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As a police psychologist works to talk down an ex-con who is threatening to jump from a Manhattan hotel rooftop, the biggest diamond heist ever committed is in motion.
Director:
Asger Leth
Stars:
Sam Worthington,
Mandy Gonzalez,
Jamie Bell
When a madman begins committing horrific murders inspired by Edgar Allan Poe's works, a young Baltimore detective joins forces with Poe to stop him from making his stories a reality.
Psychologist Margaret Matheson and her assistant study paranormal activity, which leads them to investigate a world-renowned psychic who has resurfaced years after his toughest critic mysteriously passed away.
Director:
Rodrigo Cortés
Stars:
Cillian Murphy,
Sigourney Weaver,
Robert De Niro
An heiress who's been shut inside her apartment building for nearly two decades is forced to confront her fears after one of her neighbors is killed and a detective arrives to begin the investigation.
After twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving to be a stubborn companion.
A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a politician.
As the Barret family's peaceful suburban life is rocked by an escalating series of disturbing events, they come to learn that a terrifying and deadly force is after them.
When her sister disappears, Jill is convinced the serial killer who kidnapped her two years ago has returned, and she sets out to once again face her abductor. Written by
Anonymous
Director Heitor Dhalia stated to Brazilian newspapers that he had no control over his movie, all the major decisions were made by the studio. He couldn't even meet actress Amanda Seyfried before shooting to rehearse and prepare her to the role. He almost took his name out of the project, but in the end decided not to. See more »
Goofs
Jill's neighbor tells her that the mysterious van was outside her house at 1:00am, but when she confronts the locksmith she asks him if it was there at 2:30am. See more »
Quotes
[first lines]
Jill:
Are you going to say hi?
Molly:
Maybe tomorrow after my final. Right now I've got to become an expert on marginal productivity theory.
Jill:
I'd ask you what that is, but then I'm afraid you'd tell me.
See more »
Gone proved to be a much different movie from what the trailer indicated. Under the veil of a cliché game of cat and mouse, Amanda Seyfried pulls of an incredibly difficult role by riding the line between insane and driven. The movie puts its entire success on keeping the audience guessing whether this could "all be in her head" or really is part of a sick plot. It succeeds in doing so on the shoulders of Amanda Seyfried.
Unfortunately, Gone built its own wall on the road to greatness. By keeping you guessing, the writer throws plenty of false hints and possible suspects. By doing so, the movie takes on the feel of the worn-out Hollywood thriller. Although this move may have been necessary, it means other aspects of the plot are seriously lacking. Characters are completely forgotten. The climax relies on a timed event that could not be planed. In the end, this thriller lacks all the elements to make it memorable.
Despite missing its mark, Gone is completely enjoyable. In many movies, I find myself evaluating the movie halfway through. That never happened. The tension maintained itself through the entirety of the movie. I found myself holding my breath, sitting on the edge of my seat, and wanting to scream, "Don't go in there!" This is how a thriller should work. I wish the amateur mistakes could have been removed. If that were done, this movie could have been great.
I must point out the politics of the movie. It was believable on most levels. The movie is set on the basis that a girl who has experience with PychCare will usually be treated like she is insane. This idea is done very well. The investigators do give her the time of day, but still appear to brush her off. As the movie progresses, it is fascinating to watch the investigators grow more worried about Seyfried with a gun rather than a missing girl. In the end, it is quite believable.
If you are in need of a good thriller, this is the movie to see. It stumbles, but will keep you guessing. There is no great advancements made in the genre, but that does not mean it is not worth seeing. When you put an actress in the lead who can keep you guessing, you will usually have a good thriller. Congratulations to Amanda Seyfried for getting out of her shitty movie slump.
reillyreviews.wordpress.com
30 of 37 people found this review helpful.
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Gone proved to be a much different movie from what the trailer indicated. Under the veil of a cliché game of cat and mouse, Amanda Seyfried pulls of an incredibly difficult role by riding the line between insane and driven. The movie puts its entire success on keeping the audience guessing whether this could "all be in her head" or really is part of a sick plot. It succeeds in doing so on the shoulders of Amanda Seyfried.
Unfortunately, Gone built its own wall on the road to greatness. By keeping you guessing, the writer throws plenty of false hints and possible suspects. By doing so, the movie takes on the feel of the worn-out Hollywood thriller. Although this move may have been necessary, it means other aspects of the plot are seriously lacking. Characters are completely forgotten. The climax relies on a timed event that could not be planed. In the end, this thriller lacks all the elements to make it memorable.
Despite missing its mark, Gone is completely enjoyable. In many movies, I find myself evaluating the movie halfway through. That never happened. The tension maintained itself through the entirety of the movie. I found myself holding my breath, sitting on the edge of my seat, and wanting to scream, "Don't go in there!" This is how a thriller should work. I wish the amateur mistakes could have been removed. If that were done, this movie could have been great.
I must point out the politics of the movie. It was believable on most levels. The movie is set on the basis that a girl who has experience with PychCare will usually be treated like she is insane. This idea is done very well. The investigators do give her the time of day, but still appear to brush her off. As the movie progresses, it is fascinating to watch the investigators grow more worried about Seyfried with a gun rather than a missing girl. In the end, it is quite believable.
If you are in need of a good thriller, this is the movie to see. It stumbles, but will keep you guessing. There is no great advancements made in the genre, but that does not mean it is not worth seeing. When you put an actress in the lead who can keep you guessing, you will usually have a good thriller. Congratulations to Amanda Seyfried for getting out of her shitty movie slump.
reillyreviews.wordpress.com