|Index||10 reviews in total|
Sure, we'd need an upgrade or two. After all, this is the age of
digital effects, so the guillotine weapon is now completely CGed with a
bit too much information, showing the implausible tech wizardry that
goes on inside the weapon, now resembling a sickle-sword in two parts,
one that contains the revolving, spinning wheel that hooks onto one's
neck, extends a couple more mean looking blades, before a yank of a
chain decapitates one's head. Do we get to see the full works? Yes,
despite some censored bits, but considered that the best demonstration
of the weapon comes in the first ten minutes, that's all about what you
can see of a film whose title is the weapon. Bummer.
With no less than having six writers involved, you'd think at least one of them had the sense to make the utilization of the weapon a more frequent point in the film, especially when we have seven characters in a team, all of whom take up fanciful titles like a basketball team, operating like a dedicated SWAT platoon, headed by Leng (Ethan Juan). The story turned out to be convoluted, a classic case of having too many cooks involved in the brewing of the broth, and with desire to help director Andrew Lau concoct an Infernal Affairs equivalent of a martial arts story complete with twists and turns hinged on loyalty, brotherhood, and a whole lot of hidden agendas.
Emperor Yongzheng has the crack Guillotines team set up as a secret underground army of his to wipe dissent amongst the populace, and this continues during the reign of his son Qianlong, who is adamant in embracing modern technology and weaponry, and also to wipe this dark episode of a blot on his dynasty's rule. To do so, he has a sworn group of those whose astrological star signs are aligned to his, whom his father had dispersed through various arms in the government, such as Du (Shawn Yue), an Imperial agent, and even Leng himself. The main antagonist to his dynasty is Wolf (Huang Xiaoming), the head of the rebel Herders gang, who is Han and going around rousing support from the oppressed and disgruntled, and soon enough we have Leng and his Guillotines open the film with a big action sequence that may just be the final entertaining fight you'd see in the movie.
That's because with the embrace of guns and cannons, which boasts a far greater reach that the Guillotines infamous ability to kill within 10 steps (only), Qianlong is also keen to have new toys, and to do so, schemes to justify them while at the same time rid his rule of those who had served him, and his father, well. Opportunity comes when Leng's teammate Musen (Li Yuchun), who is also daughter of the Guillotines chief (played by the legend Jimmy Wang Yu in a non combat role, unlike in Wu Xia) gets kidnapped by Wolf, and during their rescue mission, has Du unceremoniously tagged along their quest.
Fine so far? Great, because everything else that came after is more talk than action. Soon we'd see Leng being more of a brooder than a man of decisive action, as each of the major characters begin to reveal true intentions, centered around what it means to be sworn to loyalty and brotherhood, yet being in a fix when required to perform execute someone else's dirty intent. There's opportunity for gratuitous massacre on screen just to up the body count, as the Guillotines crack team become more caricatures as the narrative moved along, rather than the feared team that operated in the shadows.
There's also a lot of The Last Samurai in this, given the very obvious guns and cannons versus sword fights and primitive weapons employed by the masses, in what would be an emperor's degree to wipe his enemies, that by the time this rolled out you'd know how everything would end, since Qianlong is after all very much one of the longest reigning monarchs in Chinese history, and all fantasy of rebels rewriting that, is zilch. The entire second half of the narrative also had Leng rescued by the enemy Wolf, and brought to see the light on what is the true meaning of peace and harmony, when living amongst those whom he had once sought to silence with his deadly spinning wheel at the drop of the hat through a decree by the courts.
Ethan Juan probably had it in his contract to shed a lot of tears and bawl like a crybaby in this one, while Shawn Yue, with Infernal Affairs tucked under his belt, performs in a similar capacity, albeit this time in a medieval get up. Huang Xiaoming's role was the most curious in the film, being almost messiah like, the chosen one seeking a way to lead his people out of misery, preaching his brand of politics and revolt through the many pockets of Han community still scattered around, and predicting his own untimely demise in what would be a necessary sacrifice he had foretold to bring about reconciliation. Even his make up and costuming looks traditionally messiah-like, although he held his own when non-violence doesn't seem to sway ideals.
