When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
In South Central Los Angeles, street cops Brian and Mike are partners - balls-out cowboys patrolling the streets as Latino gangs are in a power struggle with Blacks. Brian and Mike get lucky a couple of times, making big drug and human-trafficking busts, so a Mexican cartel orders their deaths. We meet Mike's pregnant wife (whom he married out of high school) and watch Brian's search for a soul mate. There are internal squabbles within the ranks of the LAPD and lots of squad-car conversation. Can the lads escape the cartel's murderous reach? Written by
The scene roughly at the end of the movie where Mike and Brian are in pursuit of a silver minivan and then crash into it was not scripted. Michael Peña, who was driving the patrol car at that moment, actually crashed into the back of the minivan by accident. The director had removed the anti-lock brakes from the patrol car because it was shaking the camera and what the actors also didn't know was that the road that they were filming the scene on had recently been repaved, so when Michael Peña hit the brakes the patrol car skidded across the road for about a 150 feet right into the back of the minivan deploying the airbags. See more »
When showing the burned up stolen vehicle the officer states they found two types of shell casings, 9mm and 45. However, the brass they find is 7.62x39mm, 9mm, and .45 ACP, correlating to the three calibers of weapons used in the drive by scene. See more »
I am the police, and I'm here to arrest you. You've broken the law. I did not write the law. I may even disagree with the law but I will enforce it. No matter how you plead, cajole, beg or attempt to stir my sympathies, nothing you do will stop me from placing you in a steel cage with gray bars. If you run away I will chase you. If you fight me I will fight back. If you shoot at me I will shoot back. By law I am unable to walk away. I am a consequence. I am the unpaid bill. I am ...
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This film is dedicated to the men and women of the law enforcement community who face danger daily on our behalf. It is especially dedicated to our fallen heroes who have made the ultimate sacrifice in the line of duty. This is for all that fight evil so we may not know it. God bless you all. See more »
Unlike many of the current crop of macho cop dramas, End of Watch plays mainly to the grit of the daily challenges of patrolling the mean streets of South Central LA in the "Shootin' Newton" division. Unlike the stunning LA Confidential, with a historical story line, End of Watch is done in the cinema ver'ite' style - in a realistic real cops on duty in the LA war zone frame. The casting in this movie is picture perfect, with each actor giving in depth performances.The story line brings the Mexican / US drug problem into crystal clarity. Initially, the story fails to coalesce, and the video cam work is a bit disjointed and over done at the outset, but once you settle in to cinematic method, the film gets a hold on you. Definitely a movie for any law enforcement aficionados collection.
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