The Thompsons

Forced on the run, a vampire clan arrives in London looking for help and recuperation only to find their hosts have far more diabolical plans in mind when they're captured and forced into a breeding program to ensure survival, putting the two families against each other.

Surprisingly, this turned out to be quite a decent enough vampire effort that does have some pretty enjoyable features about it. One of them is perhaps the most controversial of the film's changes, in how it deals with the vampires in here. Rather than being remorseless nocturnal bloodsuckers unsympathetic with humanity in the slightest, this one portrays two distinct differences that are rather unique: being a condition received at birth and thus being able to walk about in sunlight with no ill effects, and the second issue of having no real interest in humanity other than feeding time and being out and about without getting into the strange, rabid intensity around fresh meat. Here, they're given a little more of an ability to blend in with the rest of humanity and that's quite a fun option here as it goes against so much of what's known and given about the creatures in the folklore. While this change may not be for everyone, the fact that it's no excuse for how slow and uneventful the first half of this is really hard to take into account, which has the ever-familiar stamp of British class and restraint that makes nothing seem important to get worked up over and really drains this of its energy. That said, there's still some good parts here with some fine gore scenes from the multiple kills, a couple of outstanding action scenes coming from a multitude of brawls and gunfights, and a twisting, convoluted storyline that stays on-track throughout these twists and turns that keep this quite enjoyable though not entirely perfect.

Rated R: Graphic Language, Graphic Violence, Full Nudity and several sex scenes.

This is not a real review, it should be taken more as a collection of impressions on the film.

Considering first of all that there are enough vampire films now and this is just the umpteenth but at least do it well, the film is very very mediocre and doesn't seem to commit, it seems like they simply wanted to make a vampire film because vampires usually sell but without adding anything else. The plot is very banal even if the plot twist isn't that bad and really surprised me, I dare say that this is the only positive thing about the film. However, we must also talk about the ending which is very far-fetched because it seems they wanted to hurry up and close the film and therefore made an ending that was a little too incongruent with the story just to give a happy ending to the events.

First of all I must say that it is nice to have a vampire movie that is not tailor-made for a teenage girl audience with sparkly vampires and big hair. However, that being said, then I will flip the sword around and say that this vampire movie is far from being amongst the more interesting or appealing of vampire movies that I have seen.

The story is about a family of vampires who flee from USA after having made it to the news with a video of them killing humans. The vampires find themselves in England where they seek the help of another vampire family, but is blood thicker than water?

Having sat through "The Thompsons" now, I must say that I am filled with an overwhelming sensation of that this storyline was utterly and completely unnecessary. The story left no lasting impression on me, nor did it manage to rise above mediocrity in its concept and execution.

It should be said that the people in the movie were actually doing a great enough job with their given roles, though it is not award-worthy material here, far from it.

For a vampire movie, then there were surprisingly few effects in the movie. One good thing, and an interesting thing, about the movie, was that the vampires here were not immortal nor undead. So that was an interesting approach to the mythical vampire creature.

"The Thompsons" is the type of movie that you watch once, then shrug your shoulders and forget about the movie. It failed to make a lasting mark, despite having enough fangs to bite deeply with.

I quite enjoyed "The Hamiltons" of which "The Thompsons" is a kind of follow up, as they have fled away from th States to Europe, where they're up to no good.

They describe the difficult life of modern day vampires. With nowadays surveillance cameras it's not easy to get a drink of blood. After Running away from the US they go looking for their ancestors in Europe, from where Hamiltons origin, the Mandersons. And you could say that they find them. But the foreign visitors aren't politely received.

If you didn't know; you shouldn't be ashamed of being a vampire. In this film we get to know vampire life as the most common thing there is, being a vampire and a killer. And it's a disgrace to not be a real vampire.

It's a modern vampire story well told. The production values is once again very good. The Butcher Brothers knows how to tell their vampire stories, so that we almost start to believe them. It's gory, funny, disgusting and bloody, as a vampire slasher has too be. When the Butcher Brothers decide to do something really serious, they'll know how to do it.

However this story is told so disjointed and without any car, then it falls short from the original one. Too many stupid coincidences and plot holes makes this far off what it should have been. Sloppy, you could say. And that becomes boring and annoying.

You won't miss out if you stop watching this half ways, as the quality falls from there.

The only thing you miss out, is that they sympathetically drive off in an Audi S-line. A pity it'll have to be blood spattered...

After 6 years, The Butcher Brothers (Mitchell Altieri and Phil Flores) return to the dysfunctional vampire family last seen in their low budget chiller The Hamiltons, who, as per that film's finale, now go by the name of The Thompsons. When a stop at a roadside diner puts them in the middle of a robbery, youngest member Lenny (Ryan Hartwig) is seriously wounded. After slaughtering robber and patron alike, the fiendish family flees to Europe to find help from others like themselves and escape the police manhunt. In the small town of Ludlow, England they find their British equivalent, The Stuarts and it seems they have found help for Lenny in this kindred family. But, The Stuarts unveil their own sinister agenda and as Francis (Cory Knauf) falls in love with their beautiful daughter, Riley (Elizabeth Henstridge), a war of the vampire clans erupts and a blood soaked battle for supremacy begins. Where the first film was a creepy and twisted family drama, the sequel shows us what a Twilight movie would be like if they had any real fangs… and gallons of blood. And The Butcher's version of that neutered vampire saga is a lot more gory fun. Where the first movie kept their vampiric nature a secret till the end, this is a full blown vampire flick that explains a lot of about the character's condition that wasn't fully explored in The Hamiltons. There are barely any humans in the cast either and those that are, don't last long. It's all red eyes, bared fangs and spurting blood. The film moves quickly too, at barely over 80 minutes, so there is little time wasted on melodrama and what I really liked was how the Butchers turned the sick and blood thirsty Hamiltons/Thompsons into the victims this time round and thus the heroes. We find ourselves rooting for characters that creep-ed us out in the first movie and that was part of what made this sequel entertaining. If you are a fan of The Hamiltons you probably will enjoy this sequel especially as the original cast are all back, except for Hartwig as Lenny, and they are taken in a different direction. The budget is slightly larger but, not by a lot as the Butcher's style seems to be a good fit for low budget indie horrors. It's not perfect, there are some flaws, it's not as atmospheric or creepy like the first film, not that it lacks it's share of shocking moments, but, overall an enjoyably different follow-up to the disturbing original.