| Maria Lapiedra | |||
| Verónica Sánchez | ... | Ada | |
| Alberto San Juan | ... | Luis | |
| Ernesto Alterio | ... | Lorenzo | |
| Ayanta Barilli | ... | Madre de Ada | |
| Luis Bermejo | ... | Álex | |
| Javier Sanz | ... | Saxofonista programa Luis | |
| Sara Martín | ... | Carmen | |
| Loreto Fajardo | ... | Chica con piercings | |
| Ramon Villegas | |||
| Julián Valcárcel-Carbonell | ... | Taxista | |
| Paula Dalli | |||
| Ara Malikian | ... | Matías | |
| Jorge Clemente | ... | Fede | |
| Carlos Wu | ... | Maitre chino | |
| Gabriel Chame | ... | Abel Merino | |
| David El Moreno | |||
| Caterina Mengs | ... | Ada niña | |
| John Comins | ... | Luis niño | |
| Lucas Utray | ... | Adolescente desgarbado | |
| Cristina Zapata | ... | Remedios | |
| David Santos | ... | Lorenzo niño | |
| Anne Julitte | ... | Estella niña | |
| Juana Nieto | ... | Julita niña | |
| Sofía Albiol | ... | Ana Belén niña | |
| Marisa Zapata | ... | Dolores | |
| Esmeralda Noriega | ... | Matilde niño |
Directed by | |||
| Emilio Martínez Lázaro | |||
Writing credits(in alphabetical order) | ||
| Daniela Féjerman | ||
| Emilio Martínez Lázaro | ||
Original Music by | |||
| Roque Baños | |||
Cinematography by | |||
| Teo Delgado | |||
Film Editing by | |||
| Iván Aledo | |||
Production Design by | |||
| Juan Botella | |||
Costume Design by | |||
| Lala Huete | |||
Makeup Department | |||
| Almudena Fonseca | .... | makeup artist | |
| Pepito Juez | .... | hair stylist | |
Production Management | |||
| Carlos Bernases | .... | production manager | |
| Pedro José de la Fuente García | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| German Garcia-Dobarco | .... | trainee assistant director | |
| Susana González | .... | assistant director | |
Art Department | |||
| José Luis Moya | .... | construction manager | |
Sound Department | |||
| Manuel Carrión | .... | foley artist | |
| Renaud Duguet | .... | sound: segment | |
| Álvaro de Iscar | .... | foley recordist/editor | |
| Corentin Massiot | .... | boom operator (segment) | |
| Antonio Rodríguez 'Mármol' | .... | sound | |
Camera and Electrical Department | |||
| Saturnino Beltrán | .... | assistant camera | |
| Marcelo Clemares | .... | grip | |
| Fran Fernández Pardo | .... | camera operator: "b" camera | |
| Fran Fernández Pardo | .... | director of photography: second unit | |
| Nicolas Giordano | .... | additional second assistant camera | |
| Juan Ramos | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| Rocío Pastor | .... | assistant costume designer | |
Editorial Department | |||
| Enrique Domínguez | .... | assistant editor | |
Music Department | |||
| Ginés Carrión | .... | assistant orchestrator | |
| Ginés Carrión | .... | music copyist | |
Other crew | |||
| Gabriel Chame | .... | coach | |
| Maite del Pozo | .... | production assistant | |
| Felipe Hita | .... | gunsmith | |
| Miguel Uribe | .... | coach | |
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| Seven Minutes | Las 13 rosas | Todo va mal | Amo tu cama rica | La mujer de tu vida: La mujer lunática |
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| Full cast and crew | Company credits | External reviews |
| IMDb Spain section |
A few years ago, Martinez Lazaro release musical called "THE OTHER SIDE OF THE BED" a huge success in Spain and besides several technical problems, the movie was a brilliant, political incorrect, but very sincere look at couples relation. A couple of years later, he made a follow keeping only the male characters; but never reached the mix of fun and drama over reality of the first one. Now, and probably compensating women, Lazaro with Daniela Féjerman create a somewhat similar situation, an apparently frigid woman looking for love and sexual pleasure that finally gets an asexual but sweet man she falls in love with; only to fall to the sexual charms of his nutcase friend.
Acting goes from excellent for Alterio and San Juan (both get) to very good for Veronica Sanchez as the woman in a complex situation she tries to correct but cannot control.
Do not expect again political correctness here. There is plenty of nudity and the sexual scenes while brief and far from hardcore, get sometimes very realistic.
In brief; still not as good and funny as "THE OTHER SIDE OF THE BED", but the best romance movie this year.