A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to ... See full summary »
An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
Nader (Peyman Moaadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter. Written by
The director's daughter, Sarina Farhadi, plays Termeh, the eleven-year-old daughter of Nader and Simin, in the film. She shared the Best Actress (ensemble) Award at the Berlin International Film Festival. See more »
(at around 1h 40 mins) when Simin and Hojjat's sister are talking to Hojjat,the fan behind Hojjat is on at first, but in next scenes its off and facing a different angle. See more »
This is the first Iranian film I've seen, and I'm recommending it to every-one I know. It is so well-crafted; the twists of the plot throw up new moral dilemmas for all the protagonists, which are explored sensitively and without judgement - so refreshingly unlike mainstream American films. I felt sympathy for all the characters, even the threatening Hodjat, full of misplaced rage which often erupts volcanically. And as a footnote, the film felt like an intimate view into a society that our news media portray as monochromatic and extremely foreign. (I am writing this a few days after the UK embassy in Tehran was ransacked)
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