While settling his recently deceased father's estate, a salesman discovers he has a sister whom he never knew about, leading both siblings to re-examine their perceptions about family and life choices.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Layered romantic drama The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There's only one catch - he didn't write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man's work, and for placing ambition and success above life's most fundamental three words. Written by
When Rory find and reads the Old Man's manuscript, the first page shown on-screen is actually an excerpt from Ernest Hemingway's memoir, "A Moveable Feast", discussing one of his early short stories called "Up in Michigan". Nearly all of Hemingway's other early works were lost because the suitcase his wife had packed them in was stolen from a train in Paris when she left in unattended for a few minutes; the Old Man's story clearly parallels this event. See more »
When Rory and the old man are in the hot house, the old man's left collar button is unbuttoned/buttoned between shots. See more »
The Old Man:
He found out sometime later that what she'd actually said was: "Pay your check and get the hell out of here". But who is he to question fate?
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The Words draws you in with its beautiful cinematography and engaged dialog. I was especially impressed with the layers of the presentation. Most films these days will spoon feed you a flat story and leave no room for personal interpretation. The Words layers a complex open-ended plot that demands viewer involvement. I was surprised with the simple surface story presented as each deeper layer was uncovered. Sometimes it came as a subtle hint when other times it hits you straight in the face. The film has the flavor of Memento or Inception; which is refreshing these days. Bradley Cooper surpassed my expectations. I never once saw his type-cast Hangover/Limitless ticks or mannerisms. He was completely in touch with the character and never fell back on default techniques.
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