Vassili is an aged prostitute with killer instincts. He finds an unconscious young man in the Forest of Boulogne and takes him home. Now lovers and accomplices, the two men become a couple ... See full summary »
Tel Aviv, Summer 1989. Boaz, a beautiful and alluring linguistics student, receives anonymous, male written love letters,that undermines his sexual identity and interfere his peaceful life with his beloved girlfriend.
Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?
Maria de Medeiros,
Martin seeks for a temporary job at Eugenio's house. When they recognize to be childhood friends, Eugenio offers him work for the summer. A power and desire game starts and their relationship grows beyond their friendship.
Chris and RJ reunite five years after coming out to their families and their church as gay men, where the factors that led to their separation are revealed as they mourn the death of their mutual friend Rodney.
Vassili is an aged prostitute with killer instincts. He finds an unconscious young man in the Forest of Boulogne and takes him home. Now lovers and accomplices, the two men become a couple in prostitution and steal from their clients. And yet, menaces of retaliation leave the couple with no choice but to escape from Paris. The runaway begins... Written by
A kind of soap or soap-and-splash opera, with well played moments (like at the beginning Jean-Christophe Bouvet flamboyantly enjoying his vinyl record). Maybe engaged by moments of soft porn, the movie doesn't step back to consider its characters, let alone have them think themselves about what they are doing. Since it involves murder, there's a problem. The title may want to suggest that the central characters are Rimbaud and Verlaine, but the artificial paradise here is a pill at bedtime. The younger, Angelo, is there to be dressed or undressed, and gives no indication he knows or doesn't care what his partner is up to. Stéphane Rideau (the elder Vassili), with a hint of gut, can't be an éphèbe anymore, but he seems to know his business as a prostitute and what roles he can now play, so it is very hard to know why he isn't able to deal with older clients. The child, young Vassili (a genetic conundrum the name), does have a better sense of the plights he is in than anyone else.
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