A psychological study of operations desert shield and desert storm during the gulf war; through the eyes of a U.S marine sniper who struggles to cope with the possibility his girlfriend may be cheating on him back home.
When Louis Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
In South Central Los Angeles, street cops Brian and Mike are partners - balls-out cowboys patrolling the streets as Latino gangs are in a power struggle with Blacks. Brian and Mike get lucky a couple of times, making big drug and human-trafficking busts, so a Mexican cartel orders their deaths. We meet Mike's pregnant wife (whom he married out of high school) and watch Brian's search for a soul mate. There are internal squabbles within the ranks of the LAPD and lots of squad-car conversation. Can the lads escape the cartel's murderous reach? Written by
To achieve the shots captured by the main characters' lapel cameras, Michael Mansouri of rental house Radiant Images stripped down a Silicon Imaging SI-2K Mini camera to about a third of its original size, to be attached to special vests worn by Jake Gyllenhaal and Michael Peña. The camera was dubbed the "Nano", and was subsequently made available to other productions for rental. See more »
During the pursuit in the opening of the film, the officers pass by a homeless man on the ground as well as a yellow truck on its side with a potentially hurt passenger trying to exit the vehicle. Police procedure requires an officer to stop and render aid, even in a pursuit. It does not appear any other police unit was following the officers (a second unit could of stopped to render aid), so they would have been required to end the pursuit and help the injured. See more »
I am the police, and I'm here to arrest you. You've broken the law. I did not write the law. I may even disagree with the law but I will enforce it. No matter how you plead, cajole, beg or attempt to stir my sympathies, nothing you do will stop me from placing you in a steel cage with gray bars. If you run away I will chase you. If you fight me I will fight back. If you shoot at me I will shoot back. By law I am unable to walk away. I am a consequence. I am the unpaid bill. I am ...
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This film is dedicated to the men and women of the law enforcement community who face danger daily on our behalf. It is especially dedicated to our fallen heroes who have made the ultimate sacrifice in the line of duty. This is for all that fight evil so we may not know it. God bless you all. See more »
The script is so well written, it almost hurts. Almost because it is really just good! And I loved the fact, that it got recognized in America too (at the Box office, it did open at Number 1). While I won't go into the story, the casting of Jake and his partner couldn't have been better. It feels like the guys know each other their whole life. Their interactions with social media and "real" life feel ... well real. Nothing in this movie feels like it is staged for entertainment purposes nor does the dialogue sound fake.
I did write drama, but there is also quite a bit of action in this one. The hand-held approach to some of the scenes does not take anything away from them, it actually heightens the experience most of the time. Of course as an Anna Kendrick fan, I would've loved to see more of her in the movie, but it does belong to our two "heroes" and what they are going through. It's nice to see a movie that keeps in touch with current events, have the courage and the quality to bring that "cop" experience on screen
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