It's probably about time that martial arts films inspired by those of old, stick to what made them genre in the first place. Nobody's quibbling if there's a solid story, but in trying to be intellectual and artificially raising philosophical examination, The Guillotines becomes a tired exercise attempting too hard to achieve something more cerebral, forgetting its entertainment aspect, and what had made its namesake famous in the first place, akin to the movie's Qianlong in attempting to wipe out what is remarkably cheesy in its mythos after having to ride on the goodwill of the franchise's coattails to have this made.
As the summary states, this movie was terrible. It's almost as bad as
Choy Lee Fut (2011) but at least this one has some action. But make no
mistake, it's bad. The CG is laughable. Dialogue is terrible. None of
the characters make you feel for them, which only makes it worse when
certain characters are crying for the whole movie. Crybaby assassins??
Almost believable. Seriously, more tears shed than Twilight 2.
Most of the scenes are just ridiculously acted out and shot. They tried to be artistic and emotional but it just comes off as campy. Seemed like it had a decent budget, but a lot went wrong during the production. Who knows.
Anyway, this was just meant to be a warning for those of you who thought to look up a review before spending your hard-earned cash (and time) on a movie. Watch something else. I rarely write these things, mostly as a service to other unsuspecting viewers. This ranks up there with the previously mentioned Choy Lee Fut and Skyline.
Who watched and rated this movie? A bunch of Woody Allen fans? It deserves a better rating than the 4.6 I see today so I must add my two cents. This is a typical kung fu action movie and it delivers kung fu and action. Nothing I haven't seen before but all the stuff I want to keep on seeing. Is there anything that makes it anything more than an average kung fu action movie? No not really, but that still doesn't mean it's a waste of time or something to over criticize. What would have made it better? The running time was too long and there were not enough simple hand to hand or man versus man fights. Other than that, if you are a fan of this genre then ignore the criticism here and watch it.
*** This review may contain spoilers ***
At first I made a judgment based on the opinions contained herein and even agree with some of them. But after watching closely this beautiful film I could understand how we are led to hasty conclusions based on opinions, mostly unsubstantiated, who judge the book by its cover. You are right that in the first 10 minutes the film has plenty of action and logic had to show how the guillotine works. I found this very original idea. For many of us, especially the younger generation, do not know and have never seen or talk at the beginning of the Flying Guillotine. After the first 20 minutes the film tends to show what happens with the team obsolescence due to technological developments of the time because of the advent of the Gun. And that has an impact, as well as today, the team members because they feel they are no longer needed. The film also shows how the Empire was maintained, in error, and then the next Emperor, despite being a man on the changes of time, did not seek to change the form of government inherited from his father. Something that only happened after. I confess I was touched by the spirit of the movie and cry with the courage of the directors to show how "the people" Han were treated back then. And that made me very shocked. They were summarily executed for whatever the reason. I advise that before you issue a previous judgment, just as I did, take a chance and watch the movie. Then come back here if possible, send your opinion is worth it to help many. But counsel. You must undress climate "I want action." In my opinion this movie deserves note 6.5 at least.
I am not really sure why this movie is only rated at 3.9 over 10 points
right now, but to myself, this movie opens up new light about what the
country wants, may not be for the particular good of the people, but
for sure, it will be for the good of the country itself.
And this applies for the king, the emperor, the ruler, or the people at power, or the companies at power, or the companies that make a lot of money and thus can be powerful (think junk food companies, for example).
So this movie does open up new lights for me, to be not so gullible.
The part about the guy hoping to have a small peaceful community, that seems familiar, although I can't recall at the moment which other movie has this. But I certain don't feel it is copy-cat, but is quite original and occurs naturally in the movie.
I would say, don't be swayed by the low score of the movie, but still give it a try and see for yourself.
*** This review may contain spoilers ***
I think if you do not try to picture yourself in their shoes or
situation, you will not enjoy this movie. Just two main thing to worry
about when watching are the special effects and hard time connecting
with the characters and understand them.
shitty special effects: I can agree that the special effects were not so great, but it was manageable since most of the special effects took place in the first 15 or so minutes in the movie (They were probably trying to make it all 'cool' looking with the special effects to get people's attention, but failed horribly).
