Gone

Gone proved to be a much different movie from what the trailer indicated. Under the veil of a cliché game of cat and mouse, Amanda Seyfried pulls of an incredibly difficult role by riding the line between insane and driven. The movie puts its entire success on keeping the audience guessing whether this could "all be in her head" or really is part of a sick plot. It succeeds in doing so on the shoulders of Amanda Seyfried.

Unfortunately, Gone built its own wall on the road to greatness. By keeping you guessing, the writer throws plenty of false hints and possible suspects. By doing so, the movie takes on the feel of the worn-out Hollywood thriller. Although this move may have been necessary, it means other aspects of the plot are seriously lacking. Characters are completely forgotten. The climax relies on a timed event that could not be planed. In the end, this thriller lacks all the elements to make it memorable.

Despite missing its mark, Gone is completely enjoyable. In many movies, I find myself evaluating the movie halfway through. That never happened. The tension maintained itself through the entirety of the movie. I found myself holding my breath, sitting on the edge of my seat, and wanting to scream, "Don't go in there!" This is how a thriller should work. I wish the amateur mistakes could have been removed. If that were done, this movie could have been great.

I must point out the politics of the movie. It was believable on most levels. The movie is set on the basis that a girl who has experience with PychCare will usually be treated like she is insane. This idea is done very well. The investigators do give her the time of day, but still appear to brush her off. As the movie progresses, it is fascinating to watch the investigators grow more worried about Seyfried with a gun rather than a missing girl. In the end, it is quite believable.

If you are in need of a good thriller, this is the movie to see. It stumbles, but will keep you guessing. There is no great advancements made in the genre, but that does not mean it is not worth seeing. When you put an actress in the lead who can keep you guessing, you will usually have a good thriller. Congratulations to Amanda Seyfried for getting out of her shitty movie slump.

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I saw this one against the critics' recommendation at Rottentomatoes, and it was because of Amanda Seyfred, to be honest. She has those beautiful big blue eyes and blonde hair that one cannot look away from.

But after watching her in this movie, it is clear to me that she is much more than a pretty face, and she can carry a movie on her own.

I can see why the critics would hate it, though. The plot is overly simple, the cops have a cursory role, and none of the characters other than that of Amanda's are well-developed. And, the big 'confrontation' is dealt with as if the director wanted it out of the way as soon as possible.

But, to be honest, in retrospect, the film is about none of that. This is a suspense thriller, not a horror. There does not have to be a big confrontation, and there does not have to be jump shots. This is about the journey of the protagonist against all odds, and how she uses her alertness and her resourcefulness and her charm to get to the person she believes has her sister.

In this, it succeeds. I would watch this one again, and if a movie makes me think that, it has succeeded for me.

Jill's (Amanda Seyfried) sister Molly is kidnapped as Jill was years ago. Detective Powers (Daniel Sunjata) doesn't believe her as he didn't believe her before because Jill could not come up with any viable evidence that she was kidnapped and escaped. He believes it was all in her head. Jill feels she cannot trust the police to help.

At first I thought (and hoped) I would be seeing a female version of a Mel Gibson character who knows no boundaries when a family member is taken. I was wrong. We see Jill doing the detective work that the police would normally do. She goes here and there and gathers clues getting closer and closer to the serial-killer kidnapper. The police are now in full pursuit of her because shots were fired and that is a violation as she had been in a mental hospital and owning a gun is a no no.

This held me because the suspense and tension were very good. And, what's not to like with Jill and those big Red Riding Hood eyes? (I would guess Amanda Seyfried will be forever known for that.) The entire cast performed well.

Two things: Jill's road trip to the forest where she was kept years ago has the story go full circle as we knew it would. We screamed and begged for her not to go there, but she didn't listen. And, where Molly was found was a bit of a stretch but for the twist to work it had to be this way.

However, all in all, this is pretty good even though you are convinced a Mel Gibson character won't show up. (7/10)

Violence: Yes. Sex: No. Nudity; No. Language: No.

A completely focused Performance highlights this somewhat familiar Tale of a Woman who has been severely traumatized by...that is the question. Is it all in her head, is she delusional, did something really happen to her or is she completely "Gone"?

This is played out throughout this competent Thriller as She believes that the source of her pain and suffering is back and has abducted her Sister. This unleashes Her barely pent up Rage and propels Her on an unstoppable quest to evoke Revenge and rescue Her Sis.

This is a bit above a routine exercise in Serial Killer Clichés as it focuses on a truly riveting and believable Amanda Seyfried as the troubled Heroine. Truth is that she is damaged and not really in complete control of her affliction and this lends a certain edginess to the Film as you never really know what She is going to do next, or what Lie She will fabricate, it seems at will, in a moments notice.

Worth a look for Fans of this type of thing and those who like strong Females willing to go the distance even if it means facing your most frightening fears.

This movie was well paced and well acted by Seyfried. I really enjoyed the "road trip" she takes trying to track down her target. She is slick in her conversations and smooth in her charms to converse with people and get whatever puzzle pieces they have to offer. I really like the mystery the movie conveys as it leads to the end. I really felt like the path could have lead to multiple characters in the story, and as you watch Seyfried's pace you are constantly asking yourself how much of the story is she capable of creating herself. I hope the score for this movie rises about the 5.6 it is at currently. Other movies float in this range and do not bring nearly as much to the table.