A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Hamoon's wife is leaving him. He is also unsuccessfully trying to finish his Ph.D. thesis. He is forced to reexamine his life. In a series of flashbacks and dreams, Hamoon tries to figure ... See full summary »
Nader (Peyman Moaadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter. Written by
Second Iranian film to receive nomination for an Academy Award in the Best Foreign Language Film of the Year category. The first was Children of Heaven (1997) directed by Majid Majidi in 1997. See more »
(at around 1h 40 mins) when Simin and Hojjat's sister are talking to Hojjat,the fan behind Hojjat is on at first, but in next scenes its off and facing a different angle. See more »
And it comes from Iran. The first thing you read on the screen is "In the name of God". Well, anyway it's the best story, the best cutting, the best actors you've seen for long. And few films are that stomach-turning, although there's hardly any physical violence.
A wife wants to go abroad. Her husband can't because he wants to take of his senile father. The wife moves and the husband hires a woman to look after his father.
And then the screw turns, although most of the story takes place in everyday Iranian life. The center of it all is perhaps the daughter, who is nearly teared apart. But it takes time until you realize that. Anyway, I can almost guarantee you sit the film through, until the final post-texts has passed.
So amazingly clever.
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