Barely able to connect with characters: I read other comments, saying that it was hard to connect to characters and feel for them, but if you really pay close attention to the movie and the small details during dialects and when they take a break from all the action, you can see glimpses and the little things that can be connectable with. They didn't really introduce the characters well, but when the characters are shown alone, you can see what type of person they are, most of them were really sweet and thoughtful deep down inside(besides the part where they lost it). You can also see some huge character development within some of the characters that makes it easier for you to understand and connect with the characters more.
some overly dramatic scenes: They cry so often, which can get annoying, but in their situation, it is reasonable. I also have to admit that some characters may have been really overly emotional during death scenes and some scenes were too dramatic at some point (especially the first death since we barely even got a chance to get to know the character who died). I mean, I pretty much sat there laughing at the reaction and death scene. But when I think about it, I think it was a big thing and really significant because it showed how close the characters were. They're practically brothers and very close to one another so of course they're going to overreact during a death. I just think the producers/director, whatever, just used the wrong death scene to be so dramatic over.
Overall, I think it was a great movie. This movie was not just about fighting and killing, but about brotherhood and trying to find peace. Lovely scenery, a beautiful yet sadden history about the ruthlessness of the Qing dynasty. How terrible the westerns have influenced China. And at the end, his speech gives you a new view about life, and I think that it was very inspirational and moving. It was a good moral. I wouldn't say it was the best movie I have ever seen, but it was worth the watch because it was more than just about all the action.
When the trailers were released, it seemed that The Guillotines will be
packed with action with the titular weapon. And with Andrew Lau at
helm, what could go wrong? The fact that Andrew wants this to be more
of a drama about brothers rather than a guilty pleasure is
disappointing. But it is not that bad and this still has some value of
The story: The movie starts off with a cool action scene with The Guillotines, a group, using the titular weapons against some 'bad guys'. After that, Wolf escapes from being executed. It leads to another action scene with the briefly appeared titular weapons. However that is all you see for the weapons in action. The Guillotines is tasked to find Wolf. Those waiting to see the weapons appearing again will be disappointed. There is plenty of action but the weapons are not featured in other than the first two action scenes. The climax is a huge disappointment. I thought the climax will the next action scene that will feature the weapons. The climax contains lots of explosions and that is about it. No epic fight scene. Acting wise is okay, not distracting.
Overall: It should not be called The Guillotines. It is one of those misleading title. Without the special titular weapon, this is just an ordinary action drama movie which feels over-long at times. It is not bad but it is a disappointment.
*** This review may contain spoilers ***
Lousy script, bad acting, senseless violence and a "been there done that" storyline, make this a really forgettable movie. Actually the 1 out of 10 vote given, is for the first 10 minutes of the movie. Good sequence and showed promise of a great WuXia movie. The appearance of The guillotines were very impressive. Scary actually. A great update on the guillotine of old. Then it all went down hill from there. The title of the movie should be changed too. The movie is not about these legendary weapons at all. Having a messiah like protagonist doesn't help either. Feels like I'm watching a communist propaganda movie. I want my time back.
*** This review may contain spoilers ***
I concur with many of the earlier reviews, that the initial fighting sequences were well done and the "new and improved" guillotine is very cool. Sadly, the only clear message in this mixed allegiance, personal honor vs. societal duty, convoluted drama, was anti-gun control. Guns beat knives, even fancy, quasi-mystical, super swords and when armed soldiers attack unarmed citizens it's a slaughter- doesn't much matter the morality or rationale. The film tries to find hope, scrolling on the ending screen, that eventually the emperor had a change of heart. I wonder how much solace that provides the faceless thousands massacred, while the emperor contemplated? Perhaps, someone could have explained to the messiah revolutionary, it is not the giving of your life for what you believe that fortifies true change, it is ensuring your opponent gives their life for what they believe.
Just so you are under no illusion of the lethalness of a flying
guillotine, a thrilling opening sequence sees the titular group of
assassins under Emperor Qian Long's command using the feared weapon
against a gang of rebels known as 'The Herders'. Dispatched from its
wielder like a flying wheel, it locks around its target's neck,
activating a volley of blades within capable of decapitating a head
right off its body. It's not a pretty sight no doubt, but still a
perfect precursor for what is lined up.
