A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
Well after finally seeing this and reading all the way negative reviews, I must confess that Dario's latest somewhat surprised me as I was expecting it to be much much worse. Not that it's very good mind. While in some ways a faithful enough adaptation of Stoker's classic, it also has some bizarre and decidedly left field touches to it including one rather jaw dropping in concept transformation scene involving a giant... insect, which had me in stitches.
The gore is decent in concept but executed badly, with really susbtandard CGI, which comes across like the Scy/Fi channel doing a really bad rendition of things. Hauer is wasted in it and doesn't actually do much, while Kretchsmann is horribly miscast as the titular count and basically sleepwalks through his role. Asia while still damn alluring looking is still her usual substandard self, although obligingly (and considering Dario's her dad, decidedly creepily) gets naked yet again. There's also some fine nudity from Miriam Giovanelli.
I did like its set design though which comes across as a nice homage to the old style Universal/Hammer horrors to an almost stereotypically Gothic degree, all dark castles and heaving bosoms in corsets.
I'm giving this a very generous 6/10 as despite its very real flaws and being rather uneventful in parts, it's also overall a helluva lot more entertaining than I was expecting, although sadly nowhere near as entertaining or gratuitous as his bonkers Mother of Tears.
Lifelong Argento fans will in all probability hate this, but after watching it all I can say is... I liked it better than Giallo... which admittedly isn't saying much.
On a purely critical level I'd probably rate this a generous 4 as it really is a weak and poor effort on Dario's part, but I'm tacking on another bonus two points for unintentional hilarity and for keeping me entertained.
That having said, I'm a bit of an Argento fanboy and can't in all honesty recommend it to his fans, or... well, anyone else probably except fellow fanboys, but Dracula is very probably his weakest film, even if I preferred it to Giallo.
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