|Index||10 reviews in total|
*** This review may contain spoilers ***
I looked forward to watching an Australian film, about Australian
problems, in our most-known Australian city.
What a let down.
I should have been warned by the inclusion of Cristina Ricci as a token American, who supposedly knows how to fix urban Aboriginal "at risk" (from what ?) kids' problems, laughably by teaching Hamlet.
Written and directed by Sarah Spillane, who allegedly lived for years in Redfern & is now Los Angeles based, the film meanders around very clichéd subjects such as disaffected youth, a family member in prison, racial problems, and stereotypical police and teacher roles.
No depth, no great character development or logical behaviour sequencing & progression, technically lukewarm to pass-mark for lighting & sound, weak dialogue and almost no use of real-life dilemmas.
Even the title has a twee, American "did you see what we did with that double meaning in the title ?" about it. Very un-Australian, and very off-putting.
Anyone brought up on a diet of American rebellious youth movies and TV could have written this tripe, which bears little to the reality of the subject matter. Gangsta rap and hand gestures have absolutely nothing to teach Aboriginal kids, other than "violence is the answer" and separatism cures race rifts.
To round out how far the movie misses it's own point, a ridiculous lesbian scene with Australia's most useless, no-talent, celebrity lesbian, Ruby Rose, is tossed in for no apparent reason (and no sub-plot storyline introduction) and should have been left on the cutting room floor.
It has no utility and is not germane to the poorly expressed storyline.
There are enough real and important issues arising from Redfern to make several concise and insightful full-length features, and this is not one of them. It unfolds as a "US garbage morals and message" movie, superimposed on an Australian scene and for the most part ignoring Aboriginal reality.
Australia has entirely different problems between indigenous and white settlement, than American "White" and "Negro" race problems. Using a US cookie-cutter outline on an Australian problem smacks of opportunism and only serves to further differences between Aboriginal and non Aboriginal people - useless at best and dangerous at worst, creating an American style sub-culture and ghetto mindset which will only repeat, not break, the cycle of loss and alienation.
The standout acting in this film is from Mark Coles Smith, who has screen presence and a cheeky, engaging and charming smile, who could sell ice to Eskimos, and if utilised correctly will see great things for him in years to come.
Stay in Los Angeles Sarah, and write American crap over there. Don't try to parasite from the back of troubled people to a comfortable life as a movie "director".
Two stars for providing local employment. Try a LOT harder next time.
Christina Ricci is a very difficult Hollywood actress to categorize.
While she has been involved in quite a few projects that are very
commercially oriented (such as the god-awful "Sleepy Hollow"), she also
has chosen many odd projects with far less mass appeal (such as
"Pecker" and "Pumpkin") and has deliberately avoided the typical
starlet persona. So, I wasn't all too surprised to see her, of all
things, in a micro- budgeted independent film from Australia...yes,
In many ways, Around the Block is a lot like the old Sidney Poitier film "To Sir, With Love" combined with "Hamlet". I know this sounds strange--but the similarities become obvious as you watch the film. Like "To Sir, With Love", the main character in the film is a well meaning and super- idealistic foreign teacher who has come to work with disadvantaged city kids. Some might find this sort of idea a bit paternalistic--like it takes some American-type to come save the poor children of the world. And, while this might be one interpretation of the film, there is far more to it than this. This is because the teacher herself is a bit lost--and the movie is bound to turn a few heads with Ricci and the subplot involving her struggle with bisexuality. Again, I see this as Ricci walking to her own drummer in playing this character--and her rather steamy sex scene with a woman she meets in a bar will probably offend a few folks and inspire others. I definitely do NOT remember this sort of plot element in To Sir, With Love!
As far as the "Hamlet" element goes, you get it in double doses. First, this teacher wants to put on a production of this Shakespeare play using the inner city students from her school--and there is a widespread belief that these kids could never appreciate the play or rise to the occasion to successfully put on the play for the community. Second, the kid playing Hamlet, Liam (ably played by Hunter Page-Lochard) is in a position to recreate the play in his real life. This is because his father is in prison--and the jerk is pressuring his sons to avenge him by killing the man responsible for his incarceration. I liked this angle, as it made me realize for the first time that in the classic play, Hamlet's dead father actually could be seen as THE villain in the play, as he destroys his son in order to achieve revenge. On top of these themes, you add a lot of hip-hop culture and discussions of lost Aboriginal youth and you have this film.
