A crafty and mysterious gentleman comes to an office where two pretty girls Mayumi and Akiko have their problems on male-and-female relationships and decides to instruct them against their questions to free them.
Morton H. Halperin was a former member of NSA, State Department and Pentagon under several U.S. regimes since 1960s. And his lecture about the Okinawa reversion was shot at the House of Councillors on September 19, 2014 in Japan.
Hikari is an actress who has contract with the agent Kazama. One day, Kazama forces Hikari to act in an adult video, as the result, Hikari goes mad and finds her mental partner Jey to consult with. Finally, Kazama destroys everything.
Like Someone in Love I is a Japanese-language film directed by Iranian director Abbas Kiarostami. It has been selected to be screened in the main competition section at the 2012 Cannes Film Festival. Written by Abbas Kiarostami. Written by
A peculiar relationship dissected as subtly as possible
"Like Someone in Love" is Abbas Kiarostami's follow-up to the mind- bending relationship drama "Certified Copy". Dissection of the title alone provides so many interesting clues and directions for the film to take in addition to what was analyzed previously. And while it does in fact address those interesting ideas (indirectly), it is as minimal as any film-going audience could possibly stand. We essentially watch an unexplained relationship unfold in almost real-time (just under 24 hours).
Akiko (Rin Takashi) is a college-aged girl up to something in the big city of Tokyo that is probably not good for her. She's having an argument with her boyfriend on the phone and she's saying no to a job that a middle-aged man is offering her. This middle-aged man is clearly her pimp and "no" means "yes, sir, I will do whatever you tell me to." So into the cab Akiko goes and we begin to worry about her safety. We spent an awful long time worrying about her safety with no idea what lies ahead for her. The cab ride was two hours long and we saw a lot of it. Akiko arrives at the apartment of an older gentleman looking for companionship. We don't really know what exactly Takashi Watanabe (Tadashi Okuno) wanted with Akiko, and then in the morning he drives her back to Tokyo. Another long car ride.
Visually the car rides were impeccably shot. The scenery was reflected in the windshield and we could still see the characters' faces behind. Unfortunately we don't really know what's happening with these characters during these long car rides. Sometimes a car ride is just a car ride.
Eventually we meet Noriaki (Ryo Kase), Akiko's offensive boyfriend. And he starts putting the relationships into perspective. A different perspective. He allows Akiko and Watanabe to act differently than they actually are, which allows us to start seeing them as they actually are. And then it ends. Well, not quite that quickly, but without giving anything away, it ends.
We're given so little on screen to examine that it can be frustrating even to the viewers that appreciate the subtle beauty in film. Two weeks after first seeing it, my mind has started to form a few opinions on what was being said but it's still a bit too little, too late.
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