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Xue di zi
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The Guillotines (2012) More at IMDbPro »Xue di zi (original title)

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The Guillotines -- From the director of the Infernal Affairs trilogy, The Guillotines is a secret assassination squad sworn to eliminate all who oppose the Emperor.
The Guillotines -- An elite crime-fighting unit in the court of the Chinese emperor relies on flying swords to defeat their enemies.


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4.7/10   1,045 votes »
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Down 18% in popularity this week. See why on IMDbPro.
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Release Date:
14 June 2013 (USA) See more »
An elite crime-fighting unit in the court of the Chinese emperor relies on flying swords to defeat their enemies. Full summary » | Add synopsis »
Plot Keywords:
5 nominations See more »
User Reviews:
A compelling watch thanks to rich and textured character-driven drama based on gripping themes of power, leadership and loyalty See more (12 total) »


  (in credits order)

Xiaoming Huang ... Wolf
Ethan Juan ... Leng
Purba Rgyal ... Chentai
Tian Gao ... Hutu
Yi Wei Zhou ... Buka (as Zhou Yiwei)
Boran Jing ... Shisan
Peng Guo ... Su

Yuchun Li ... Musen

Yu Wang ... Gong-E (as Jimmy Wang Yu)
Li Meng ... Bai Lan (as Vivien Li)
rest of cast listed alphabetically:
Shih-Chieh Chin ... Wan Jiang (as Jin Shijie)
Sofia Gonzalez ... Walla Child (voice)
Wai-Keung Lau ... Yongzheng

Kenzie Pallone ... Walla Child (voice)
Stephy Tang

Zhang Wen ... Qianlong

Shawn Yue ... Haidu

Directed by
Wai-Keung Lau  (as Andrew Lau)
Writing credits
Oi Wah Lam  (as Aubrey Lam) &
Joyce Chan  &
Yuet-Jan Hui  (as Jojo Hui Yuet-Chun) and
Peter Tsi  co-writer &
Junli Guo  co-writer &
Koon-nam Lui  co-writer (as Philip Lui)

Produced by
Peter Chan .... executive producer (as Peter Ho-Sun Chan)
Peter Chan .... producer (as Peter Ho-Sun Chan)
Ellen Chang .... administrative producer (as Ellen Cheung)
Simon Chen .... co-producer
Siu Kin Cheung .... line producer
Guoqing Gu .... executive producer
Lorraine Ho .... administrative producer
Mei Hong .... co-producer
Qin Hong .... executive producer
Yuet-Jan Hui .... producer (as Jojo Hui Yuet-Chun)
Peter Lam .... executive producer
Wai-Keung Lau .... producer (as Andrew Lau)
Yao Lu .... line producer (as York Lu)
Peter Poon .... co-producer (as Peter Eugene Poon)
Teng-Kuei Yang .... executive producer (as Tengkuei Yang)
Zhi-Guo Yang .... executive producer (as Yang Zhiguo)
Jing Zhi-Gang .... co-producer (as Jing Zhigang)
Li Zhou .... executive producer
Original Music by
Kwong Wing Chan (original score)
Cinematography by
Yuen Man Fung (director of photography) (as Edmond Fung)
Film Editing by
Wai Chiu Chung  (as Azrael Chung)
Production Design by
Kenneth Mak 
Art Direction by
Sai-Wan Lau 
Costume Design by
Dora Ng 
Kui Zhao 
Makeup Department
Mark Garbarino .... special makeup effects artist
Production Management
Hong Tao .... production executive
Ada Foo Yeuk-Jing .... production executive (as Ada Foo)
Second Unit Director or Assistant Director
Fei Wong .... first assistant director (as Wong Fei Fei)
Art Department
Songbo Wang .... props
Bo Zhang .... concept artist
Sound Department
Kinson Tsang .... sound designer
Special Effects by
Geneviève Coulombe .... conversion
Marc-Olivier Parent .... special effects technician: Vision Globale
Visual Effects by
Mathieu Archambault .... compositing supervisor: Vision Globale
Daniel Boivin .... compositor: Vision Globale
Mylene Brisson .... lead stereoscopic conversion artist
Dominique Chartrand .... stereo compositor
Maxime Dontigny .... rotoscope artist: Vision Globale
Amélie Dubois .... compositor: Vision Globale
Maxime Ferland .... stereo compositor: Vision Globale
Lisa Funkel .... compositor: Vision Globale
Patricia Gaumond .... compositor: Vision Globale
Emanuel LaFrance .... compositor: Vision Globale
Maxime Lemieux .... stereo compositor
Jacques Levesque .... visual effects supervisor: Vision Globale
Jeremie Lodomez .... compositor: Vision Globale
Viviane Lévesque Bouchard .... compositor: Vision Globale
Jean-Philippe Marchand .... visual effects
E.W.Y. Tang .... stereoscopic coordinator
Alexandre Tremblay .... compositor: Vision Globale
Alexandra Vaillancourt .... visual effects line producer: Vision Globale
Emily Vaillancourt .... compositor: Vision Globale
Victor Wong .... visual effects: Nova VFX
Jun-Chi Chan .... assistant action choreographer
Siu-Lung Ha .... assistant action choreographer
Ping Han .... assistant action choreographer
Tat Chiu Lee .... action choreographer
Camera and Electrical Department
Sui Hung Chow .... gaffer
Editorial Department
Stéphane Ma .... assistant colorist

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
"Xue di zi" - China (original title)
See more »
Rated R for strong violent content
112 min
Aspect Ratio:
2.35 : 1 See more »

Did You Know?