'The Guillotines' is not a pretty movie; rather, things look perpetually grimy and gloomy- much like the fate of the assassins led by Nala Leng (Ethan Juan). Plucked as orphans from a young age, they know no family but their own fellow comrades in arms. Then despite being the most formidable of the Emperor's soldiers, their status was never made official; lest the throne be accused of resorting to "dirty" methods to get rid of its enemies. And when the Emperor decides it is time for reformation, they are regarded as threats and hunted for dead.
In the hands of a lesser producer, such material might have been just the subject of another run of the mill big-budget period action blockbuster; but with Peter Chan on board, you can be sure that 'The Guillotines' will be so much more. And indeed you will not be disappointed, as Chan assembles some of his best screenwriters Aubrey Lam ("Perhaps Love", "The Warlords" and "Wu Xia"), Joyce Chan ("Bodyguards and Assassins", "Wu Xia") and Jojo Hui ("The Warlords") to pen a compelling story on power, leadership and loyalty.
Of the three, it is the last that gets most prominent play not only are the Guillotines forced to re-evaluate their blind loyalty to the Emperor, their leader Leng is faced with an even bigger dilemma as he is made to choose between the brothers he has fought with and his childhood buddy and Imperial Agent Du (Shawn Yue) with whom he had sworn their allegiance with to the Emperor when they were mere children. Leng and his fellow agent Musen (Li Yuchun) are further challenged when their arch enemy Wolf (Huang Xiaoming) the leader of the "Herders" turns out to be much more than just an anarchist.
As bit by bit of each character's background and motivations are revealed, the viewer is challenged to put aside conventional archetypes of hero and villain, good and bad, right and wrong. Even as the movie begins with an action-oriented approach, director Andrew Lau adroitly adopts a much more elegant character-driven narrative towards the second half and it is indeed an achievement when each character turns out to be more morally complex than we would have expected when we are first introduced to them.
Yet even while maintaining an intimate focus on the characters, Lau doesn't lose sight of the larger context against which the character struggles unfold. At the crux of the turmoil is the Emperor's thirst for power, the need to enslave the Han Chinese perceived to be antagonistic to his authoritarian rule. Then when the Emperor first sends the Guillotines and subsequently a whole regimen of fire-armed soldiers to quell the unrest and demand obedience, the film thrusts into prominence the consequences of a rule by force, even if it is meant to serve a greater purpose of unification. Right until an empathetic speech at the end on the importance of a rule founded on respect, the movie cleverly earns real-world relevance in its lessons on reform and revolution especially given the recent leadership transition in Mainland China.
Such lofty ambitions rest on the shoulders of a young and fresh cast thankfully, each perform at least adequately according to the demands of their respective roles. Up and coming Mainland actor Huang brings an appropriately rebellious yet grounded touch to Wolf; while Juan and Yue are well paired with each other as the "brothers" whose friendship is tested by their supposed unwavering loyalty to the Emperor. Li, who also sings the theme song, is surprisingly affecting as one of the Guillotines forced to re-assess everything she knows when she is taken hostage by Wolf. And with Peter Chan's assistance no doubt, the movie gets a nice boost from veteran actors Jimmy Wang Yu and King Shih-Chieh, who shine in their bit roles as the leader of the Guillotines and commander of the border Army respectively.
Compared to the excellent drama at play, the inevitable action sequences choreographed by veteran Lee Tat-Chiu seem to be merely perfunctory. Only two sequences the first described at the start of this review and the second when Wolf's men conduct a daring ambush in broad daylight to rescue him see the famed 'flying guillotine' deployed in its full glory, with the rest consisting mostly of some of the biggest explosions you've seen in Chinese cinema. That's not to say they aren't well done, but the most absorbing parts of the movie still belong to the character drama.
Considering the troubled production history behind the film conceived first as a remake of the classic Shaw Brothers' film 'Master of the Flying Guillotine' and then losing first choice Teddy Chan as director it's to both producer Peter Chan and director Andrew Lau's credit that the film is this outstanding. Deftly balancing complex character-driven drama with gripping action, Lau delivers one of his best and most challenging films since 'Infernal Affairs' with Peter Chan proving once again that his Midas touch in films (whether as a producer or director) is still very much alive. Even though the Guillotines only lived as myth and were never officially recognised, this movie will go down as one of the finest examples of Chinese cinema this year.
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