Jodaeiye Nader az Simin (2011)

A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

Director:

Asghar Farhadi

Writer:

Asghar Farhadi

Stars:

Peyman Moaadi, Leila Hatami, Sareh Bayat

Top 250 #105 | Won 1 Oscar. Another 58 wins & 21 nominations.

Cast

Credited cast:
Peyman Moaadi	...	Nader
Leila Hatami	...	Simin
Sareh Bayat	...	Razieh
Shahab Hosseini	...	Hojjat
Sarina Farhadi	...	Termeh
Merila Zare'i	...	Miss Ghahraii
Ali-Asghar Shahbazi	...	Nader's Father
Babak Karimi	...	Interrogator
Kimia Hosseini	...	Somayeh
Shirin Yazdanbakhsh	...	Simin's Mother
Sahabanu Zolghadr	...	Azam
Rest of cast listed alphabetically:
Mohammadhasan Asghari	...	Creditor
Shirin Azimiyannezhad	...	Woman in the Bus
Hamid Dadju	...	Creditor
Mohammad Ebrahimian	...	Judge

Storyline

Nader (Peyman Moaadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter.

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Plot Keywords:

iran | divorce | alzheimer's disease | humanity | visa | 

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Taglines:

Ugly truth, sweet lies

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material

Details

Official Sites:

Golem Distribución [Spain] Memento Films [France]

Country:

Iran

Language:

Persian

Release Date:

16 March 2011 (Iran)

Also Known As:

Nader y Simin, una separación

Filming Locations:

Tehran, Iran

Box Office

Budget:

$500,000 (estimated)

Opening Weekend:

$59,481 (USA) (30 December 2011)

Gross:

$7,098,492 (USA) (15 June 2012)

Company Credits

Production Co:

Asghar Farhadi

Technical Specs

Runtime:

123 min

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

First Iranian film to receive nomination for an Academy Award in the Best Writing, Screenplay Written Directly for the Screen (or Best Original Screenplay) category. However, the award went to Woody Allen for Midnight in Paris.

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Goofs

At 1:39:53 when Simin and Hojjat's sister are talking to Hojjat,the fan behind Hojjat is on at first, but in next scenes its off and facing a different angle.

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Quotes

Nader: I went there cause I have a sense of humanity.
Hodjat: where was your sense of humanity when you were hitting her ?

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Connections

Featured in Maltin on Movies: Premium Rush (2012)

User Reviews

unsaid words can turn into a separation

It seems that a court room drama could be the best place for Frahadi to recreate his very own world and confront us with a short and somehow faraway situations and incidents in life. We think these kinds of happenings and conflicts would not take place in our lives but with his realistic world and characters they seem so close and possible to anyone. Asghar Farhadi loves to put his audience in place of judge, as his other pictures like About Eli or Fireworks Wednesday and here with no fear he takes us straight to a court room. But the thing is that the judge does not provide any help for us to make a clear judgment and surprisingly makes the situation even more complicated. Yes Farhadi doesn't want us to make a judgment, He makes us watch and observe and leave the theater with a big fork in front of us.It Seems that any single decision creates another world full of forks and not taken ways.

when nobody is clearly guilty and the line between black and white is so dim. And again here we are in Frhadi's powerful hands surprised to the end of the movie. You can't leave your chair even for one second because the story never lets you to lose even a single moment. And like a tennis ball we're always being shot from this side to the other. And finally we are the daughter shocked and disable to make a decision. May be we haven't seen or we don't want to see this side of life, where nothing is clear, when small lies and unimportant undone things and unsaid words gang up against us and turn to a big disaster. Frahadi has found his own world and his own language and his own version of life. Something we'd never seen before. We appreciate that. He can easily bombard us with information and surprise us with tiny details that seem nothing but like a snowball rolling down a slope they can form a big drama.