A violent quarrel breaks out between a couple at midnight. Being at a relative,s house in the north of Iran, they depart for Tehran in the middle of the night, but they do not bring along ... See full summary »
Shirin is supposed to get married in a couple of hours, but she unexpectedly murders a man. The cause of the crime, rooted in her nightmarish childhood, unravels gradually and the real question emerges: Who is the REAL criminal?
Ghasem (Hamid Farokhnezhad) with his wife, Narges (Leila Hatami), his mother and other relatives and parents take a flight to Bandar Abbas, to get hired in an industrial company. Since the ... See full summary »
The only nuptial condition an inveterate chain smoker receives from his perfume-testing fiancee is to quit smoking. This poses a problem for the advertising agency ideas man for whom smoking is all part of the creative process.
A young doctorate graduate and son of a religon-exploiting rich man, in the verge of leaving Iran for the United States is confronted with events and accidents, hindering while educating him of the other classes in Iranian society.
Mohammad Reza Golzar
A violent quarrel breaks out between a couple at midnight. Being at a relative,s house in the north of Iran, they depart for Tehran in the middle of the night, but they do not bring along their son. Something terrible happens on their way... Written by
I saw this film as part of the Iranian Film Festival in Sydney and discovered that this film was conceived as part of a workshop with the great director Abbas Kiarostami. This film shows the influence of Kiarostami but also has taken an original approach to film making.
Like many Iranian Films the film has a gentle pace, gives a prominent role to its setting and has at is core a riveting dramatic tale. The dialogue and characters are engrossing and unfold beautifully throughout the film.
The direction of the film is great. The use of sound in particular is superb and a real treat which is central to the film. I found myself enjoying the way the director has played with sound and created the sound world of the characters. I wont say anything more to ensure not giving away some of the suspense of the film.
The screenplay of the film is also superb. When a director uses countryside as the setting, often there is a tendency to romanticise the countryside, the rural setting, the people, etc etc (e.g. Once Upon a Time in Anatolia was a film seen recently which is a very romantic view of rural Turkey). This film avoids the romanticism and conveys a real sense of Iranian rural areas. It is stunning, but not without its realities of bad roads, bad drivers, isolation....
I thoroughly enjoyed this film, and recommend it.
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