She searched for a home, she searched for love. Confronted by Apartheid and a father who was Minister of censorship. With men like Jack Cope and Andre Brink she found much love, but no home... See full summary »
Paula van der Oest
Carice van Houten,
A famous game show host is being harassed in a restaurant by a strange man who claims to have kidnapped his wife and daughter. A morbid game ensues in which the game show host turns out to be the contestant.
When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.
The inside story of the planning, execution, rousing aftermath and ultimate downfall of the kidnappers of beer tycoon Alfred "Freddy" Heineken, which resulted in the largest ransom ever paid for an individual.
The kidnapper named "Rem Hubrechts" was actually named Willem Holleeder. There actually was a fifth kidnapper, not shown in the movie, called Martin "Remmetje" Erkamps. They used his nickname and gave it to Hubrechts because they couldn't use the name Willem Holleeder because he is still around and threatened with a law suit if they used his name in the movie. See more »
The kidnap took place in 1983, however traffic signs and roundabouts as filmed in the movie has been introduced in the Netherlands since the 90s. See more »
Freddy Heineken was with his namesake company for almost 50 years, eventually becoming the president. He was the driving force behind Heineken becoming an international brand. He married Lucille Cummins, an American from a bourbon family. He was at the pinnacle of Dutch corporate life.
In 1983, six years before retirement, he and his chauffeur Ab Doderer were kidnapped and held for ransom by a gang of Amsterdam petty criminals: Cor van Hout, Willem Holleeder, Jan Boelaard, Frans Meijer and Martin Erkamps. They demanded and were paid a ransom of 35 million guilders. They successfully escaped to France, where they were eventually caught and extradited back to the Netherlands to do time. Some of the money was never found. Meijer escaped for a while to Paraguay, but he too was caught eventually.
Holleeder served his time and was released in 1992. (Hey, this is the Netherlands.) He emerged wealthy and well connected in the Dutch underworld and was later convicted of another famous crime. In the eyes of the Dutch media he has become notorious, the country's best known criminal.
Dutch director Maarten Treurniet has made a film about this very famous crime. However, like in most Dutch historical movies, telling a good story is paramount, so the film is deliberately not quite historically accurate. For example, Heineken's wife is portrayed as Dutch. Holleeder and others have complained about the inaccuracies in the film, Holleeder even litigating from prison to object at how he was portrayed and the inaccurate details. Holleeder has been renamed "Rem" in the film.
Even if the story wasn't totally accurate, it brought the whole affair to life for me. I thought it was a good film. The story, pace, acting, technical aspects all worked well. The melodrama you often see in Dutch movies was toned down.
The movie hinged on the personal relationship between Heineken and Holl..., er, Rem. Civilisation is a thin veneer. None of us, even the rich, are ever that far away from the Darwinian world of the schoolyard. The movie Heineken doesn't take kindly to being terrorised by Rem, but Rem understands the impact of physical violence. The movie unexpectedly humanised Holleeder for me, at one point trying to show that bad boy Rem himself was the victim of circumstances.
Rutger Hauer's performance was superb: he WAS Freddy Heineken. Reinout Scholten van Aschat (who really looks like the young Holleeder) brought the character to life. He projected both the physical magnetism and mean spirit of the narcissistic bully.
I enjoyed this movie for what it was. For me, it was one of the best Dutch movies in a while, and still is. I recommend this film.
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