Eight years after the Joker's reign of anarchy, the Dark Knight is forced to return from his imposed exile to save Gotham City from the brutal guerrilla terrorist Bane with the help of the enigmatic Catwoman.
Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife who is under the hands of Calvin Candie, a ruthless plantation owner. Written by
During the first dinner scene with Calvin, the camera moves around the table as he talks showing the different characters' faces and towards the end when Django is talking the Le Quint Dickey Mining Co. about the Smitty Bacall gang, the camera similarly rotates around them. Tarantino has used this effect in Reservoir Dogs (1992) and Death Proof (2007). See more »
After the foyer shootout at Candyland when Django is seen hiding underneath the knocked-over cabinet about to surrender, a body is shown lying on its back directly in the middle of the hallway. Moments later as the camera pans over the array of bodies from the shootout, the body is moved to the left side of the hallway closer to the wall. See more »
Who's that stumblin' around in the dark? State your business or prepare to get winged!
See more »
There is a small additional scene with the 3 men in a cage at the very end of the credits. See more »
In Quentin Tarantino's Django Unchained, there is a scene in which Django (Jamie Fox), soon after being freed by the incredibly likable dentist turned bounty hunter, Dr. King Schultz (Christoph Waltz), shops for new clothes to wear.
Schultz tells Django to pick out whatever he likes. Django looks at the smiling white man in disbelief. You're gonna let me pick out my own clothes? Django can't believe it. The following shot delivered one of the biggest laughs from the audience I watched the film with. After the white man confirms that yes, he is indeed letting the black man pick out his own clothes, we cut to a wide shot of Django riding his horse, now decked out in his very own (outlandish) cowboy outfitan all blue with white ruffle get-up.
It's a great little scene that provides humor and allows the viewer to further warm up to the two main protagonists. But it also does more than that. It's a simple scene that speaks for the whole film. It's an affirmation that this man of color is now free and able to make his own decisions. The choice he made concerning his extravagantly loud outfit acts as a warning to those that plan to stand in his waywatch out, here I come, I ain't gonna be quiet no more.
And the humor the scene provides echoes the entire filmit wants us to get comfortable with our hero. Tarantino knows that a man of color makes an unconventional hero in a revenge- flickthat's why he made the film. When was the black man going to get his revenge film? It's been long overdue. With Django Unchained, that film has finally arrived and it has arrived in style. Beautifully shot, wonderfully acted, and meticulously written, it's Tarantino at his most epic.
187 of 320 people found this review helpful.
Was this review helpful to you?