Factual errors: In one scene where soldiers are firing muskets, bullets can be seen flying through the air, with and without a 'tracer' effect. As well as the fact that tracer bullets were not invented until the 20th Century, a bullet cannot be perceived in flight if fired from a gun at lethal velocity.See more »
Daofeng pian lengSee more »


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6 out of 19 people found the following review useful.
A compelling watch thanks to rich and textured character-driven drama based on gripping themes of power, leadership and loyalty, 12 December 2012
Author: moviexclusive from Singapore

Just so you are under no illusion of the lethalness of a flying guillotine, a thrilling opening sequence sees the titular group of assassins under Emperor Qian Long's command using the feared weapon against a gang of rebels known as 'The Herders'. Dispatched from its wielder like a flying wheel, it locks around its target's neck, activating a volley of blades within capable of decapitating a head right off its body. It's not a pretty sight no doubt, but still a perfect precursor for what is lined up.

'The Guillotines' is not a pretty movie; rather, things look perpetually grimy and gloomy- much like the fate of the assassins led by Nala Leng (Ethan Juan). Plucked as orphans from a young age, they know no family but their own fellow comrades in arms. Then despite being the most formidable of the Emperor's soldiers, their status was never made official; lest the throne be accused of resorting to "dirty" methods to get rid of its enemies. And when the Emperor decides it is time for reformation, they are regarded as threats and hunted for dead.

In the hands of a lesser producer, such material might have been just the subject of another run of the mill big-budget period action blockbuster; but with Peter Chan on board, you can be sure that 'The Guillotines' will be so much more. And indeed you will not be disappointed, as Chan assembles some of his best screenwriters – Aubrey Lam ("Perhaps Love", "The Warlords" and "Wu Xia"), Joyce Chan ("Bodyguards and Assassins", "Wu Xia") and Jojo Hui ("The Warlords") – to pen a compelling story on power, leadership and loyalty.

Of the three, it is the last that gets most prominent play – not only are the Guillotines forced to re-evaluate their blind loyalty to the Emperor, their leader Leng is faced with an even bigger dilemma as he is made to choose between the brothers he has fought with and his childhood buddy and Imperial Agent Du (Shawn Yue) with whom he had sworn their allegiance with to the Emperor when they were mere children. Leng and his fellow agent Musen (Li Yuchun) are further challenged when their arch enemy Wolf (Huang Xiaoming) – the leader of the "Herders" – turns out to be much more than just an anarchist.

As bit by bit of each character's background and motivations are revealed, the viewer is challenged to put aside conventional archetypes of hero and villain, good and bad, right and wrong. Even as the movie begins with an action-oriented approach, director Andrew Lau adroitly adopts a much more elegant character-driven narrative towards the second half – and it is indeed an achievement when each character turns out to be more morally complex than we would have expected when we are first introduced to them.

Yet even while maintaining an intimate focus on the characters, Lau doesn't lose sight of the larger context against which the character struggles unfold. At the crux of the turmoil is the Emperor's thirst for power, the need to enslave the Han Chinese perceived to be antagonistic to his authoritarian rule. Then when the Emperor first sends the Guillotines and subsequently a whole regimen of fire-armed soldiers to quell the unrest and demand obedience, the film thrusts into prominence the consequences of a rule by force, even if it is meant to serve a greater purpose of unification. Right until an empathetic speech at the end on the importance of a rule founded on respect, the movie cleverly earns real-world relevance in its lessons on reform and revolution – especially given the recent leadership transition in Mainland China.

Such lofty ambitions rest on the shoulders of a young and fresh cast – thankfully, each perform at least adequately according to the demands of their respective roles. Up and coming Mainland actor Huang brings an appropriately rebellious yet grounded touch to Wolf; while Juan and Yue are well paired with each other as the "brothers" whose friendship is tested by their supposed unwavering loyalty to the Emperor. Li, who also sings the theme song, is surprisingly affecting as one of the Guillotines forced to re-assess everything she knows when she is taken hostage by Wolf. And with Peter Chan's assistance no doubt, the movie gets a nice boost from veteran actors Jimmy Wang Yu and King Shih-Chieh, who shine in their bit roles as the leader of the Guillotines and commander of the border Army respectively.

Compared to the excellent drama at play, the inevitable action sequences choreographed by veteran Lee Tat-Chiu seem to be merely perfunctory. Only two sequences – the first described at the start of this review and the second when Wolf's men conduct a daring ambush in broad daylight to rescue him – see the famed 'flying guillotine' deployed in its full glory, with the rest consisting mostly of some of the biggest explosions you've seen in Chinese cinema. That's not to say they aren't well done, but the most absorbing parts of the movie still belong to the character drama.

Considering the troubled production history behind the film – conceived first as a remake of the classic Shaw Brothers' film 'Master of the Flying Guillotine' and then losing first choice Teddy Chan as director – it's to both producer Peter Chan and director Andrew Lau's credit that the film is this outstanding. Deftly balancing complex character-driven drama with gripping action, Lau delivers one of his best and most challenging films since 'Infernal Affairs' – with Peter Chan proving once again that his Midas touch in films (whether as a producer or director) is still very much alive. Even though the Guillotines only lived as myth and were never officially recognised, this movie will go down as one of the finest examples of Chinese cinema this year.

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