| Videos (see all 2) |
| Aung San Suu Kyi | ... | Herself |
Directed by | |||
| Robert H. Lieberman | |||
Writing credits | ||
| David Kossack | (story) (as David L. Kossack) | |
Produced by | |||
| H. Harreld Dinkins | .... | associate producer | |
| Deborah C. Hoard | .... | producer | |
| Robert H. Lieberman | .... | producer | |
Cinematography by | |||
| Robert H. Lieberman | |||
Film Editing by | |||
| David Kossack | (as David L. Kossack) | ||
Art Department | |||
| Jeanne Butler | .... | print artist | |
Sound Department | |||
| Chris Julian | .... | additional audio recording | |
| Nicholas LaVerne | .... | sound mixer | |
| Norm Scott | .... | sound mixer | |
Visual Effects by | |||
| Garth Avery | .... | motion graphics | |
Camera and Electrical Department | |||
| Michel Chavet | .... | still photographer | |
| Robert H. Lieberman | .... | still photographer | |
Music Department | |||
| Cameron T. Hoard | .... | musical director | |
Other crew | |||
| Amber Alexander | .... | administrative assistant | |
| Billy Boyce | .... | production assistant | |
| Tom Corey | .... | consultant | |
| Christian Donovan | .... | administrative assistant | |
| Lou Fong | .... | production assistant | |
| Lee Fritz | .... | dvd authoring | |
| Markia Gwara | .... | administrative assistant | |
| Ben Johnson | .... | production assistant | |
| Kai Keane | .... | production assistant | |
| Robbie Lyons | .... | production assistant | |
| Michael McGuire | .... | consultant | |
| Zaw Myint | .... | translator | |
| Yi-Ki Peng | .... | production assistant | |
| Tom Swartout | .... | consultant | |
| Liam Wickes-Do | .... | production assistant | |
| Chloe Wilson | .... | production assistant | |
| Tin Win | .... | paintings of Hill Tribe Peoples courtesy of | |
| Matthew Winberg | .... | technical support | |
| Kenneth Wong | .... | translator | |
| Andrew Young | .... | consultant | |
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| A Second Knock at the Door | Planet B-Boy | Disarm | Hawaii: A Voice for Sovereignty | Burmese Dreaming |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Having lived in Burma for four years, I found the film equally enlightening and disappointing. To the outsider - most of the world - Burma is portrayed in the shortsighted way it is understood in the media: Evil government, beautiful people. To portray Burma in this way is true and real. To focus on this completely is to miss Burma.
The film is honest in the views given by locals (easy to recognize by their accents), in their local context and understandings and without global understandings. The film is dishonest in it's lack of vetting of expatriate views. Truly disappointing, seriously lacking journalistic ethics. The expatriates who speak (easy to recognize by their accents) are ignorant of Burma. The female expatriate's view is overly dramatic, too eager to share "hidden knowledge" of Burma, stilted in her understandings. The male expatriate describing trucks at Kyaihto turning over weekly is ridiculous. Personal friends have traveled to Kyaihto throughout their lives many times, and continue to, without incident. And the idea that westerners and tourists have disappeared into Burmese prisons for filming, and less such crimes, is entirely false.
Burma is an incredible place to visit, and I would encourage you to. Please do so with utmost respect of the Burmese people, if you decide to go. Consider where your money is flowing, and learn humility from these beautifully timid, humble people.