A young girl pretending to be the deceased granddaughter of an ailing grandmother begins experiencing horrific visions of the dead granddaughter, causing her to slowly succumb to the insanity of illusion and reality merging.
In a mysterious forest in Thailand, many suicidal youths disappear and rescue teams can not find the way out even with compass. The ambitious reporter May is making sensationalist ... See full summary »
After writing three best-sellers about love story based on her own experiences, the successful writer Tsui Ting-Yin is without inspiration and having difficulties to write her new novel in ... See full summary »
Ted, his cousin May, her best friend April and April's boyfriend, Kofei take a vacation to Thailand to visit their Thai buddy, Chongkwai, who shows them a book of ten ways to see ghosts. And the game begins...
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The story is of a deaf-mute hitman and his partner who are based in Bangkok. He is friends with his partner's girlfriend who is a stripper at a local club. They go about their assassination... See full summary »
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In Hong Kong, Wu Zai-Jan is arrested for lingering in the hall of the Police Department with a weird white make-up on his face and brought for interrogation with Inspector Han and his team. The suspect is mentally disabled and tells that he has murdered a man named Cheng Fai. He also calls the detectives "wolves". The detectives go to Cheng Fai's apartment to investigate and they find that the supposed victim is alive. They return to the precinct and discharge Wu Zai-Jan since he is mentally disabled making them waste their time. Inspector Han is expecting to be promoted and has a troubled marriage, with his autistic son that he does not love and his estranged wife that does not accept his attitude towards their son. On the next morning, Inspector Han and his team have to investigate a murder case and they find that the victim is Cheng Fai, who was found dead in a park with seven stones in his stomach. Han and his team realize that they made a mistake releasing Wu Zai-Jan and they ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
On paper, Danny Pang's FAIRY TALE KILLER looks potential enough to warrant this as one of the must-see Hong Kong movie blockbusters of the year. It has the ever-reliable Lau Ching-Wan in the lead, a killer premise inspired from David Fincher's SE7EN (1995) and Gothic elements of fairy tale undertones, plus one of the screenwriters here happens to be that Milkyway's highly-prolific Szeto Kam-Yuen. But for all the first-rate talents involved here, this highly-anticipated thriller is a huge disappointment in many ways.
However, the movie does starts out promisingly with an intriguing opening scene involving a suspicious-looking guy named Wu Zaijun (Wang Baoqiang) gets captured by the cops for loitering. His face is caked with make-up, and he also turns to be a mentally-challenged person. While held for questioning by Inspector Wong Wai-Han (Lau Ching-Wan), the leader of five-man team (Ken Lo, James Ho, Gary Chiu and Kelly Fu), Wu reveals he has murdered someone named Cheung Fai (Lam Suet). To determine whether Wu is telling the truth or not, the cops investigate the matter and discovers that Cheung is alive and well. Realizing they are being fooled about this, Wong decides to set him free since he figures Wu is a crazy idiot trying to waste their time. Next day, however, Cheung Fai is found dead, with seven pieces of stones stuffed inside his stomach. Soon Wong and his team realize they have committed a huge mistake of letting Wu walk scot-free the night before, and decides to conceal the fact for their wrongdoings. In turn, they tries hard to solve the case as fast as possible before their situation goes from bad to worse.
Meanwhile, Wong's personal life is no better. He has an autistic son whom he has a tough time trying to communicate with, while his estranged wife (Joey Meng) often blames him for not being sensitive enough to their own child.
It's a shame that a good set-up like this would have made into an interesting thriller. But Danny Pang's unfocused direction serves the biggest culprit here. While he does have a knack for visuals, he fails miserably to deliver any sense of mood or atmosphere to make this as creepy as possible. Instead, everything here feels so lifeless and what he can do the most is thrown over a couple of over-the-top score to deliver jump scares that's hardly scary at all. The pace is also awfully slow, and the story is all half-realized ideas with little payoff.
Even all the cast here are sleepwalking throughout their roles. Lau Ching-Wan is terribly wasted here. Despite his would-be complex role, he looks completely lost here. As the serial killer Wu, Wang Baoqiang is equally shallow as well. While he still earns some credit for his mentally-challenged role, there's nothing much about him worth noticing for. As for the rest of the supporting casts, the less said the better.
FAIRY TALE KILLER is a yawner, and no doubt this movie shares the same ill-fated consequence with Roy Chow's NIGHTFALL earlier this year.
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