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Gone (2012/I)
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Overview
User Rating:
Your Rating:
Director:
Writer:
Allison Burnett (written by)
Release Date:
24 February 2012 (USA)
See more »
Tagline:
No one believes her. Nothing will stop her.
Plot:
A woman is convinced her kidnapper has returned when her sister goes missing. Full summary » | Full synopsis »
Plot Keywords:
NewsDesk:
(387 articles)
I, Frankenstein Comes Alive in New Motion Poster
(From Horror Asylum. 14 May 2013)
Lionsgates I, Frankenstein Lumbers Back to January 2014 Release
(From Horror Asylum. 9 April 2013)
Ian McShane: Panty Dropper
(From NextMovie. 21 February 2013, 2:41 PM, PST)
(From Horror Asylum. 14 May 2013)
Lionsgates I, Frankenstein Lumbers Back to January 2014 Release
(From Horror Asylum. 9 April 2013)
Ian McShane: Panty Dropper
(From NextMovie. 21 February 2013, 2:41 PM, PST)
User Reviews:
GONE delivers - a taut thriller with lovely Amanda Seyfried
See more (84 total) »
Cast
(in credits order) (verified as complete)
Directed by | |||
| Heitor Dhalia | |||
Writing credits | ||
| Allison Burnett | (written by) | |
Produced by | |||
| Dan Abrams | .... | producer | |
| Matt Berenson | .... | executive producer | |
| Allison Burnett | .... | co-producer | |
| Ted Gidlow | .... | executive producer | |
| Sidney Kimmel | .... | producer | |
| Andre Lamal | .... | executive producer | |
| Gary Lucchesi | .... | producer | |
| Tom Rosenberg | .... | producer | |
| Chris Salvaterra | .... | producer | |
| Jim Tauber | .... | executive producer | |
| Bruce Toll | .... | executive producer | |
Original Music by | |||
| David Buckley | |||
Cinematography by | |||
| Michael Grady | (director of photography) | ||
Film Editing by | |||
| John Axelrad | |||
Casting by | |||
| Deborah Aquila | |||
| Tricia Wood | |||
Production Design by | |||
| Charisse Cardenas | |||
Art Direction by | |||
| Sarah Contant | |||
Set Decoration by | |||
| Teresa Visinare | |||
Costume Design by | |||
| Lindsay McKay | (as Lindsay Ann McKay) | ||
Makeup Department | |||
| Trish Almeida | .... | department head hair | |
| JoJo Myers Proud | .... | key makeup artist | |
| Michelle Vittone | .... | makeup department head | |
Production Management | |||
| Ted Gidlow | .... | unit production manager | |
| Lis Kern | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| George Bamber | .... | first assistant director | |
| Gregory J. Pawlik Jr. | .... | second assistant director | |
| Jason Ruffolo | .... | second second assistant director | |
Sound Department | |||
| Chris Artola | .... | boom operator | |
| Roger Artola | .... | production sound mixer | |
| Megan Gaddini | .... | boom operator | |
| Megan Gaddini | .... | utility sound | |
| Avram D. Gold | .... | supervising sound editor | |
| David Jobe | .... | foley mixer | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| Glenn Micallef | .... | production sound mixer | |
| Mitch Osias | .... | sound effects editor | |
| Mark Purcell | .... | dubbing recordist | |
| Zachary C. Ross | .... | assistant sound editor | |
| Chip Sloan | .... | additional adr | |
| Tyler Stephens | .... | boom operator | |
| Roland N. Thai | .... | sound effects editor | |
| Bryan O. Watkins | .... | supervising sound editor | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
Special Effects by | |||
| Tyan Bardon | .... | special effects foreman | |
| Kai Shelton | .... | special effects coordinator | |
Visual Effects by | |||
| Erin M. Cullen | .... | roto artist: Furious FX | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| David Lingenfelser | .... | executive visual effects supervisor: Furious FX | |
Stunts | |||
| Wade Allen | .... | stunt coordinator | |
| Donny Bailey | .... | stunt driver | |
| Kirsten Foe | .... | stunt driver | |
| Michael Hilow | .... | stunts: utility | |
| Kent W. Luttrell | .... | stunt driver | |
| Casey O'Neill | .... | stunt performer | |
| J.J. Perry | .... | stunt coordinator: additional photograhy | |
| Darrin Prescott | .... | stunt coordinator | |
| Bridgett Riley | .... | stunt double: Amanda Seyfried | |
| Daniel K. Smith | .... | stunt driver | |
| Susan Spencer | .... | precision driver | |
Costume and Wardrobe Department | |||
| Nikki Bartnick | .... | key set costumer | |
| Lis Bothwell | .... | costume supervisor | |
| Monica Brazelton | .... | costumer | |
| Emilea A. Rivera | .... | costumer | |
| Tracey Rogers | .... | costumer | |
| Chapin Simpson | .... | key costumer | |
Editorial Department | |||
| Hilary Bolger | .... | post-production assistant | |
| Des Carey | .... | post production consultant | |
| Tricia Chiarenza | .... | color timer | |
| Kayla Emter | .... | additional editor | |
| Katie Fellion | .... | post production consultant | |
| Siggy Ferstl | .... | digital intermediate colorist | |
| Joe Guzman | .... | digital intermediate producer | |
| Kimberly Huston | .... | post-production intern | |
| Aaron Kroger | .... | outpost engineer | |
| Rudy Lopez | .... | digital intermediate editor | |
| James Notari | .... | dailies supervisor | |
| Brian Scott Steele | .... | apprentice editor | |
Music Department | |||
| Eric Craig | .... | music supervisor | |
| Scott Johnson | .... | music editor | |
| Tamas Kurina | .... | music recording engineer | |
