| Videos (see all 3) |
| Rutger Hauer | ... | Alfred Heineken | |
| Reinout Scholten van Aschat | ... | Rem | |
| Gijs Naber | ... | Cor | |
| Teun Kuilboer | ... | Frans | |
| Korneel Evers | ... | Jan | |
| Truus te Selle | ... | Mrs. Heineken | |
| Marjolein Keuning | ... | Els | |
| Sallie Harmsen | ... | Lisa | |
| Menno Van Beekum | ... | Ab Doderer | |
| Ton Kas | ... | Meneer Humbrechts | |
| Beppie Melissen | ... | Mevrouw Humbrechts | |
| Laurie Reijs | ... | Sonja | |
| Marcel Hensema | ... | Kees Sietsma | |
| Genio De Groot | ... | Korthals Altes | |
| Porgy Franssen | ... | Max Moszkowicz | |
| Patrick Stoof | ... | Sjors | |
| Ernst Dekkers | ... | Dutch Policeman | |
| Henk Poort | ... | Policeman | |
| Arnost Kraus | ... | Assistent rechercheur | |
| Dave Mantel | ... | Policeman | |
| Gaby de Haan | ... | Dutch Policeman | |
| rest of cast listed alphabetically: | |||
| Gary Green | ... | French policeman | |
| Ron de Groen | ... | Private Investigator (uncredited) | |
| Jaap Dijkstra | ... | Policeman (uncredited) | |
| Geert Gielissen | ... | Persfotograaf (uncredited) | |
Directed by | |||
| Maarten Treurniet | |||
Writing credits(in alphabetical order) | ||
| Maarten Treurniet | ||
| Kees van Beijnum | ||
Produced by | |||
| Michael Auret | .... | co-producer | |
| Richard Claus | .... | producer | |
| Arnold Heslenfeld | .... | producer | |
| Klaas de Jong | .... | executive producer | |
| Robert Kievit | .... | co-producer: VARA | |
| Amanda Law | .... | line producer | |
| Frans van Gestel | .... | producer | |
Original Music by | |||
| Junkie XL | (as Tom Holkenborg) | ||
Cinematography by | |||
| Giulio Biccari | (director of photography) | ||
Film Editing by | |||
| J.P. Luijsterburg | |||
Casting by | |||
| Job Castelijn | |||
| Janusz Gosschalk | |||
Production Design by | |||
| Wilbert Van Dorp | |||
Art Direction by | |||
| Darryl Hammer | |||
| Barbara Westra | |||
Set Decoration by | |||
| Mark Walker | |||
Costume Design by | |||
| Alette Kraan | |||
Makeup Department | |||
| Jane Blewett | .... | hair stylist | |
| Trudy Buren | .... | makeup artist | |
| Erik Hillenbrink | .... | prosthetic appliance fabricator | |
| Rob Hillenbrink | .... | prosthetic appliance fabricator | |
Production Management | |||
| Amanda Law | .... | unit production manager: South-Africa | |
| Maranka Pool | .... | assistant production manager | |
| Piek Seebregts | .... | production manager | |
Art Department | |||
| Mark Auret | .... | property master | |
| Cristiaan Dinnessen | .... | car props | |
| Eljo Embregts | .... | art department coordinator | |
| Joke Geuze | .... | property master | |
| Amasja Koolen | .... | art department assistant | |
| Boris Rivett-Carnac | .... | assistant property master | |
| Goof Vermeulen | .... | graphic designer | |
| Friso Witteveen | .... | photographic props | |
Sound Department | |||
| Paul Bijpost | .... | sound effects editor | |
| Normann Büttner | .... | foley artist | |
| Normann Büttner | .... | foley mixer | |
| Gaby de Haan | .... | production sound mixer | |
| Ferry de Pater | .... | dialogue & adr editor | |
| Jaap Jellema | .... | sound effects editor | |
| Mel Kutbay | .... | foley artist | |
| James Shannon | .... | dolby sound consultant | |
| Thabo Singeni | .... | boom operator | |
| Nardi van Dijk | .... | foley mixer | |
| Joost van Heerden | .... | production sound assistant | |
| Iwan van Wijk | .... | adr recordist | |
| Steven Vanwetswinkel | .... | adr recordist | |
| Peter Warnier | .... | sound designer | |
| Peter Warnier | .... | sound re-recording mixer | |
| Peter Warnier | .... | supervising sound editor | |
Special Effects by | |||
| Chris Smit | .... | special effects assistant | |
| Nick van Leeuwen | .... | special effects technician | |
| Edward Wiessenhaan | .... | special effects foreman | |
| Harrie Wiessenhaan | .... | special effects supervisor | |
| Rick Wiessenhaan | .... | special effects coordinator | |
Visual Effects by | |||
| Marijn Eken | .... | digital compositor | |
| Jeremy Hattingh | .... | visual effects supervisor | |
| Heino Henning | .... | di producer | |
| Les Lahumeten | .... | visual effects | |
| Fir Suidema | .... | visual effects artist | |
Stunts | |||
| Willem de Beukelaer | .... | stunts | |
| Ida de Boer | .... | stunts | |
