rather seems to miss the point. I found it far funnier than they seem to have done, and often it is the small, almost insignificant points which are so telling: the casting of peripheral characters is masterly and hints at the essence of Twenty Twelve. This is not in the first instance a comedy but satire which sends up mercilessly the attitudes, dishonesty and outright nonsensical babble of recent times. But it is done in such a straight-faced manner than perhaps some miss its nuances. My favourite character is the utterly vacuous air-headed Siobhan Sharpe, on secondment from the PR company Perfect Curve as the Olympic deliverance committee's Head of Brand, but that is just a personal choice and it would be unfair to single her out. I have met all the characters portrayed in real life and, oddly, they are not at all exaggerated. With luck - and the Games being just over a year away - this one will run and run.