A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In South Central Los Angeles, street cops Brian and Mike are partners - balls-out cowboys patrolling the streets as Latino gangs are in a power struggle with Blacks. Brian and Mike get lucky a couple of times, making big drug and human-trafficking busts, so a Mexican cartel orders their deaths. We meet Mike's pregnant wife (whom he married out of high school) and watch Brian's search for a soul mate. There are internal squabbles within the ranks of the LAPD and lots of squad-car conversation. Can the lads escape the cartel's murderous reach? Written by
In the house where the officers find all the human trafficking people is an altar with small statues and likenesses of Jesús Malverde. Jesús Malverde, sometimes known as the "generous bandit", "angel of the poor", or the "narco-saint", is a folklore hero in the Mexican state of Sinaloa. Though he is celebrated as a folk saint by some in Mexico and the United States, particularly among those involved in drug trafficking, he is not recognized as a saint by the Roman Catholic Church. See more »
In the audio commentary the director says that two cars were used in the opening car chase seen. Before the car spins out of control you can see the second car behind the blue garbage can. See more »
I am the police, and I'm here to arrest you. You've broken the law. I did not write the law. I may even disagree with the law but I will enforce it. No matter how you plead, cajole, beg or attempt to stir my sympathies, nothing you do will stop me from placing you in a steel cage with gray bars. If you run away I will chase you. If you fight me I will fight back. If you shoot at me I will shoot back. By law I am unable to walk away. I am a consequence. I am the unpaid bill. I am ...
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This film is dedicated to the men and women of the law enforcement community who face danger daily on our behalf. It is especially dedicated to our fallen heroes who have made the ultimate sacrifice in the line of duty. This is for all that fight evil so we may not know it. God bless you all. See more »
I had high expectations for this movie, and was severely let down. The letdown came from a number of small things rather than one big one. While I accepted the story line of tough inner city cops working tough neighborhoods, I found the use of hand-held cameras to show uncommon angles to be an unnecessary distraction. So was the constant referencing of Anna Kendrick's cleavage in almost every shot she was in.
But the biggest letdown in this movie was the generic nature of the battle between law enforcement and the human traffickers they fought against. The coyote types were one dimensional characters only - cold and angry all the time. We never really are told why they hate the police so much, other than that the police are obstacles to their business. But the human element was missing.
The other letdown was the portrayal of the disconnect between the LAPD, a local agency, and Immigration and Customs Enforcement (ICE), a federal agency. We aren't given enough content about their lack of information sharing, and the plot too easily glosses over ICE's not sharing potentially life saving information with the LAPD.
The one bright spot in the movie was the acting by Jake Gyllenhaal. He was very convincing as a hard charging, bend-the-rules street cop. But this movie could have been so much more, end evoked more empathy from its audience, had the script been better refined.
7 of 8 people found this review helpful.
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