| Nicolas de Pruyssenaere | .... | stunt performer | |
| Marco Maas | .... | stunts | |
| Andrew McKenzie | .... | stunt coordinator south africa | |
| Christian Petersson | .... | stunt safety | |
| Jeroen Reith | .... | stunts | |
| Ron Sleeswijk | .... | stunts | |
Camera and Electrical Department | |||
| Alan Barnes | .... | gaffer | |
| Goa Borrek | .... | video assist operator | |
| Alissa Jalink | .... | second assistant camera | |
| Jasper Leeman | .... | grip assistant | |
| Djuma Masudi | .... | grip | |
| Zak 'Ebenezzer' O'Leary | .... | key grip | |
| Fir Suidema | .... | data wrangler | |
| Nigel Tompkins | .... | second assistant camera | |
| Willem van der Eerden | .... | gaffer | |
| Richard van der Oord | .... | grip | |
| Bram van Woudenberg | .... | best boy | |
| Wouter Verberkt | .... | additional video assist operator | |
| Adi Visser | .... | "b" camera operator/steadicam | |
| Pief Weyman | .... | still photographer | |
Animation Department | |||
| David de Winter | .... | title sequence animator | |
Casting Department | |||
| Shanti Besseling | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rae Donnelly | .... | costume supervisor: South Africa | |
| Inge Hough | .... | key costumer | |
| Marcel Moerel | .... | costume supervisor | |
| Tim van Deutekom | .... | military costumer | |
Editorial Department | |||
| Joost van de Wetering | .... | first assistant editor | |
Music Department | |||
| Jonathan Beard | .... | orchestrator | |
| Junkie XL | .... | orchestrator (as Tom Holkenborg) | |
| Mark van den Oever | .... | music clearances | |
Other crew | |||
| Hedwig Agterbos | .... | script editor | |
| Ruud Ahsmann | .... | production assistant | |
| Vaughan Leach | .... | location scout: South-Africa | |
| Ing Lim | .... | location manager | |
| Lunghi Londi | .... | production coordinator: South-Africa | |
| Menno Ludriks | .... | investor | |
| Paul Marbus | .... | location scout | |
| Alida Rubens | .... | production accountant | |
| Reinier Smit | .... | script supervisor | |
| Ernie Tee | .... | script advisor | |
| Lodewijk van Lelyveld | .... | production assistant | |
Thanks | |||
| Florentijn Bos | .... | thanks | |
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| Burma VJ: Reporter i et lukket land | Nothing to Lose | Loft | Night Run | Dennis P. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Netherlands section |
The producers of this movie stressed that this movie was not strictly based on the book by Peter R. de Vries, the crime reporter. This book is (claimed to be) an accurate account of what the planning, kidnapping and aftermath actually was like. One of the greatest features of that book is the planning stage, which was incredibly meticulous and exciting.
The producers decided to go their own way, but made a critical error. They assume that people know the story, and subsequently leave out key parts of the narrative. This leaves the audience guessing at times what is actually happening. The planning stage is almost completely skipped with the kidnapping taking place in the first 10 minutes of the movie. A bit later there is a scene where the kidnappers are waiting for a ransom money transfer but this goes awry. The problem is that it is not explained that this is a ransom transfer attempt, and uninformed people that are not familiar with the actual kidnapping do not have a clue what is going on.
So the producers decide to NOT base the movie on the book, but trust that the plot is explained by the knowledge people have of the book. It's easy to see that this will not work, and so it doesn't.
Pacing is also a problem as scenes seem to drag on forever and overall atmosphere is very negative and pressing. It seems like there is a fire burning underneath the movie and pressure is building, but it is never released soon enough to be a pay off for the audience.
Acting is quite good, but the script and wooden dialogue aren't doing the actors much favor. Hauer as Heineken is a good fit, as is the main character who is a dead ringer for Willem Holleeder.
It was a mistake to make a movie about a topic so famous that (almost) everyone knows the complete story and subsequently twist the story in the extent that they did. I almost wish Peter R. de Vries will go through with a script more strictly based on his book.