While settling his recently deceased father's estate, a salesman discovers he has a sister whom he never knew about, leading both siblings to re-examine their perceptions about family and life choices.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Layered romantic drama The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There's only one catch - he didn't write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man's work, and for placing ambition and success above life's most fundamental three words. Written by
The Words is an engaging film, and almost feels more like a book on
screen. And like a good book, it quickly reins you in and keeps
entertaining until the end.
The writer/director team of Brian Klugman & Lee Sternthal is miles away
from their script for the forgettable Tron: Legacy. With The Words they
take their time by using their catchy story within a story technique to
develop their intriguing characters. The Words may not have the heft
compared to other favorites for Best Original Screenplay come this
Oscar season, but it is respectable feat for the writer/director duo.
Bradley Cooper (The Hangover, Limitless) delivers a nice subtle
performance as a struggling writer drowning in a sea of desperation.
Cooper continues to hack out diverse performances that continue to show
his range and win over more fans. He's proving that he is not just
Hollywood's latest flavor of the week. The rest of the cast is strong,
and headlined by Jeremy Irons (The Man in the Iron Mask, Being Julia)
as a broken down old man surprised to see his long lost book on the
best-seller list with some young punk's name attached.
The Words was dumped into theaters on what is historically known as the
worst weekend for movie attendance, and most likely won't garner much
of an audience. The film will also have trouble living up to the
competition come Oscar season, but it delivers an entertaining and
appealing film on the first weekend of fall award season releases.
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