So is this melange about two characters searching for a sense of identity any good? Well, I liked it. It managed to take familiar topics and make them quite unique and original. It also gives you insight into bigotry and dissatisfaction that folks outside Australia might not even realize exist. It's answer to all this might seem to be a bit simplistic, but at least it does address these problems and challenges the viewer. In other words, the film might offend you but at least it gets you to think and won't bore you.
This is an infuriatingly hackneyed entry in the idealistic-teacher-saves-disadvantaged-students sub-genre. It desperately wants to be hip and socially relevant, but is relentlessly and embarrassingly dull. It's a classic example of what happens when film funding bodies like Screen Australia become preoccupied with ticking all the politically correct boxes. Aboriginal content and cast. Tick. Female writer and director. Double tick. Lead character tailored for an American star (however awkwardly). Tick. Story geared to a younger demographic. Tick. But none of these elements ever comes together, and the result is a lame mish-mash that attempts to sell us Aboriginal students energised by Shakespeare, Christina Ricci battling racism and exploring her sexuality, and a morally confused criminal sub-plot that weirdly shifts the focus from the central characters. To make matters worse, the depiction of inner-Sydney's Redfern - which is given an LA ghetto makeover (complete with burnt-out cars and fires in the streets) - is dishonest and laughable to anyone who actually knows it.
The film depicts life down under in Spillane's birth city of Sydney.
She focuses on a white American teacher, played by Christina Ricci
whose character of Dino Chalmers is trying to make a difference in the
inner-city suburb of Redfern. She gets a class of Aboriginal teenagers
to perform Shakespeare's Hamlet with her lead being Liam Wood, a
16-year-old Aborigine who has a talent for dancing and acting.
Unfortunately, his future is threatened when he gets in trouble with
the law and police.
Spillane was herself a teacher in Redfern from 2001 to 2005 at an Aboriginal arts college where she instructed students of all ages, including teenagers. She wrote the screenplay in 2004 after learning about a real-life Aboriginal teen who also got into trouble with the law and police.
Spillane's film has this racial tension rippling in the background, or on the side. Her aim is more to take a step back and not focus on the specific incident, but rather examine the neighborhood and show the situation, which led to the racial tensions, or the needless death, much in the same way Spike Lee did in 'Do the Right Thing' (1989).
This film tells the story of two aboriginal brothers in Australia,
whose lives diverges and disintegrates because of their different goals
and values in life.
"Around the Block" tells a touching story of two underprivileged teenagers in a deprived neighborhood. They got involved in a turmoil that they do not need to be in, and it is up to the drama teacher to do something to help them - by engaging one of the two teenagers to act in a school play. It is an engaging and touching story, especially because it makes you yearn for an ending which is different compared to the one shown. I think the acting by the two teenagers are good, and Christina Ricci made the right choice to star in this gem. She needs to be in good films after a string of not so good ones!
*** This review may contain spoilers ***
I don't recall seeing Christina Ricci's face since when she was on The
Good Wife and Pan Am back in 2012, so it's nice to see, two years
later, she is still working. Though with this being your usual white
Savior type film, it does make you wonder if this was really that good
of a choice for her. Well, read below to find out.
Characters & Story
Dino (Christina Ricci) has just recently returned to Austrailia, after going to college there, due to her boyfriend Simon (Daniel Henshall). But, just because she may have moved to a different country for a man, don't think she doesn't have aspirations. Dino seems very into videography, and has a background just right for a local school, which mostly caters to indigenous kids, that is on its last leg.
Enter Liam (Hunter Page-Lochard) who plays the poor, unfortunate student of which Dino focuses on. Liam lives with his mother and brother Steve (Mark Coles Smith), and his father is in jail. Though with how Steve is steering his life, and tries to steer Liam's, it seems eventually his mother maybe living in their home alone. But Dino tries to prevent this by getting Liam involved in her Hamlet production. However, with Steve wanting to pursue revenge for his uncle's death, and wanting Liam to help, will Dino get to save this one kid or will he fall through the cracks?
