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Tomorrow You're Gone (2012)

Not Rated | | Thriller | 1 November 2012 (USA)
Charlie Rankin, recently released from prison, seeks vengeance for his jail-house mentor William "The Buddha" Pettigrew. Along the way, he meets the ethereal, yet streetwise, Florence Jane. They embark on a unlikely road trip, careening towards an unlikely redemption and uncertain resolution.

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Cast

Credited cast:
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Florence Jane
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The Buddha
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Ornay Corale
...
...
Blonde Mistress
Jayda Diamonde ...
Movie Nun / Blonde in Bus Station / Blonde Maid
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Charlie's Father (voice)
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Stitch Marks
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Young Charlie Rankin
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Used Car Salesman
Ryan Ross ...
Knitcap
Agnes Herrmann ...
Conv. Store Clerk
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Violent Man / Chester
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Sporting Goods Clerk
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Storyline

Charlie Rankin, recently released from prison, seeks vengeance for his jail-house mentor William "The Buddha" Pettigrew. Along the way, he meets the ethereal, yet streetwise, Florence Jane. They embark on a unlikely road trip, careening towards an unlikely redemption and uncertain resolution.

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lesbian kiss | tied feet | See All (2) »

Genres:

Thriller

Certificate:

Not Rated | See all certifications »

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Release Date:

1 November 2012 (USA)  »

Also Known As:

Boot Tracks  »

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Box Office

Budget:

$3,500,000 (estimated)
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Aspect Ratio:

2.35 : 1
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Did You Know?

Soundtracks

Agile, Mobile & Hostile
Written by Mick Collins, Dan Kroha, and Andre Williams
Published by D.K.W. Music (BMI)
Performed by Andre Williams
Courtesy of In The Red Records
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User Reviews

 
"The eyes are the windows to the soul--You gotta learn how to draw your curtains"
20 March 2014 | by See all my reviews

TOMORROW YOU'RE GONE is no thriller, which is not, of course, an entirely bad thing. It's a strange, dreamlike, and fairly uneventful film about Charlie Rankin (Dorff) being released after a four-year stint in prison, intent on wreaking vengeance on those who put him there and performing "hits" against adversaries of "The Buddha"(Dafoe), another former--now dead?--inmate who acts as his ethereal mentor. He also meets "Florence Jane" (Monaghan) the girl of many-a-guy's dreams, but not Rankin's, who just wants to be friends with her. Florence Jane, it would seem, is a sort of guardian angel figure save, perhaps, the "guardian" part. Much of it is open to interpretation, and much of it simply doesn't make a whole lot of sense.

More thematic and atmospheric than action-oriented, TOMORROW YOU'RE GONE is well-filmed and well-played, and much of the script (especially Florence Jane's) is quite memorable without being overly pretentious: See the quote from "The Buddha" used as my title here. TYG also has things to show and tell us about the futility of vengeance, the destructive nature of bitterness, and various other things.

If only the plot were better. . .


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