Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
A German dentist buys the freedom of a slave and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of the slave's wife who belongs to a ruthless plantation owner. Written by
After working on this film, composer Ennio Morricone said he would probably never again collaborate with Quentin Tarantino since he didn't like the way he "places music in his films without coherence" and "never giving enough time". However, Morricone and Tarantino had also worked together on three previous movies, and they once again collaborated for The Hateful Eight (2015), which earned Morricone his first Academy Award. See more »
When Dr. Schultz addresses the slaves as "poor devils" he is wearing gloves. After Django answers his question and Dr. Schultz is climbing down the coach he is not wearing gloves. See more »
Who's that stumblin' around in the dark? State your business or prepare to get winged!
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The Columbia logo is the 1968-76 version. See more »
In Quentin Tarantino's Django Unchained, there is a scene in which Django (Jamie Fox), soon after being freed by the incredibly likable dentist turned bounty hunter, Dr. King Schultz (Christoph Waltz), shops for new clothes to wear.
Schultz tells Django to pick out whatever he likes. Django looks at the smiling white man in disbelief. You're gonna let me pick out my own clothes? Django can't believe it. The following shot delivered one of the biggest laughs from the audience I watched the film with. After the white man confirms that yes, he is indeed letting the black man pick out his own clothes, we cut to a wide shot of Django riding his horse, now decked out in his very own (outlandish) cowboy outfitan all blue with white ruffle get-up.
It's a great little scene that provides humor and allows the viewer to further warm up to the two main protagonists. But it also does more than that. It's a simple scene that speaks for the whole film. It's an affirmation that this man of color is now free and able to make his own decisions. The choice he made concerning his extravagantly loud outfit acts as a warning to those that plan to stand in his waywatch out, here I come, I ain't gonna be quiet no more.
And the humor the scene provides echoes the entire filmit wants us to get comfortable with our hero. Tarantino knows that a man of color makes an unconventional hero in a revenge- flickthat's why he made the film. When was the black man going to get his revenge film? It's been long overdue. With Django Unchained, that film has finally arrived and it has arrived in style. Beautifully shot, wonderfully acted, and meticulously written, it's Tarantino at his most epic.
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