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Howard J. Ford,
Anand Krishna Goyal
Juan is a slacker trying to reconnect with his daughter, who plans to rejoin her mother in Miami. Lazaro, Juan's friend, is trying to connect with his own son, a persistent womanizer. They begin to notice that locals are "going crazy", killing people and eating their flesh, and the recently deceased are returning to life. The Cuban government and the media claim that the zombies are dissidents revolting against the government. Juan starts a business to profit off of killing the zombies, but the group may soon find their own lives at risk. Written by
It probably helps to have a degree of familiarity with the troubled socio-political landscape of Cuba to fully appreciate certain aspects of zombie comedy Juan of the Dead, but even if, like me, you don't know your Castro from your Che Guevara, this neat little flick still packs enough decent laughs and scares to make it a fun time for fans of the living dead.
Juan of the Dead's strongest suit is its disparate cast of somewhat shady characters who still manage to be an extremely amiable bunch despite their dubious morality and, in some cases, a general lack of compassion for fellow human beings. The film also benefits greatly from lots of frenetic zombie killing (enhanced by impressive practical and CGI special effects), several outstandingly funny moments that thankfully require no knowledge of Cuba's complex history (the funniest being a 'touching' rooftop scene between Juan and and his 'dying' friend Lazaro), some cool visuals (an underwater shot of zombies on the seabed being my favourite) and a hot heroine in the form of Juan's sexy daughter Camila (Andrea Duro).
The plot might not be anything particularly memorable, offering up the usual gruesome encounters between the living and the flesh-eaters, with the survivors' number steadily dwindling as a result, but it is refreshing enough in its execution to definitely warrant a watch.
6.5 out of 10, rounded up to 7 for the awesome harpoon and cable mass zombie slaughter scene.
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