| Hugh Marsh | .... | electric violin | |
| Brian McNelis | .... | music supervisor | |
| Luke Richards | .... | orchestrator | |
Transportation Department | |||
| Victoria Mischa Austreng | .... | driver | |
| James Davis | .... | driver | |
| Angel Desanti | .... | transportation co-captain | |
| Nick Edgerton | .... | transportation captain: Oregon | |
| Steve Evans | .... | driver | |
| Ryder Greene | .... | driver | |
| Mark 'Sparky' Haleston | .... | driver | |
| Ransom Hamersly | .... | driver | |
| Geno Hart | .... | transportation consultant: LA | |
| Lance Hruza | .... | driver: honeywagon | |
| Kirk Huston | .... | transportation captain | |
| Philip Krysl | .... | driver | |
| Marc Lipman | .... | driver | |
| Brendan McKeon | .... | driver | |
| Steve McMahan | .... | driver: reshoots | |
| Andrew Mott | .... | driver | |
| Esteban Munoz | .... | mechanic | |
| Steve Nickolai | .... | driver | |
| William Powell | .... | driver | |
| Gary Roberts | .... | driver | |
| Laura Stride | .... | driver: cast | |
Thanks | |||
| Peter Simpson | .... | special thanks | |
Production CompaniesDistributors
- Alfa Films (2012) (Argentina) (theatrical)
- Cathay-Keris Films (2012) (Singapore) (theatrical)
- E1 Films Canada (2012) (Canada) (theatrical)
- Metropolitan Filmexport (2012) (France) (theatrical)
- Odeon (2012) (Greece) (theatrical)
- Paradiso (2012) (Belgium) (theatrical)
- Pioneer Films (2012) (Philippines) (theatrical)
- Showgate (2013) (Japan) (theatrical)
- Summit Entertainment (2012) (USA) (theatrical)
- Aurum Producciones (2012) (Spain) (all media)
- Deltamac Entertainment (2012) (Hong Kong) (DVD)
- Deltamac Entertainment (2012) (Hong Kong) (DVD) (Blu-ray)
- Film1 (2013) (Netherlands) (TV) (limited)
- Long Shong Entertainment Multimedia Company (2012) (Taiwan) (all media)
- Noori Pictures (2012) (Korea) (all media)
- Paradiso Home Entertainment (2012) (Netherlands) (DVD)
- Prorom Media-Trade (2012) (Hungary) (all media)
- Prorom Media-Trade (2012) (Romania) (all media)
- Splendid Film (2012) (Germany) (DVD)
- Tanweer Films (2011) (Sri Lanka) (all media)
- Tanweer Films (2012) (Bangladesh) (all media)
- Tanweer Films (2012) (Bhutan) (all media)
- Tanweer Films (2012) (India) (all media)
- Tanweer Films (2012) (Maldives) (all media)
- Tanweer Films (2012) (Nepal) (all media)
- Tanweer Films (2012) (Pakistan) (all media)
- Zon Lusomundo Audiovisuais (2012) (Portugal) (all media)
- Celluloid VFX (visual effects)
- Furious FX (visual effects)
- RotoFactory (additional visual effects)
- Aquila / Wood Casting casting
- Camadeus Film Technologies cmotion lens control system
- Company 3 digital intermediate
- Digital One additional adr
- Lakeshore Records soundtrack
- Performance Filmworks Edge Crane System
- Scarlet Letters main & end titles
- Sixteen19 Avid support
Additional Details
Also Known As:
"Find Out" - Japan (English title) (imdb display title)
See more »
See more »
MPAA:
Rated PG-13 for violence and terror, some sexual material, brief language and drug references
Parents Guide:
Runtime:
USA:94 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
USA:PG-13 (certificate #47306) | Canada:14A (Ontario) | UK:15 | Malaysia:PG-13 | Ireland:15A | Portugal:M/12 | Singapore:PG13 | Argentina:13 | Hong Kong:IIA | Philippines:PG-13 | Netherlands:12 | South Korea:15 | India:U/A | Sweden:15 | Germany:16 | Japan:G
Filming Locations:
Company:
Did You Know?
Trivia:
Director Heitor Dhalia stated to Brazilian newspapers that he had no control over his movie, all the major decisions were made by the studio. He couldn't even meet actress Amanda Seyfried before shooting to rehearse and prepare her to the role. He almost took his name out of the project, but in the end decided not to.See more »
Goofs:
Continuity: The address of the locksmith changes several times throughout the film and refers to locations in Portland, Maine - not Oregon: Jill's initial Google search shows it to be 789 NW Riverton, Portland, OR; the officer reporting it to Detective Hood states that Jill pulled a gun at a "locksmith over in Oakdale"; the police report regarding the incident lists the address as 651 Rivertone. Riveton is a street and Oakdale is a neighborhood in Portland, ME. Neither of them exist in Portland, OR.See more »
Quotes:
Movie Connections:
Referenced in "Conan: The 24th Annual NERF Product Expo (#2.53)" (2012)See more »
Soundtrack:
Even If ISee more »
FAQ
What other movies are there about a missing sister?See more »
See more (84 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Gone (2012) See more »Recommendations
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I just went to the GONE premiere. I don't know the filmmakers. Got a ticket through a friend at Summit. Here's the deal: GONE is an expertly crafted and calibrated serial killer thriller, the kind of genre movie that is usually undermined by bad acting and silly scripting. But here everything works together very well. Amanda Seyfried is a convincing and beautiful lead; the supporting cast with Wes Bentley, Jennifer Carpenter and Michael Pare, is solid. The pace is relentless. The script is tight and cleverly constructed. The whole thing works; the scenes fly by; the direction and editing reinforce each other. I never looked at my watch. The movie is a bullet. GONE delivers.