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Django Unchained (2012)

R  |   |  Western  |  25 December 2012 (USA)
8.5
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Ratings: 8.5/10 from 801,721 users   Metascore: 81/100
Reviews: 1,137 user | 748 critic | 42 from Metacritic.com

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

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Title: Django Unchained (2012)

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Top 250 #59 | Won 2 Oscars. Another 65 wins & 105 nominations. See more awards »

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Cast

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Big Fred's Opponent
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Storyline

Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife who is under the hands of Calvin Candie, a ruthless plantation owner. Written by BenLobel

Plot Summary | Plot Synopsis

Taglines:

The "D" is Silent. Payback Won't Be. See more »

Genres:

Western

Motion Picture Rating (MPAA)

Rated R for strong graphic violence throughout, a vicious fight, language and some nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

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Release Date:

25 December 2012 (USA)  »

Also Known As:

Django sin cadenas  »

Filming Locations:

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$30,122,888 (USA) (28 December 2012)

Gross:

$162,804,648 (USA) (10 May 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

After working on this film, composer Ennio Morricone said he would probably never again collaborate with Quentin Tarantino since he didn't like the way the writer/director "places music in his films without coherence" and "never giving enough time". Morricone and Tarantino had also worked together on three previous movies. See more »

Goofs

Stephen (Samuel L. Jackson) uses the word "motherfucker" four times throughout the film. This is a linguistic anachronism as the word didn't exist until the WWI era (the Oxford English dictionary lists the earliest use in 1918). See more »

Quotes

[first lines]
Dicky Speck: [Cocks rifle] Who's that stumblin' around in the dark? State your business or prepare to get winged!
See more »

Crazy Credits

Normally, the logo for The Weinstein Company is silent. In this film, it is accompanied with the theme music for Miramax from the early 90s, in a nod to Tarantino's first 2 films. See more »

Connections

Featured in The Oscars (2014) See more »

Soundtracks

100 Black Coffins
Written by Jamie Foxx and Rick Ross
Performed by Rick Ross
Courtesy of The Island Def Jam Music Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
a big bore
2 January 2013 | by (United States) – See all my reviews

Critics are giving Tarantino way too much credit for saying anything meaningful in this film. His references to 60's spaghetti westerns or 70's black exploitation films don't go beyond cheesy film titles and the interpolation of icky songs on the sound track - the social relevance of these films could hardly matter to him; he doesn't have much to say about slavery, other than it was bad; his emotional palette ranges from revenge to more revenge - anything else is beyond him; his lengthy dialog scenes are becoming predictable -dull, too-cute. The only real difference between the films Tarantino is emulating and his film is a fetish for mixing violence with comedy. I can't help but think that Tarantino sees himself as a liberal-cool-auteur-artist; but it is pretty easy to see through what critics call his social 'deepening' as a recent tendency to patronize: Jews kicking ass (last film) and Black slaves taking care of business (this film).

He also might consider finding a good editor with his next film. The editing here is atrocious, and the length interminable. In addition, could he locate better camera angles to make his boring dialog less boring? (perhaps nothing could do that).

Viewers unfamiliar with Tarantino might find this film weird; his fans will find it amazing; his detractors will find it boring and emotionally juvenile.


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