Honestly, when I was writing this I placed what is in the criticism as praise. But, thinking about it, honestly with every bit of praise I can fathom comes some form of disappointment. So while it is nice that Liam and Dino got some slightly developed stories, at the end of the day the film sort of ignores what would make two great movies on their own and sadly combines them.
For those of you who watch Orange is the New Black, like that show this movie has characters which are, for a lack of a better term, people of color who are far more interesting than the white lead. Liam, for example, has quite a rich story that I wish was more focused on. For between the relationship he has with his family; his friendships, which are sadly unexplored; and this romance he has with Williemai (Madeline Madden), you can see a lot of what could have made the story a bit more compelling was traded in so that Ricci's character maintained dominance.
And while it may sound like I'm implying Dino wasn't interesting, the truth of the matter is that I just felt that with the potential Dino and Liam's story had, mixing the two was just a waste for both of them. For Dino has had quite a life herself. Between her dad's suicide, lesbian affairs, and her being closeted, I feel like neither Liam nor Dino got justice for their stories for it was watered down into a white savior film.
Overall: TV Viewing
This is the type of film which simply has wasted potential. It has two perfectly good stories, both which warrant their own film, but in order to fit the mold of a white savior film both stories get diluted and end up ultimately disappointing. But, even with that said, the pieces we are given are interesting enough to warranting seeing this. So, this is being labeled as TV Viewing.
I'll admit I downloaded this based on the fact that Christina Ricci was the lead in it. To my surprise, it was the acting of the supporting cast that really led the way here. It is a very different character for Ricci, who has been sort of typecast as an oddball since her early Addams Family days. As a viewer, you are immediately taken in by the boy Liam who has secured the role of Hamlet in the school play. If you are a Shakespeare buff like I am, you will love the Hamlet plot lines and dynamics running throughout the film. You can see hints of that from the trailer but I didn't know just how central to the story Hamlet would be until I saw it for myself. It's a modern twist on an age-old tale, and with that, Around The Block is able to bring something new to the table.
Around The Block leans on a wide array of emotions and generates a lot of power from the relationships that the boy Liam has in his life, including the ones with his father, mother and brother. Because of the strength in those relationships, Around The Block runs so much deeper than the teacher-student relationship that the majority of the film is centered around. Hunter Page-Lochard's performance as Liam is quite simply a standout. I enjoy emotionally-charged movies and that's where this one will resonate with me. It is also a highly-stylized and vibrant film which makes it an enjoyable experience aesthetically. Despite the familiar setup, there are very interesting fault lines running under the surface of Around The Block.
Make no mistake - anyone who gives less than 6 to this film is
prejudiced, whether they know it or not, or they are white Australians
who do not want to accept that there other "Australias" within
If you watch this film with nothing other than curiosity as to where it will take you, you cannot help but be blown away by the simple power of this film.
Kudos to the screenplay, kudos to the director, kudos to the obvious off-the-cuff but first class acting, particularly in the prison scenes and the first rehearsal, and kudos for putting it all together as if you are watching Life rather than a film.
It is a film with so many stories : Liam's of course, but, also, his mother's story, his teacher's story (Christina Ricci), his brother's story, his school's story, the gubba teacher's story, his brother's story, and last but not least, his father's story. All of these stories grab you by the throat but you have to not be prejudiced to "see" all those stories.
A brilliant film.
Over the years it's been good to see that Christina Ricci has not only stayed in control of herself but has stuck to good roles. Her appearances in movies like "The Ice Storm", "The Opposite of Sex" and "The Laramie Project" proved that she wasn't going to be another one of these child stars who turns into a train wreck. One of her latest efforts is "Around the Block", in which she plays a woman teaching poverty-stricken Australian children Shakespeare. I understand that the movie focuses partly on the 2004 Redfern riots, which resulted from the death of an Aboriginal boy. The movie gives one a sense of what things are like for Australia's indigenous population. The Aborigines are 1% of Australia's population but 40% of its prison population (this even though Australia's white population is descended from people sent to jail). But anyway, it's a really good movie. I recommend it.
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