A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
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An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
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A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
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Ghasem (Hamid Farokhnezhad) with his wife, Narges (Leila Hatami), his mother and other relatives and parents take a flight to Bandar Abbas, to get hired in an industrial company. Since the ... See full summary »
On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
Nader (Peyman Moaadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter. Written by
And it comes from Iran. The first thing you read on the screen is "In the name of God". Well, anyway it's the best story, the best cutting, the best actors you've seen for long. And few films are that stomach-turning, although there's hardly any physical violence.
A wife wants to go abroad. Her husband can't because he wants to take of his senile father. The wife moves and the husband hires a woman to look after his father.
And then the screw turns, although most of the story takes place in everyday Iranian life. The center of it all is perhaps the daughter, who is nearly teared apart. But it takes time until you realize that. Anyway, I can almost guarantee you sit the film through, until the final post-texts has passed.
So amazingly clever.
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